January 11, 20179 yr Will be uploading an .mp3 of myself performing soon Sorry for the poor audio (TURN THE VOLUME DOWN) Edited January 15, 20179 yr by Gumby
January 11, 20179 yr Oh, I like this, very short and bitter sweet, I'll look forward to hearing the real performance as the midi always does a great injustice to the work I think. There's no rumbarto, no personality, no feeling, just the flat notes, but that said, you can at least tell if the piece has something or not, and I think this does. Best regards Mark
January 11, 20179 yr Not much attention was paid to the transfer notes within in one chord. m. 26 for example juxtaposes the F# and E# together for not much reason. Confused as to why the beginning is in 3/4 when the way you have it written is clearly 6/8. m. 22 is written weird. Interesting way to use rhythm, but use crossed staff notation. Cheers!
January 11, 20179 yr Author @Mark101 - Thanks! I should be uploading a recording sometime this week. I can't stand listening to the MIDI butcher it. @Monarcheon - Thanks! I lurked around a little bit on the forums and come to find out that you are definitely a busy reviewer. With that said, I greatly appreciate your attention to detail and your knowledge. I fumbled around with different sequences and patterns with M. 25-27, but I was set on the dissonant resolution. The 6/8 time signature is a good recommendation, however, the only part of the piece I want to convey as 6/8 is the B section ( M.9 - M. 16). I tried using crossed staff notation in M. 22, but this would make the left hand's notes point down.
January 11, 20179 yr Not sure why you can't change into 6/8 then back into 3/4 at the correct time? Also, if you're using finale, press the forward slash button to switch the direction of the beaming.
January 11, 20179 yr Author The " / " key, right? It breaks the stem of the selected note off of the previous note. I might just change the notation back to 3 sets of 2 8th notes rather then 2 sets of 3 8th notes.
January 11, 20179 yr Just now, Gumby said: The " / " key, right? It breaks the stem of the selected note off of the previous note. I might just change the notation back to 3 sets of 2 8th notes rather then 2 sets of 3 8th notes. I'm sorry! "L" does that!
January 13, 20179 yr Very good piece! It reminds me of early Scriabin in Brazilian sauce :D The rhythm for me is fine, I hear 3/4 throughout. Cool work! We want to hear the other Preludes!
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