TristanTheTristan

Hi there. Let's go to the point right away. Firstly, Nice waltz! I really enjoyed listening. There seems to be a problem too, by the start. It is definitely not Presto. The Bpm is more like 112 (I use a metronome). Presto is kind of like 180 Bpm. If you want a Presto, I would recommend writing something like the following: Presto (c. 112). Secondly, I could definetely hear Chopin here! The ideas at bar 18 and 38 is also very good. Thirdly, cantabile part seems nice. The immediate transition to G Major and back to A minor is extremely nice. Although in a Major Key beginning, it still keeps a melancholic atmosphere. The bars 49-56 area's texture is favorable. Bar 62 is played wrong. You forgot to play the (appogiatura) B natural. Fourthly, From Vivace, there is a Key signature change, which I like. Again the tempo is played wrong. Bar 93 does not make sense Lastly, from maestoso, I really like the texture. Bar 116 is one of my favourite bars in this composition! Then, it is go to the start up to the Coda mark. The coda is not long enough, though. Could be longer. In conclusion, You have great composition ideas, but you still need more practice. Overall, I would rate this piece of music a 8.5 out of 10. Have a nice day! -TristanTheTristan

I could only say, Good job!

You're Welcome!

Is it still the same?

Make it more chaotic. You are not Bach. Maybe listen to some of my works that were supposed to be fighting song for a game. I am going to put them on here later.

I still need more ideas for my third sonata. Anyways, @churchcantor did you listen to them yet? (Like the full thing). I can wait though. Don't disappear.

Thanks!

Hey, you know that Ravel once said to Gershwin when Gershwin tried to study composition with Ravel... Gershwin: Yo bro, you seem cool, can I study composition with you? Ravel: Nah... Gershwin: Why not? Ravel: I don't want to teach-... I meant why become an awful Ravel when you could become a perfect Gershwin? Gershwin: %$!@?٪35@DF3#^... Gershwin died of a heart attack. No. Just kidding! But you get the point. And yes, I did enjoy The music.

1. A minor. Again, just like the string quartet one, this one is very Mozart. I find a great use of grace notes (acciaturas) here. In the opening, you have the two hands play parallel, just like in Chopin's Scherzo No.3 . I see that after that, you had an immediate F Major Part. And then my favourite part is the syncopation with grace notes part. I think that this contains a lot of great ideas. 2. A major. The transition makes a lot of sense. e, f sharp, e part at the start is great, and very Mozart-like. The double-thirds runs seem fun to play! The left hand parts are very good. I think it is wrong at bar 44 to be in minor key, as that you haven't notated a natural sign. Overall, very good use of the second voice. 3. F major. Really waltzy. Bar 50 has a sharped C, which is a very smart choice. D minor is also a brilliant transition. I like the way it is intense from bar 56, and how it is in A minor, and transitions back to F major at bar 60. It feels magical in a way. Very great. 4. C# Major. Nice Introduction here. A major is something I like personally. The transitions are incredibly nice. It is smart to go back to the original key. Nice piece. 5. G Minor. Sorry for being offline for some time. Anyways, very jazzy opening and ending, with nice transitions to different keys, as always very elegant. I like the tension in the end. Nice use of dissonance. 6. G Minor. March-like Finale! Very cool. I like how you used Bb Minor stuff too! Anyways, I also like the staccatissimo texture! Overrall, 9 out of 10. Be happy! This is great, and you have a lot of potential. To improve, maybe write longer music and develop ideas. Keep composing! -TristantheTristan

You are welcome!

EVERYONE! THE HIDDEN CONTENT IS HI!