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Found 21 results

  1. Thanks for everyone who voted for my piece in the competition, if people want to see it again or say something about it you can do that here. Have a nice day 🙂
  2. https://flat.io/score/5f24fb35642bf90cb384b02a-melody-ai-piece
  3. Good evening! Here is a short woodwind duet in sonata form I wrote a few years ago with a new video on YouTube, hope you like it! YouTube video
  4. The Bassoon has to be my favorite out of all the woodwind instruments. It doesn't have the nasal quality of the oboe, despite being a double reed. It has a more mellow tone than the oboe, but also quite a vocal tone. That is one of many similarities between the Bassoon and the Cello. The range is also similar to that of the cello, as is how the timbre changes with register. The Cello and the Bassoon both project more at the same dynamic in their tenor register than in their bass register. And like the Cello, the Bassoon gets a lot of solo writing. Though I do notice a more equal distribution o
  5. Hello all, Here is the first movement of my Fantasy in D Minor, scored for pairs of Oboes, Clarinets, Horns and Bassoons. It is written in sonata form, and I tried to share the material between the different instruments. It took me a long time to write - I hope you enjoy it!I - Lento.mp3
  6. jawoodruff

    Etude

    The idea behind the first part of this movement is the growth of material from one note to its full statement. The clarinet, trumpet, violin, vibraphone, and trombone all play there own material treated in this manner. Each statement introduces a new note to their material. The bassoon and bass provide a sonic backdrop to this unravelling. I plan on expanding on this idea in other works -this was a fun idea to work on. Hope you enjoy.
  7. I started this quintet with the intention of entering this into a competition -so, I've been working pretty intently on it (to the point that it's all I think about). Here are the first 2 movements: 1. Andante: The first movement serves as a sort of introductory movement. The movement utilizes the short two bar theme presented in the opening (this theme also permeates large portions of the work as a whole). The theme is presented in all voices, leading to the establishment of a 'hopefully' hypnotic pattern -through which I play with the theme and introduce contrapuntal material. The
  8. Hello everyone I don't think I've posted a piece here in a while. Here is a composition for Bassoon and Piano - the first I have written for Bassoon solo. What do you guys think of it?
  9. So after listening to Bach's Cello Suites and his Flute Partita, I figured I would do a similar thing but for bassoon. The fact that I am writing for bassoon is partly why I decided to start with an overture instead of a prelude(French overture if you want to get into the specific type based on speed pattern). That isn't to say that the slow section won't include some fast 16ths but I have been adding long notes as I see fit. I only have 13 measures so far, so I'm not thinking of uploading the piece yet. But I can only use the singing method for the alto range and low soprano pretty much(
  10. Staying in Prague (which is in the heart of Europe), I used the Romani people and their culture as inspiration for this very short piece, that is in a dance-like character. I was approached by a Gypsy soothsayer whilst here, and this encounter inspired me to write music. The material is short and concise, and it borrows influence from Central European nomads as such. I'd love to hear your input and enjoy!
  11. I use an electronic loop as an element to provide atmosphere although it's more chamber work than electronica. I've cranked up the piano click intentionally. If you are scratching your head after hearing this, 'that's different', or 'hmm', then I have succeeded.
  12. I composed this trio(flute,oboe and bassoon) last year for a calls for score. I Hope you apreciate that! Unfortunatelly I don't have a live performance yet.
  13. Hello, friends! I recently joined this forum, and this is my first post here. I have been working on this piece for a little while now to use in my college application portfolios. I would love to get some feedback on it, if anyone is inclined to listen and look at it. I will be recording it next week, so anything you have to say would be great.
  14. Hello everyone. Can someone (preferably a bassoonist) attach a melody which is virtuoso level on the bassoon. I am interested in the limits and capabilities of the bassoon and I would like to know more about it.
  15. Hello everyone, So this is the first piece I'm uploading in this forum. I tried to capture different parts of the Movie: Tonari no Totoro (My Neighbor Totoro), such as the general setting in the beginning, the soft rain that gets stronger and stronger, the appearence of this creepy cat-bus and finally the happy ending. Sheet in PDF is applied as well PLease enjoy and be honest ;)
  16. Again, I was not sure whether this qualifies for the chamber music or the large ensemble category, but here it is. Powder Peony Waltz is a Viennese waltz written for whatever group of instruments I like (modified orchestral ensemble with ornaments in the form of a piano and celesta). I know that the transition between different keys is extremely awkward and chord progressions are not very fancy, but I was simply asked to write a quick small piece for dance class at my high school for their annual ballroom dance show. I intended to make this sweet, flowery, and light. Thank you for listening an
  17. So, I am a huge fan of some of the music that is starting to come out these days. I am very excited about one of the directions classical music is taking. There are several composers who represent this direction that I refer to. For so long (nearly a century) music withdrew from its romance with emotion, it withdrew from expressive melody and lush harmony, it withdrew from a tonal center and a lyricism. Few composers held to these ideas in music. Namely I can think of Samuel Barber as someone who wrote beautiful expressive music in a period where Schoenberg's 12 tone technique came to take ove
  18. Instead of arranging a piece for a full band, I tried doing a slightly different style. Inspired by Adrian Quince, I had high woodwinds (oboe), low woodwinds (bassoon), saxophone, high brass (trumpet) and low brass (tuba). The ending still isn't completely final because I still am not sure what to do with it. Any feedback/suggestions? https://musescore.com/user/15379306/scores/3341871 small band piece.mid
  19. Alto Saxophone Concertino No.1 in f minor ‘’Batterij’’, Opus 14 Dear reader / listener, I composed this concertino on the 14th of July for a national composition competition in Holland. The piece is about my black-out, which I had last school year. The composition is originally written for members of the Jong Nederlands Blazers Ensemble (Young Dutch Wind Ensemble) and me as soloist: Alto saxophone; oboe; clarinet in B-flat; horn in F; bassoon. Feedback would be very nice, because I have not received much useful feedback from the judges at the competition. Kind regard
  20. Guest

    Nymph's Sleep (Opus 17)

    A small lullaby thing I did for my Music Production (high school) class. The only objective was to produce a piece that will be exactly 2 minutes (my exceeds 120 seconds, but only because of the delay and reverb - I had to leave two empty bars for the sound to go down). I also tried to experiment with the harmony. It's a bit flexible, balancing between C major/minor and G major/minor. I just wanted to get out of the frame of choosing one key and using it's parallel or relative key. On the other hand, I do not want to write atonal music. Nymph's Sleep is written for two harps, glockenspiel, sma
  21. When I'm composing for full orchestra, I often find that I have trouble writing parts for the Woodwind section. These are some of my favorite instruments as far as their sound goes, but I just can't seem to write very "elaborate" or "high quality" sounding parts for them. Any tips or tricks would be appreciated. Thanks!
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