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Showing content with the highest reputation on 05/12/2019 in all areas

  1. 1 point
    I love it, you've got some fantastic ideas. I loved where you moved to the thick chords, it mesmerizing. One thing I liked especially was your miserere, it's quite interesting. There are a couple things I'm not sure about. My first thing is that you have the sopranos singing high Fs, Gs, and As softly. This is pretty risky, firstly not a lot of sopranos like doing that, secondly musical directors like it even less when their sopranos have to that (in a piece like yours where everyone has an important part of the chord). When it's just the sopranos and altos, I find it less interesting, like on m. 35 and 36. That miserere feels like it could be better, but I'm not entirely sure if I should give my personal insight on that, because it might just be a me thing. m.28-30, I don't think that Bass 1 part is necessary, I think it'd be better in the tenor part. Especially with how important that Bass 2 part is in that series of chords. Also for your cadences at the ends of phrases, you don't need to put a fermata over each chord, I know you might be doing it for playback but ti doesn't hurt to mention. Putting a rall. says the same thing. I think this is a nice sounding piece, with some great parts, and couple parts that need that flat iron finish.
  2. 1 point
    Hello everyone,, So a while ago I wrote the score for our school production of Julius Caesar. Fortunately I was able to rehearse and record with the school's orchestra! I was wondering what you guys think of it? Pros, cons, things I need to work on or what I do well; i'd like to know! mobdro lucky patcher kodi
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