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Found 17 results

  1. Hello, as a composition exercise, I tried to reharmonize and orchestrate the famous 3rd movement of the sonata n°11 by Mozart, the rondo alla turca, or Turkish March. Only the upper part of the melody has been kept, and it has been kept unchanged. I tried to propose diverse musical moods. The very first part was intended to be performed by SATB singers but for audio quality reason, I replaced it with a Woodwind quartet (electronic instruments) https://www.youtube.com/embed/26Srn1p3zYw What do you think about the harmony ? EmotiveScores
  2. I am currently working on arranging some more Mozart sonatas since unlike Beethoven sonatas that seem to get me overwhelmed, Mozart sonatas never do that. A few people suggested that I shrink the quartet into a trio in my K 545 arrangement to get a more full sound. I didn't though because save for the second movement, where I would have to do some harmonizations, I saw and heard 4 melodic voices, 2 per hand in the sonata. However, I did find a sonata that Mozart wrote 4 years before his K 545 sonata that I figured would be perfect for a trio arrangement, his Piano Sonata in C minor, anot
  3. For both practicing orchestration and just for fun I made this attempt to orchestrate my favourite piano sonata by Mozart which, I think, is well suited for a symphonic setting: http://www.gerdprengel.de/Mozart_PianoSonata-KV457-1_orch.mp3 http://www.gerdprengel.de/Mozart_PianoSonata-KV457-1_orch.pdf (score) http://www.gerdprengel.de/Mozart_PianoSonata-KV457-2_orch.mp3 http://www.gerdprengel.de/Mozart_PianoSonata-KV457-3_orch.mp3 Gerd
  4. I figured that I would start this thread since I am making significant progress with my orchestration of Eine Kleine Nachtmusik. You will notice that most of the notes in any staff are taken directly from the quartet score and put into suitable octaves for the instrument. With this thread, you will be able to see how I have progressed with it because I will post an MP3 and PDF once I finish a section. So far, I have the exposition of the Allegro movement orchestrated. I am working on the development section right now. I have decided on this instrumentation for it: 2 flutes 2 oboe
  5. So, I just got this idea yesterday of orchestrating Eine Kleine Nachtmusik. Should be easier to do than the Pathetique Sonata orchestration I did before. Since it is Mozart that I am orchestrating, I'm staying conservative with my instrumentation. Here is the instrumentation I plan on using for my orchestration: 2 flutes 2 oboes 2 clarinets 2 bassoons 3 horns 2 trumpets tympani 1st violins 2nd violins violas cellos double basses The reason I haven't put in numbers for the string instruments is because most likely,
  6. My third Opus 2 quartet, it's particularly influenced by Haydn in the first and third movements. I wrote this back in September of 2017. I always appreciated feedback, so don't hesitate! Sorry about the trills in the third movement, Musescore's trills are not so good.
  7. My second in a set of three string quartets, Op. 2, in the style of roughly the 1780s. Enjoy! Opus 1 has been finished for a while, three piano sonatas, and I will likely post them soon. I also finished the third quartet, but I have not entered it into musescore yet. NOTE: There are two glitches in the first movement, there shouldn't be a D at the end of the exposition, its only a pickup to the development, and the B-flat seventh chord before the recap is a beat too late.
  8. A string quartet that I completed on the 16th of June. It is in the classical style, inspired by the quartets of Mozart, Haydn, and Kozeluch (A very underrated composer who was more popular than Mozart during his life).
  9. Hi all, I have (finally) completed my Quartet for Piano and Winds. I have completed the first and second movement in August, but I was not able to compose a third movement, until last week. When I listened to Mozart's Quintet for Piano and Winds, K.452. I decided to compose a Quartet, which could be played by my friends and me. This is the reason why it is written for Bb Clarinet, Alto Saxophone, F Horn and Piano. I have tried to compose the third movement in the same style as the other two movements. Feedback and sharing your opinions would make me very happy! Enjoy!
  10. Hi all. Here is the 4th movement of my recently finished sonata in E. It is generally in the style of Beethoven/Mozart. I am quite pleased with how it has progressed. I would value any feedback. I am blessed to be able to share it. The sheet music was written with MuseScore, which is a neat little program. If you wish to listen, simply go follow the link and hit play. Cheers. https://musescore.com/user/9350326/scores/2120656 Because it is being played off the score, it will lack a little of the human touch, but it will give a pretty good idea of the overall sound of the m
  11. I have read the works of Fux and Rameau, I am interested in writing music in the style of the baroque and the classical. Before I practice their teachings I have some questions: Apparently Bach, Mozart, Beethoven and Brahms ALL studied along the lines of Fux, and disagreed with much of Rameau's teachings. Again, considering that I am ONLY interested in writing music in the style of the baroque and the classical, should I abandon Rameau and stick only to Fux? I asked this question a month ago, but did not give as much information. Thanks.
  12. I am in the middle of composing my first keyboard sonata. It is in a classical era style, as I imagine all my other pieces will be. Here in the past, I was given note of Classical Form by William Caplin, which focuses on the form and functions exclusively of Haydn, Mozart, and Beethoven. However, I don't want to be limited to only those three composers when I study classical era styles. It would be just like people wanting to compose in a baroque style being limited to compositions of Bach, Handel, and Vivaldi; or those wanting to compose in a romantic style being limited to compositions o
  13. Hello chums. My name is Marcus. I am largely a self-taught amateur composer. I have observed techniques used by composers of the Classical period such as C.P.E. Bach, Haydn, and Mozart, and I have incorporated such into a composition of my own. The piece I intend to complete is a keyboard sonata in C minor, and I have the last several measures of the piece attached to this topic in PDF and MIDI format as a fragment. Feel free to observe and listen to this fragmentary composition. Do any of you people know of any methods that could help one master a style period like the Classical? I wa
  14. here is a blog post. it is about mozart. specifically, it is about mozart's 8th sonata for the fortepiano. if you would like to to read it, please do. or not. that would be ok, too. http://music-and-prittee-girls.blogspot.com/2012/06/mozart.html
  15. Hi! I don't normally speak to you composer types, I'm more of a rocker girl :3 hence my name (I heard there aren't a lot of girls who compose) I love led zeppelin and I have been inspired by the great guitar works of eddie van halen (would you call that a composition?) which has lead me to musical exploration and the desire to create my own great symphonies like mozart Behtoven and Bach. I have always loved that one song Moonlight Sonata by Behtoven but never really listened to any classical type stuff until recently my band nerd friend Tyler showed me the lovely calming peacful music of
  16. I was just on YouTube browsing some performances of Mozart operas when I came across a film version of Die Zauberflöte made in 2006. This weird production seems to be set in trench warefare in WWI which is definitely the most obvious place to set a light-hearted singspiel about love, honesty and courage! In act 1 probably the most striking part is when The Queen of the Night appears to sing her recitive and aria, ON A TANK!!!! I mean, what is the world coming to??? http://www.youtube.com/watch?v=Tq0H2zeroz0&feature Later in the film (act 1 finale) you can see how blatantly obvious it is
  17. A RULE! In composition. http://petrucci.mus....926-moz-485.pdf Check it out, bars 131 and 132 Top part: E B G B. Bottom part: G B. G, B. IN 2 voices, in similar motion, in octaves! Just thought that was...interesting. Heckel
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