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  1. El denso velo (The thick veil) Wrapped in the dense veil of the dark night, the gazelle of the woods came to fetch me. Herido (Wounded) I have been so cruelly wounded by love that if my end came I would find no pain in death.
  2. I wrote some songs for violin and piano based on poems of the árabo-andalusí centuries. Yes, the arabs took Spain from the year 711 until 1492, and left a big and beautiful cultural legacy that is currently in our language and culture in general. These songs were written some years ago but now I have gone over them, arranged them and fixed some mistakes due to inexperience (I still am an unexperienced composer, but less). This poem was wrote by Abu-L-Qasim Al-Manisi in the 112th century. I tried to translate it into English:
  3. At this forum the stealing and plagiarism are being encouraged.
  4. This is my "Soliloquy for Violin No. 33". Here is the link to my previous soliloquy for violin: https://www.youngcomposers.com/t41587/soliloquy-for-violin-no-32/
  5. Hi, this is an arrangement of "we wish you a merry christmas" , that I made to play with my girlfriend, I wanted to make it a little original and give it a twist compared to the original song, so I added a part in minor and some other little tweaks to keep it interesting. Any feedback is apreciated :3.
  6. This is my "Soliloquy for Violin No. 32". It came to me in one continuous burst of inspiration. Here is the link of my previous soliloquy for violin: https://www.youngcomposers.com/t37002/soliloquy-for-violin-no-31/
  7. I have written a quartet for strings on which I would like the honour of some of your criticisms. This work has sprouted from almost a year and a half of counterpoint study. It is similar to a fugue; that is, it does tend to have fugal aspects; however on the whole, this is mostly a work of counterpoint with many interesting hidden ideas embedded within it. I can understand if you are unable to listen to the entire work, as it is almost 16 minutes long; however, if you give me some feedback on even a single contrapuntal passage, I would be greatly indebted to you. Thank you for your time and I
  8. Hello, fellow composers! This is my first topic and first submission for a review of one of my compositions and I'm very excited to share this with you. I work with pen and paper, using a piano for the most part, and only in the later stages of each section of sketchwork do I continue refining the sketches through the Dorico interface. I usually expect to record this with professional musicians in some way or another, so I never spend any time fiddling with the digital performance of the work, to be honest. Because of this, the performance is decidedly robotic, but it still manages t
  9. Hello guys. Haven't been active in this forum for a long time. So this is my second draft of my first string quartet. So you're advices/critiques will help in my venture in writing the next parts of the piece (yes some parts are not good).Hope you like it. https://flat.io/score/5e6f38d9b35b8f06521c6575-string-quartet-no-1-in-e-minor-2020
  10. Attached is the third movement of my piano trio. (yes completed before the second) I'm quite pleased as I wrote it very quickly for my standards. It's in minuet and trio form and is very short. please leave any thoughts down below.
  11. This is a piece I wrote recently about a nervous auditioner (I think that’s the right word) in an audition for area or district band. It is supposed to be more on the theatrical side with some instruments representing people. There are four movements, each representing a part of the audition process. I will explain each one in depth:
  12. Thanks for listening, I hope you enjoy.
  13. This is a piece I started composing last night after listening to String Duo for Violin and Cello in D major by Haydn. I felt like composing a piece in B minor for some reason, don't know why, maybe because I haven't really used B minor all that much in 3 years of composing. But as I started listening to it, it sounded more to me like a slow second movement than an isolated work. But what piece would have a slow movement in a minor key outside of the exceptions like Moonlight Sonata where the slow movement is the first movement and suites where the key relations aren't necessarily close?
  14. Rileyt

    Indigo

    This is a piece I just finished. It’s more of a draft, and the main reason I’m posting it hear is for feedback and advice on how to make it better. As for the title, I have synesthesia when it comes to relating music and musical notes to colors, and this piece as a whole just really put the color Indigo in my head.
  15. This piece was something I put together a while ago. It isn’t to complex and like usual, I’m always welcoming to advice on how to make the harmony a bit more complicated.
  16. https://flat.io/score/5ef0da584830d811e3e3737a-a-world-of-ecstasy
  17. This is a piece I wrote last week. I have separated the ‘movements’ by one measure long rests, and I understand if that may seem a bit too long; I have made them shorter in my more recent pieces. The reason I named it “Try, Try Again” was because the second and fourth movements reminded me of someone making a mistake whereas the other movements sounded like someone achieving or succeeding. I also included a quote on the last page of the score that I felt went along with the title of the piece.
  18. The second movement of my piano concerto, I wrote it during the lockdown and I feel like it exemplifies my mood throughout. I'm particularly pleased with the brief piu mosso section. I wanted to upload it with note performer, although I currently don't have my finances in order. so I didn't, if I get it soon I'll re-upload it. Please let me know your thoughts, and I'm working on the final movement, as I'm not short on time.!
  19. Hi everyone! This is my first attempt at a string quartet. It is the first movement of a larger string quartet that I intend to make in D Minor. It would be nice if you could review it and leave some feedback. Thank you! (really sorry I only have the midi mockup, haven't got it performed yet) link: https://youtu.be/yVSecRZSyCg
  20. I recently finished this composition and am looking for more advice. Considering this is my third piece where I’ve written for Strings, i think I’m getting better with writing for them. I can’t think of a name for it though so please recommend any possible names or ideas for names!
  21. Below is my first attempt at a fugue written for two violins. as such it isn't a conventional fugue as there is voice swapping across the board and does not necessarily follow the conventional harmonic series as I didn't pay too much attention and wrote this in a couple hours. Enjoy.
  22. Hey one of my next projects is a 3 voiced Fugue for two violins. could someone give me a quick rundown on how effective double stopping is in violin writing. EG how easy or difficult it is to move scales in thirds fourth etc Great much appreciated.
  23. Hey, I’m new to this website but I figured it’d be a good idea to get advice from other composers since I’m almost entirely self taught with composing and I could always use advice. Anyway here’s one of my pieces. I use Finale and some of the dynamics may seem too quiet or loud for an actual player but I most likely wrote it like that for making it sound the most ‘realistic’ when Finale played it back.
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