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Found 81 results

  1. This is my first piece in italian style and generally my first concerto (I don't think it's succesful), I write mostly solo music. What do you think? What do I have to improve?
  2. Luis Hernández

    Perendinare

    Perendinare is a latin word that has no representation in Spanish. It means: "to leave something for the day after tomorrow".
  3. Christian "Cj" Rhen

    A Lonesome Journey ~ Cj Rhen

    This is an original composition by me Christian "Cj" Rhen featuring flute, clarinet, trumpet, violin, cello, and piano. This will be performed at various events and professionally recorded by me for competitions and college apps. Tell me what you think. Instagram is @wind_player1
  4. luderart

    Soliloquy for Violin No. 31

    This is my Soliloquy for Violin No. 31. Here is the link to my previous soliloquy for violin: https://www.youngcomposers.com/t35725/soliloquy-for-violin-no-30/
  5. eternum1968

    A sweet violin elegy

    I wrote a piece for accompanied violin. It is mostly melodic. Roberto Zini - Elegia Violinistica I hope it is interesting.
  6. Luis Hernández

    My Life in a Nutshell

    I went over this piece once a teacher I had (on counterpoint) told me I should notate the different tempi for each instrument. What do you think? The world of polyrhythm-polytempi is wide. This is a canon in prolatio where every line is the same at different ratios.
  7. Dimitrije005

    My String Quartet #1

    Hi! I am a 12-year old boy that likes to compose music. This is my first string quartet. It is written for two violins, viola, and a violoncello. I hope you will like it. Feel free to leave your opinions in the comments - every feedback means a lot to me.
  8. Very happy to share the recording of one of my recent pieces, "Your room at midnight" for solo violin. I hope you enjoy it and feel free to tell me your honest feedback guys. Your room at midnight (soundcloud) * I'll share the score if someone is interesting!
  9. Okay so here's my first kind of 'major' piece I've written for my degree. It'll be performed by a professional ensemble in May, and I'm sending off the score this week. The brief was to write a piece of maximum length 12 minutes, for an ensemble of maximum size flute/clarinet/perc/2 violins/viola/cello/bass. After a bit of agonizing over what on earth I would do, I did what usually works for me and just sat down and put some notes out to see what happened, and then went from there. The piece is kind of loosely following around a character as he explores a world. I haven't put too much more thought into the precise story than that, except that the first movement is introducing the character, and the second and third are two little adventures of his, with the third ending in his triumphant return. I kept a fairly light tone throughout, which seems to be a common thread for all my compositions. Some of my tutor's suggestions that I put in were expanding the first movement slightly, experimenting with string harmonics, and just some general score tidying. He liked the ending and I do too - his comment was that it sounded like something a composer might have written a hundred or so years ago, but in a good way. The piece is fairly tonal, almost to a fault at times, so mostly my concerns were with trying to keep it as fresh and interesting as I could, in my own ways. Mainly, that involves trying to vary up my chord progressions and harmonies. I had particular fun towards the end of the second movement where I literally was just putting in whatever I felt like in the strings. The title has no significance whatsoever, except that I wanted it to evoke something childlike and innocent. I originally had 'Tinky-Winky' instead of 'Timmy' but my tutor thought that was going too far, and it would seem like I was going for a jokey piece, which was not quite my intention. Recording is a slightly dodgy/quirky/stuttery Sibelius output but it's mostly okay.
  10. aMusicComposer

    Sarabande

    Here is a violin duet that I have written.
  11. This is a work I've been looking at on and off for a few months now. It began its life as the opening few bars in my head for a week until I wrote them down. I decided that I wanted to try and write a very light-hearted and maybe (hopefully) occasionally humorous piece, while still keeping it interesting and musically varied. It's quite clearly very 'Candide'-inspired, but I tried to take it in my own direction as well. I'm also using this piece for another subject at uni, where I have to write an essay about some aspect of critical practice, and I'm talking about humour in music in general, and what my approach has been towards composing this piece. I'm happy to share the essay once I finish it in a week or two, if anyone would be interested in it! There are still a few notation issues to work out before I can submit it as part of this year's composition portfolio for my degree, such as the pedal lines, but now that the music is basically complete I wanted to share it with people anyway. I've also got a soundcloud link if people prefer that player - https://soundcloud.com/fotytoo/serious-music-for-violin-and-piano/s-Howou.
  12. Hello. Posting some old works that was performed some years ago. Concerto nr. 36 in the late Italian baroque style, written to my better half! Sadly I lost the recording from the concert, so this recording is from a rehearsal. For me this second movement of this concerto is the most expressive slow movement I have written. I. Allegro II. Adagio III. Vivace (La danza dell'amore) Please tell me what you think! Performed by new baroque ensemble 2016.
  13. First time posting in the incomplete section. I had the thought of making a hip hop-type piece with two pianos and two violins for a possible future comic idea (doubling as a character theme). It's about half or a third of the final length of the music, so there are a few concerns before I add new material. - This is the first time I've tried theme and variation as a form, though I treated the first few instances of the theme as accompaniment/bass; any advice or pitfalls to avoid? - Any points where the dissonance and chromaticism is either awkward or too much? - Are there instances of voice crossing that sound muddy? - This is more audio mixing than composition, but are certain instruments (especially the bass) unbalanced? The speakers I have aren't the best quality, and my room is too small and untreated for accurate self-judgement of audio playback. Also, I want to know what others would describe the mood of the track as, and maybe suggestions for possible ways to continue it.
  14. hi, I'm new here in this forum and that's my first publish here. This piece is called "Take it Easy ". it's electronic chill music with piano and saxophone. Tell me what do you think!
  15. These are my "Three Sententiae for Violin, Op. 308". I have included a title page with an explanation of the sententiae, a form that I have originated in 2013. Here is the link to my previous set of sententiae for violin: https://www.youngcomposers.com/t36182/three-sententiae-for-violin-op-300/
  16. aMusicComposer

    Spring Song

    This is the third and final movement of my Suite for Violin Duet.
  17. aMusicComposer

    of Meadows Green

    This is the second movement of a suite for violin duet, after The Butterfly Dance.
  18. Mathieux

    Four Short Movements

    Hey everyone! It's been a very long time! I first joined here around a decade ago, and never stopped composing! I've since moved to Sweden from the US, and am studying composition at a conservatory here. I wanted to share my first big project from last term, where we were to compose for a chamber ensemble of fantastic musicians (Norrbottens NEO, in case you're interested). As first years, we weren't on their actual recital and were encouraged to write music as difficult as we wanted and try new things. Unfortunately, their percussionist was ill on the day of the rehearsal/recording, and we only had about an hour each to rehears and record, so it didn't turn out as great as I had hoped. It was still an awesome learning experience, and given a few more hours of rehearsal I'm sure it would have turned out great. In lieu of that, I'll attach both the midi and the recording, as well as the score. The ensemble is for flute, clarinet, violin, viola, cello, piano, and percussion. Instead of writing one piece, I decided to write four short movements, each one exploring a different idea. The first two are played as one, and explores some cool scales (double harmonic major as well as a fully diminished locrian), the third movement deals with time signatures/rhythm (and, seeing how the percussionist that was there that day was sight reading, I think he did fantastic), and the fourth movement was to see how much I could have acoustic instruments sound like synthesizers in a dubstep-like movement. Obviously it's a finished piece, but any and all feedback would be welcome! I hope to be posting here more and getting to know the new people as well as catching up with the old ones :D
  19. Luis Hernández

    Two pieces for violin and piano

    Here they go. Take One Partitura completa (1).pdf Take Two Partitura completa (1).pdf
  20. aMusicComposer

    The Butterfly Dance

    This is a violin duet that I have written. I found the first four bars written down while looking through my manuscript paper on New Year's Day and I decided to extend it. This is written for two violins so that I can play it with my grandad. Sorry for the bad audio quality, it is a recording of me playing it on the keyboard.
  21. punintentional

    Miniature for String Quartet

    A piece I wrote one day during the summer holidays. https://youtu.be/IPhrPxi4l8Q
  22. Hi everyone, Here's a short piece for piano trio I wrote over the summer. Let me know what you think and things I should keep in mind for future pieces. A clearer PDF score is attached below. Thanks! J Shu
  23. notice_me_maestro

    Butterfly Duet- my first composition

    What are your thoughts? I would greatly appreciate any feedback, but please be gentle; this is my first time. I am thinking about turning this sketch into a quartet with complete movements. Any advice on how one goes about doing this? Also, how can I make it more modern sounding while still having a light and joyful emotion at the beginning? thanks, NMM
  24. These are my "Three Sententiae for Violin, Op. 300". Opus 300 being a significant landmark to reach for any composer, I had hoped to mark the occasion with a special post and had offered the pieces to a violinist to perform and record them so that I could post that recording. However, due to various reasons, that hope hasn't materialized. So here is the MP3 of the computer version and the score. I hope you enjoy listening to them. And Happy New Year 2018 to everyone!
  25. luderart

    Soliloquy for Violin No. 30

    This is my soliloquy for violin No. 30. Here is the link to my Soliloquy for Violin No. 29: https://www.youngcomposers.com/t34240/soliloquy-for-violin-no-29/
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