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Found 4 results

  1. jawoodruff


    The idea behind the first part of this movement is the growth of material from one note to its full statement. The clarinet, trumpet, violin, vibraphone, and trombone all play there own material treated in this manner. Each statement introduces a new note to their material. The bassoon and bass provide a sonic backdrop to this unravelling. I plan on expanding on this idea in other works -this was a fun idea to work on. Hope you enjoy.
  2. hello everyone, I am back, this is the piece I newly composed, hope you like it, and welcome everyone's commentation.
  3. This is a Canon that I have composed for String Septet (2 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass).
  4. I don't usually post here in this sub-board or make chamber music or any sort of orchestral compositions, I'm usually in the rock section.. This is actually my first attempt, I decided to do a very simple 'Septet', with the setup made famous by Beethoven: clarinet, bassoon, horn, violin, viola, cello, and double bass. All criticism will be appreciated, I have no experience in this type of music and would love to gain some. The composition itself is a mixture of rather horror or grief in the beginning, resolving into the satisfaction from the calm following anxiety. I hope you like it, if it's not very formal for an orchestral piece, judge it as music as well. In my opinion, I preferred the second part, what about you? EDIT: Thought it would help to add that I created this through D.A.W., no scores (I can extract a score per instrument but that's not very friendly). It's done through MIDI Notation or a technique similar to that, which when used to is much easier than one would think. I actually think it's as easy as scores are for who understand them, which for me I barely understand anything of them.
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