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Hello @Luis Hernández ! I’m not able to write a „review“ today since therefore I would like to explore the six little piano pieces in more depth in its original version to compare them with your orchestration. So for now, all I can say is that I really enjoyed them and consider them good examples of orchestration—especially for someone like me who has no experience yet. The great thing about them is that the pieces are so short yet still expressive—so there should be no excuse not to go even deeper into the details (if the time allows me). Now, somewhat off-topic: Two days ago, I attended a performance of Dvořák’s “Stabat Mater” with a full orchestra and a massive choir (430 singers). This was a real fun, not only because of the bombastic sound, but also because I was able to follow Dvořák’s orchestration live. It is the total contrast to the „six little piano pieces“, since he stays very long on the harmonies and even single tones – letting them „rotate“ through the entire orchestra. At one point, you hear and see the cellos playing a chord while the double basses accompany them with pizzicato. A moment later, you can still hear the chord, but you see that the cellos have stopped playing, and after a moment of surprise, you realize that the horns have taken over and the pizzicato has been reinforced by the timpani. Yet the transition was so seamless that you didn’t even notice the change in instruments, only a slight shift in timbre. And by the way, the first movement of the “Stabat Mater” begins with exactly one note being played for nine measures, passing through all the instruments before the main theme begins. That reminded me of one of your recent posts: “What can I do with two notes?” 🙂

THIS IS OBVIOUSLY NOT AN ENTRY FOR THE SPRING COMPETION, LANDSCAPES. https://musescore.com/user/96214813/scores/33034298 This is my second nocturne, dedicated to a fellow student from Year 7. He is an extremely talented beginner thus able to play harder stuff. Moderato-Adagio, Db Major, 3 minutes 22 seconds, and 60 bars. Very short, for me. 5 pages of A4, March 23rd 2026-April 2nd 2026. It is in rondo form, with a cantabile theme. As always, my music is NOT AI Generated. The piece starts with the Submediant, a bombastic octave, here, going to un-resolve in to the V of the V. Then, it decides, to go on a weird cadence of that chord progression I have no idea how to describe because I was just chilling and I was like yes! That feel and what. So yeah. And then the dominant with the minor third thing. This rondo form is more like a ABACA type of thing, so yeah that is it bye.

I am doing a solo piano type of thing. Watch me blow your mind not with music, but with instrumentation.

Very nice orchestration!

Hello, I'm looking forward to the new contest and would therefore like to announce that I will be participating. Unfortunately, my favorite among the topics – „Mock-ups, Mash-ups and Medleys“ – did not win the poll, but „Landscapes – Soundscapes“ also sounds very interesting – while also very challenging. The duration of two month seems appropriate to me – not too short and not too long. I think depicting a landscape musically with no more than five instruments might not be easy (though still better than using a solo piano)—usually, painting “landscapes” requires the use of a full orchestra. But let’s see what happens ...

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I love it, and I bet Rachmaninoff would too, if you know that story...C# Minor did things to Beethoven as well, but then LVB was going to lovely keys such as Cb Major even in his earlier work!

I want to join this competition

Hello, About six years ago, I orchestrated Schönberg’s Six Little Pieces for Piano. I only uploaded one of them to the “Writer’s Block and Suggestions…” section, since I wasn’t quite sure what I was doing. Now I know a little more about orchestration and how to approach different styles. So I’d like to share the orchestrated version of all six pieces. Thank you. Best regards. Schoenberg.mp3 Schoenberg.pdf

Hello I think this is a beautiful piece. The melodic phrases are truly lovely, and while it doesn’t aim for an overly virtuosic style, it does evoke the Romantic era. I agree with everything @MK_Piano says; I think he has a valuable mastery of the piano and this style. I’d highlight one thing he mentions, which is to really reinforce the overall structure of the piece. Give it a clearer ABA form. I think the modulations are fantastic, but I also think a return to the starting key would give it more impact. I also agree regarding that 2/4 time signature. Rather than finding it problematic—since I see it as justified by what’s happening there, the modulation and “precipitation” into another harmonic region—it’s the fact, as he also pointed out, that it isn’t repeated in the recapitulation. A wonderful piece of work.

Hello, Since the duration of the pieces has been set at around 5 minutes—which I think is very manageable—and I think the evaluation template is great, I’d like to participate, to the best of my ability and based on my knowledge, as a reviewer... Please let me know if that’s okay. Best regards.

I would like to participate in this competition, please

Not sure of your methods of composing music, or what programs you utilize/sounds etc... But based on the recording provided, "ambient" is.. definitely a word that could be used to describe it, however I don't think that you are hitting the mark of what you intend to have this music ultimately sound like, in your description. The reason I say this is because when I think of the word "ambient", I don't imagine surprising, sudden changes in sound that are not expected, and result in a bit of a jarring feeling when listened to. (I'm referencing the 0:23 mark in the recording). That may be something to consider avoiding, moving forward, in my opinion. I'd urge you to look into more of the music written by C418, for Minecraft, and his other work. I believe you could gain some inspiration in the right direction from that artist. :) In regards to asking about any mistakes you might make, that's difficult to analyze it for, given that there is no provided sheet music. If you have a score for this piece, I'd be glad to look at it for you.

I will do the thing that is writing something or other for the thing mentioned above, and things. (I am declaring my intent to participate. for those who have to think a little bit too hard to figure that out) ☠️

The One Who was Placed Away

The file is; AVIF, which is included in the accepted file-formats,and always functioned prior to recent update yesterday

What file type are you uploading?

Sorry to say......the upload still fails to initiate. Ive included a DOWNLOAD-LINK to the New updated Banner, that could be tested your side: https://limewire.com/d/Gx97N#mpO1jnBQ2r

And have two versions? First Movement Guitar Quartet Arranged For Piano Quartet Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Original: Quartet In A Major For Guitar And Strings-1 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight

Let this comment mark my intent of joining this competition. Good luck to anyone who may join and I am excited to see whom may take up arms in this fun little game of music creation!

I declare my intent to join into this competition

Best imagery?

Araminta

For the "Landscapes - Soundscapes" Spring 2026 Composition Competition I propose the following badges: "The Pastorale Award" "The Bustling Cityscape Award" Anyone have anymore ideas?