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  1. Hello guys. Haven't been active in this forum for a long time. So this is my second draft of my first string quartet. So you're advices/critiques will help in my venture in writing the next parts of the piece (yes some parts are not good).Hope you like it. https://flat.io/score/5e6f38d9b35b8f06521c6575-string-quartet-no-1-in-e-minor-2020
  2. Attached is the third movement of my piano trio. (yes completed before the second) I'm quite pleased as I wrote it very quickly for my standards. It's in minuet and trio form and is very short. please leave any thoughts down below.
  3. Hello, fellow composers! This is my first topic and first submission for a review of one of my compositions and I'm very excited to share this with you. I work with pen and paper, using a piano for the most part, and only in the later stages of each section of sketchwork do I continue refining the sketches through the Dorico interface. I usually expect to record this with professional musicians in some way or another, so I never spend any time fiddling with the digital performance of the work, to be honest. Because of this, the performance is decidedly robotic, but it still manages t
  4. This is a piece I wrote recently about a nervous auditioner (I think that’s the right word) in an audition for area or district band. It is supposed to be more on the theatrical side with some instruments representing people. There are four movements, each representing a part of the audition process. I will explain each one in depth:
  5. Thanks for listening, I hope you enjoy.
  6. This is a piece I started composing last night after listening to String Duo for Violin and Cello in D major by Haydn. I felt like composing a piece in B minor for some reason, don't know why, maybe because I haven't really used B minor all that much in 3 years of composing. But as I started listening to it, it sounded more to me like a slow second movement than an isolated work. But what piece would have a slow movement in a minor key outside of the exceptions like Moonlight Sonata where the slow movement is the first movement and suites where the key relations aren't necessarily close?
  7. Rileyt

    Indigo

    This is a piece I just finished. It’s more of a draft, and the main reason I’m posting it hear is for feedback and advice on how to make it better. As for the title, I have synesthesia when it comes to relating music and musical notes to colors, and this piece as a whole just really put the color Indigo in my head.
  8. This piece was something I put together a while ago. It isn’t to complex and like usual, I’m always welcoming to advice on how to make the harmony a bit more complicated.
  9. https://flat.io/score/5ef0da584830d811e3e3737a-a-world-of-ecstasy
  10. This is a piece I wrote last week. I have separated the ‘movements’ by one measure long rests, and I understand if that may seem a bit too long; I have made them shorter in my more recent pieces. The reason I named it “Try, Try Again” was because the second and fourth movements reminded me of someone making a mistake whereas the other movements sounded like someone achieving or succeeding. I also included a quote on the last page of the score that I felt went along with the title of the piece.
  11. The second movement of my piano concerto, I wrote it during the lockdown and I feel like it exemplifies my mood throughout. I'm particularly pleased with the brief piu mosso section. I wanted to upload it with note performer, although I currently don't have my finances in order. so I didn't, if I get it soon I'll re-upload it. Please let me know your thoughts, and I'm working on the final movement, as I'm not short on time.!
  12. Hi everyone! This is my first attempt at a string quartet. It is the first movement of a larger string quartet that I intend to make in D Minor. It would be nice if you could review it and leave some feedback. Thank you! (really sorry I only have the midi mockup, haven't got it performed yet) link: https://youtu.be/yVSecRZSyCg
  13. I recently finished this composition and am looking for more advice. Considering this is my third piece where I’ve written for Strings, i think I’m getting better with writing for them. I can’t think of a name for it though so please recommend any possible names or ideas for names!
  14. Below is my first attempt at a fugue written for two violins. as such it isn't a conventional fugue as there is voice swapping across the board and does not necessarily follow the conventional harmonic series as I didn't pay too much attention and wrote this in a couple hours. Enjoy.
  15. Hey one of my next projects is a 3 voiced Fugue for two violins. could someone give me a quick rundown on how effective double stopping is in violin writing. EG how easy or difficult it is to move scales in thirds fourth etc Great much appreciated.
  16. Hey, I’m new to this website but I figured it’d be a good idea to get advice from other composers since I’m almost entirely self taught with composing and I could always use advice. Anyway here’s one of my pieces. I use Finale and some of the dynamics may seem too quiet or loud for an actual player but I most likely wrote it like that for making it sound the most ‘realistic’ when Finale played it back.
  17. If you could spare the time to provide some feedback on this piece, it would be really helpful. Thanks, CharlesSonatina for Violin, Piano and Harp (Leadsheet).pdf
  18. My first piece for solo violin: a sonata-form Allegro. I hope you enjoy. I'd welcome any and all feedback, especially if there's areas that aren't very playable...
  19. I was busy working on a project for Euphonium when I got the ideas for this piece. Over the last few days, a week really, I've added and changed stuff. The work slowly expanded from there. When I got the idea, I thought about doing a sonata based on it -but, as my composition advanced, I decided a one movement work would suffice. The form is pretty straightforward -so I won't bore you with the details. I can, however, say I'm happy with this draft of it. The language is very intimate and, I'm sure some would note, there's a sense of doom and resignation in the piece (largely due to
  20. I started composing this almost 6 months ago, but I didn't finished ,until now because I run "Dry" of ideas. I used an harmonic ostinato by circle of fifths that repeats during all the piece. I haven't decided the dynamics very well, and don't sure where to add some more slurs. First time composing for string quintet, and for strings in general, hope there are no parts impossible to play. I add 2 audios, one with strings sounds and other with just piano, because some details are hardly noticeable because of the sound I used and my poor mixing. Any feedback is apreciated :3
  21. I'm at a loss of words on how to describe this work. The idea behind it was a study in string textures -yet, it seems to have gone beyond that somewhat (at least to me). Compositionally, each section utilizes a descending motif -with various variations over it. It's definitely not minimalist in design as the changes aren't as subtle -and there is a fine demarcation between some of the textures. Hope you enjoy.
  22. jawoodruff

    Etude

    The idea behind the first part of this movement is the growth of material from one note to its full statement. The clarinet, trumpet, violin, vibraphone, and trombone all play there own material treated in this manner. Each statement introduces a new note to their material. The bassoon and bass provide a sonic backdrop to this unravelling. I plan on expanding on this idea in other works -this was a fun idea to work on. Hope you enjoy.
  23. I always wanted to write something for violin because is one of my favorite instruments allong with guitar and piano, so I decided to write a preludio and allegro (that was some time ago). But when I showed it to one friend of mine who is a violinist, she said that more than a prelude it feels like and etude because of the very high notes in measures 12,13,28,29,56 and 57. So, i would like a second, third etc opinion about that. For all the violinist out there, are those notes that hard to play, and how is the prelude overall?. Thanks in advance for all the comments :3.
  24. I started this quintet with the intention of entering this into a competition -so, I've been working pretty intently on it (to the point that it's all I think about). Here are the first 2 movements: 1. Andante: The first movement serves as a sort of introductory movement. The movement utilizes the short two bar theme presented in the opening (this theme also permeates large portions of the work as a whole). The theme is presented in all voices, leading to the establishment of a 'hopefully' hypnotic pattern -through which I play with the theme and introduce contrapuntal material. The
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