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We would be more than happy if more members can review more frequently!! (So that I can be lazy and eat and sleep lol)

That makes sense.

Well this template is only for judging a competition, for a daily review it's not mandatory to review all of the aspects in the template! Henry

I feel this is great a way to review works in the forum; however, it will need to adjust to other genres: sound tracks and incidental music; electronic music; Pop music... For these will not have score but can be scored in other ways. Can we adjust the template to genre?

Thank you for the review for minuet. Thank you!

Hi @Musi Make! Welcome to the forum! Sorry for a late reply, the hype in the Hallloween competition has covered the site! I quite like this soundtrack, it definitely reminds me of RPG game BGM. Thx for sharing. Henry

Hi @Monarcheon! Thx for coming back to the forum! We all miss your valuable and detailed insights to our music. As for your music here, I really enjoy it. I absolutely agree with you: the rhythm is so unpredictably flowing with all your use of changing meters, which suggests itself really well as a ballet music. The usage of the rhythmic motive is very organized throughout the whole work. The harmony here actually reminds me of something oriental or Arabic. I really love moments in b.20-21 and b.27-28 when you introduce high register violin writing there, when the register in most of the piece is more in middle/low register, and I hope there's more of that! I also love the use of strings techniques in b.40 section; the sul ponticello tremolo is very effective for the strings, and contrast well with the static note B when there are furious C and A# neighbours. I love the pluck string piano sound in b.52 too, though I would feel bad for the piano if it's played live! A nice ending as well which dies away as it begins. Thx for sharing your music to us! Henry

Hi @Kvothe! Yeah it's nice to take a step back to simpler music! Just based on the structure of the piece, I guess you forget to add a D.C. al fine at the end? It's kind of unsatisfying to end on the dominant G major for me. For the counterpoint, it would be better to have C instead of E in the bass in b.3 and 7, since the double E sounds bare and unsure of which chord it's in. A parallel octave occurs in b.5. Also the second quaver for left hand should be G instead of C for the V chord. For b.10, LH would be better to have quaver F#-E instead of just a crotchet F#, to avoid the clash of F# and G. The C# in b.15 is kind of weird as it suggests D major but you never reach D major after it, so it would be better to have just a C natural in it. Thx for sharing! Henry

Hi @Dima! I quite enjoy this furious dance full of tone cluster. The energy here is very apparent to be sensed. Although I would say, this piece doesn't fit very much as a Halloween competition piece with the folk quality in it. I think this piece is for solo instruments? So, the div. in b.5 1st Violin and b.22 2nd violin and Viola, tutti sign in b.78 1st violin would not be applicable. Also, the division of voice within an instrument would not be applicable, and this will for sure deduct points for scoring/engraving. I would hope there will be more varieties in harmony, as this piece more or less grows on the tone cluster of the dissonant minor 2nds. I would hope to have more passage stepping away from that dissonance, so it will provide contrast! I love the contrast you bring in b.119 meno mosso section, and I hope that you will extend that section longer before returning to the furious dance! Also, how would the tone cluster in b.30 and 199 played for the pianist? I am eager to know! Thx for joining the competition! Henry

Hi @Micah! Personally I don't think this piece fits into the Halloween Competition at all with the mood the pieces create, but I have to say each of the three movements you submit has mature writing and effective technique used, and I love all 3 of them! All three features very good use of techniques for strings: Sul Ponticello/Tasto, Harmonics, col legno. You love to use contrast of pizz. vs arco plus p vs f together and it's effective! For the 1st piece Mothman I like the opening texture since it kind of reminds myself of the beginning of my very own String Sextet lol! I like the 5/4 dance as well, though I would love to see more varieties in the texture! The contrast here is well done nonetheless. I love the 2nd piece The Letiche, it's a nice bluesy C# minor dance in my favourite key! The glissando in b.33 for sure adds the sad but mesmerising mood. For the 3rd piece I really love the texture you have in b.35 with a high harmonics, pizz. and a rhythmic arco. It kind of reminds me of Bartok String Quartet texture. You math is wrong again I think lol!! The three pieces adds up with 2:50+2:38+2:31=7:59 lol!! And it's a Quintet, not Quartet! Thx for joining and sharing your music! Henry

Hi @Wieland Handke! I love the pointillistic touch of the whole piece, kind of like Klangfarbenmelodie. The piece doesn't sound tonal for me until the end when it ends in the G sharp minor, but it enhances the unsettling mood for it. Your use of motive is very tight and organized. I subjectively feel like the music somewhat lack drama for climax and passages less excited, and I feel like you can sometimes just reduce one or two instruments in certain passages for creating climax when all the instruments appear. The other thing is the horn, because in real performance the horn may easily overpower the other instruments especially in its forte/fortissimo passages so the balance need to be careful. The high register of flute and clarinet can also be established more frequently for the Halloween vibe! Thx for joining the competition and sharing! Henry

Hi @therealAJGS! I like the hook you use throughout the music, it kinds of reminds me Gamelan music with the percussion bell-like instrument. The organ definitely adds some ghostly mood to the music. I think acting as a sort of Halloween background music this one will definitely work. The solo music in 2:50 sounds nice to me. Harmonically except the modulation to Bb minor in 2:12 the music mostly stays in G sharp minor, so the music is more or less moved forward only by timbral contrast, not harmonic progression. i am sure in some spot there can be some modulations! Thx for sharing and joining the competition! Henry

Review: I like the melodies and the unsettling feel of them The chords feel very off, but that's probably just me being used to certain ones; but the texture is really good. The structures pretty good, but the time does feel a little bit off... this piece is pretty original but does use share some similarities with the other submissions. the score is presented like any other so I'd say its pretty good. seems very much like it could be played with some practice. you executed it well with an introduction, a video, a MP3 and a score. it does give halloweenish vibes and reminds me of background music for one of those old black and white cartoons where the characters don't talk, but a halloween special. Melodies Themes Motives 8 Harmony Chords Textures 8 Form Development Structure Time 7 Originality Creativity 7 Score Presentation 7 Instrumentation Orchestration Playability 8 Execution of Given Challenge 8 Taste 7 overall, 7.5

Next time I am creating an spreadsheet...

Take your time. Can wait to see the score.

Entry:National Dance Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 9 10 10 10 9.5 10 8.5 Average Score:9.6 Very Good

The score is the first 3 pages (ignore the rest). Some of the notation (like the grace notes) is written with the midi performance in mind and not how I would otherwise write it

Here is the original one, please notice that the pipe organ sound from the program I use is poor at some specific points as: small difference of the pitch between a note in a lower or higher octave sometimes and others you may notice, thank you.

"Legislation," is a work inspired by the government shutdown in, America. I'm so angry, I put to music all the words I can't say. The song is played over a vamp, free form. The saxophone chains melismatic ideas across the song. Other than

That is fine. what @Thatguy v2.0 is triue. All genres are welcome. Most composers here want their music to be perform. However, in the media world, that is far from the case. It still takes practice. It takes time to make solid demo. No rush.

i used an ai because i have no idea how to write one

Thanks! by the way, this isn't my normal software, my main one is FL studio. I also didn't know musecore was free, because it kept giving me pop-ups advertising the Premium version.

Hey dude Apparently some aren't aware you aren't using notation software. Don't worry about your score, your program isn't designed for that. You're writing music and that's all that counts, and we have ears so we can hear what you're doing. I used to use Cubase to write music, and I submitted a piece for a competition here some years ago and all people did was whine and cry about the score, asking me if it's playable. I tried explaining that I wrote it to be playable, but it was impossible to make the score it creates legible. I didn't win, and I knew I wouldn't, but who cares. I wrote something cool, and I still like it to this day. If you ever want to try musescore or something similar, it's free, and I'm sure if it's not already optimized for mobile, something exists that does or it's soon to be in the future. Those are designed with score creation at the forefront, and if you ever get the hang of it, you might learn about areas in music you otherwise wouldn't. If you decide against it or like what you use now, that's fine too. Most people in the world DON'T use notation software for writing music. This site mainly has people who write with notation software because they're writing for performers, but your music is just as welcome. This had all the Halloween elements, and instrument choice was great! I'm not giving out any scores, but you get one of these: 🎃 I like the chord change at 2:15 or so, it broke up the static harmony really well. Sounds like your in minor, know all the chords you can go to? Try other ones out if you're ever stuck on ideas, might give you new options for your harmony. Your ideas worked really well together, nice job on this! Be sure to vote 😄

Hello @Omicronrg9 @MK_Piano @UncleRed99 Thank you, my friend, for your generous comment. It must have taken your time to type all of these - which shows your pursue and love for music, as we all do on this community. But what are we pursuing in compositions? I really want to talk deeper in this matter, and please feel free to continue in this post.