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TristanTheTristan

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  1. Now should you go crazy with drums again or make a catchy beat?...
  2. Basically, have your music more thought through and with a clear idea of the thing and not having voices 'backwards'.
  3. That is 笛子。Playing the flute is called 吹笛子。
  4. So that is why your notation is... Ahem... Quite interesting....
  5. Adding onto both of the people above me, I am just going make my point. Firstly, it is interesting that you start with the subdominant. You decided to keep it just like mysterious at the beginning. I really admire that. Great that you have put in effort to do dynamics. That is nice. Dynamics are important for understanding the music completely. Maybe try to also have some italian terms in your music next time. It could really help with bringing out the right emotion. I know it is annoying. Structure, and I agree. It is in fact annoying, but next time, maybe try to do it in a sonata form without repeats and stuff. Try it. Don't worry about the amount of themes. Just focus on structure. have an idea, develop it, and come back. This is good practice. Try all kinds of forms. Don't stop yourself from trying new things. (!Self-Promotion Alert!) Just recently, I have written my second Nocturne, which is almost the opposite of my previous, incredibly virtuostic self. Overall, you have composed a well thought piece of music. P.S.: Are you told you have to write chord names?
  6. and also liEbestraume please. EEEEEEE!
  7. the oboe and claniret in Bb can play 2 notes at once?! like one is holded and the other isn't?
  8. THIS IS OBVIOUSLY NOT AN ENTRY FOR THE SPRING COMPETION, LANDSCAPES. https://musescore.com/user/96214813/scores/33034298 This is my second nocturne, dedicated to a fellow student from Year 7. He is an extremely talented beginner thus able to play harder stuff. Moderato-Adagio, Db Major, 3 minutes 22 seconds, and 60 bars. Very short, for me. 5 pages of A4, March 23rd 2026-April 2nd 2026. It is in rondo form, with a cantabile theme. As always, my music is NOT AI Generated. The piece starts with the Submediant, a bombastic octave, here, going to un-resolve in to the V of the V. Then, it decides, to go on a weird cadence of that chord progression I have no idea how to describe because I was just chilling and I was like yes! That feel and what. So yeah. And then the dominant with the minor third thing. This rondo form is more like a ABACA type of thing, so yeah that is it bye.
  9. I am doing a solo piano type of thing. Watch me blow your mind not with music, but with instrumentation.
  10. TristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristanTheTristan (etc.) wishes his wish of writing a not yet existent but later surely existing existentially as an existing existence in the musical realm to be fulfilled non-ceased existentionally.
  11. It becomes catchy quickly. I can't sleep after listening to it 15 hours ago.
  12. Thanks! (P. S. On the first beat, second bar, it should be tonic mode on the bass, and also, are you rachmaninoff?)

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