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  2. Looks like @Omicronrg9 already created badges for just such a purpose! From the bottom up: Local Celebrity Trending Artist Eminent Personality Famous Worldwide Nobody has yet received the "Famous Worldwide" badge.
  3. Continuing with the Scale Materials Chapter in Persichetti's "20th Century Harmony" I wrote this Clarinet Quintet. The prompt was "8. Construct a solo clarinet line in the lydian mode supported by phrygian string quartet harmony. Set both the melody and harmony on the tonal center Bb." Thanks for listening and I hope you enjoy and let me know what you think!
  4. Oh then maybe the criteria should be a thousand or higher
  5. Today
  6. That's a neat idea. Except that this would not be a manually awardable badge but based on a rule (10,000+ reputation). The other problem is that right now the highest reputation held by anybody on the forum is @Henry Ng Tsz Kiu's at ~3,000. 10,000+ reputation seems like quite a lofty goal if nobody in the whole history of the website since the early 2000's has ever achieved it!
  7. How about the "everyone's favourite" badge if your reputation is over 10 thousand points or higher
  8. This sounds really nice. How long have you been composing scores (just curious)?
  9. Another small invention I created in 2022. The motive is in me1-2. When I saw it I thought 'what the hell am I gonna do with this thing?' And to my surprise, something came out. I couldn't help but bring variations to the motive's repetitive notes. I think the result is somewhat funny.
  10. Thanks for your feedback. I'm here to have peers pointing at flaws that I have not noticed yet. This way I can improve faster. I don't consider figuration as a true accompaniment, like the counterpoint in bass. The aim of the exercise is to keep the (imposed) figuration (in the middle voice) mostly constant throughout the piece, so that it doesn't distract from the melody and the counterpoint. All but with some changes at key points, to avoid monotony. Which I did. I found that 3 variations of the motive with that fast & complex figuration was enough. All my exercises so far are without dynamics or accents, and for sure they lack it and are just exercises, not finished pieces. Yes there was a lot of harmonic potential to develop from this motive. In the same exercise, I had 2 other figurations to apply with that motive, but it is this figuration that made a strong effect on me. So I wanted to explore and develop the harmony the way it makes sense to me.
  11. Hi everyone, I finished a new piano piece called Cloud Ame and wanted to share. I hope you enjoy listening and welcome any feedback! Thank you
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  12. Yesterday
  13. Nick, I really like this arrangement and am looking for something with this instrumentation for an upcoming concert. Could I purchase a copy from you? Thanks, -Christopher
  14. Hello I've recently decided to take orchestration seriously. Just as I did with counterpoint back in the day... Yes, although I study on my own, I have always been self-taught, at some point you need guidance from an expert. So I am taking a course in orchestration. It is really for a very small group (only four people), which means the feedback is very powerful, as each person's work is reviewed in depth. I've learned a lot about the classical style (paradigm: Mozart). Why and for what purpose each thing is used. And here I share my version (reviewed by my teacher) of the orchestration of the first movement of Mozart's Piano Sonata No. 5. Now I'm working on Mendelssohn.
  15. Hello This aria could very well be in a Baroque opera. It's a shame that the sounds are so strange. It sounds like it's from the 90s with the new age style, when they did covers of classics. It sounds like electronic music.
  16. A beautiful piece with particularly harmonious interest. It needs to be completed with dynamics and accents. With that, the fact that the accompaniment pattern does not vary would not be such a problem, as it is a little monotonous as it stands.
  17. Another very effective example of contemporary techniques. This mixture and intersection of modes reminds me of Bartók. The truth is that many people think that anything goes in these styles. You take two scales/modes at random and start writing things. That's not the case at all. It's mentally difficult (unless you have a lot of experience as a musician and composer) to imagine how two different modes can clash/converge simultaneously... And then you have to write with great care and attention. Chapter 2 of this book is very dense! Thank you for your exercises, which are making me reread all that material.
  18. I made it a reference from the predator franchise. I never really watched a lot of the movies, but basically the main idea is that he collects the skull of his enemies as trophies.
  19. Hi. About AI Music, therre is more here.

     

  20. I see why it is Skull Collector By the time I get it, My head is already a skull.
  21. That is a good idea! Add Platinium Collector.
  22. I've returned to Chapter 2 of Persichetti's "20th Century Harmony" which is about Scale Materials, Polytonality and Polymodality. The prompt was "15. Create an original two-octave-scale harmonic texture in a scherzino for piano, four hands." I chose to use C major and C# Dorian as my composite two-octave-scale. Thanks for listening and I hope that you enjoy and let me know what you think!
  23. This may be a good idea... for example if a member collects some number of manually awarded badges they get an extra badge for it like Bronze/Silver/Gold Collector or something like that!
  24. There gonna be this one guy who’s probably treating the badges like Pokémon
  25. Yeah, this is one of those hypothetical late night thoughts I had. Honestly, this is more of a inspirational completion thing that someone would do where they are inspired by one of the badges to write a piece of music purposefully trying to get that badge
  26. I'm not sure I follow. There's already so many manually awardable badges .. surely you're not suggesting that someone could ever get them all?! . . .
  27. I don’t know if this exists yet or if it’s possible that you would make it exist, but this idea is called the. “ skull collector award.” it’s for collecting all possible specialty badges from compositions. (when I mean by specialty badges, I meant the manually awarded badges that you would usually get by writing a certain piece of music that excels in something). I feel that it will be more complete with the competition awards, but that would just make it impossible due to seasonality. This award would be permanently awarded to those who completed all possible badges before any updates meaning that if someone received the badge one day and the following day added three more other badges than they would still keep the award.
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