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oh i was kidding but i didn't know that.

Hello @UncleRed99 ! First of all, I’m (once again) impressed by the “warmth” of the sound in your pieces. Whenever I look at your profile picture and think about your job as a mechanic, I picture you as a tall, muscular man, sweating in the blazing sun, covered in oil, and dragging two heavy tires across the workshop yard. (Haha, I could be completely wrong about that, and it’s really none of my business, so please don’t take it personally…) But this in mind, the contrast with your mellow and somewhat melancholic style is fascinating: you every time capture it with well balanced instrumentation. Looking at the picture of your submission and the title „warmth“, I was first a bit confused, since the autumn valley depicts that the warmth (or even heath) of summer has passed away. Thus, the „warmth“ you mention must come from inside (from the buildings and/or from the people living there). Melodies Themes Motives and Harmony Chords Textures: The piece thrives on its serene harmonies, which are presented in various motifs by all the instruments in a gentle interaction. I particularly liked the modulation in measures 95–97, which captures the listener’s attention. I would have liked to see more moments that break up the otherwise tranquil flow of the harmonies. Form Development Structure Time: The form reminds me of a „theme with variations“ which is fine, but naturally carries the “risk” of a certain repetetiveness. Originality Creativity: Yes, there is no „crazy“ idea, such as a weird instrumentation or an unusual rhythm, but you emphasized your own, personal original style (as initially mentioned). Score Presentation: The score is clear and professional with no issues. Instrumentation Orchestration Playability: Even you have not chosen an „exotic“ orchestration, the sound produced by this traditional ensemble is unique: I love how the mellow piano blends with the string instruments which sometimes have a surprisingly beautiful touch of woodwinds, perhaps like a clarinet. Since the piece avoids complexity and virtuosity, it should be perfect to perform and is thus one of the few submissions that has a chance of being performed live. Execution of Given Challenge: Musically, the piece perfectly captures what you described and depicted in the picture. Taste: It's a piece that's pleasant to listen to and has a calming effect. However, there's a risk that you'll quickly start listening to it only halfheartedly. Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 9.5 9.5 8 7.5 10 10 9 7.5 Average Score: 8.875

You know you can change the title of your work by clicking and holding on the title right?

Just thought I'd insert the place where Alex taught me how to counteract this effect in Musescore!

goodluck

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7 9 7 10 9.5 7 5 8 Average Score: 7.8 Review: This is a very creative piece, starting with the painting (which I love) and the concept. I’m not sure the music in particular evokes that for me, but it’s so subjective... It’s true that the piece goes beyond what was supposedly the challenge. The combination of instruments is original. I think the French horn works well in this ensemble because it has such a powerful projection. Although with virtual instruments, it’s sometimes easy to alter how it would actually sound. There’s a strange shift in style, but I like it. It reminds me of a contemporary opera written in a non-tonal language where, suddenly, everything sounds like jazz. The score is very good, though is there a reason why the piano is printed in a larger font? I also have doubts about those multiple stops, even with techniques like con legno.

oh yeah, thats a little better lol

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 9.5 10 8 9.5 10 10 9 Average Score: 9.5 Review: In this work, there are many motifs that intertwine to shape the piece and form part of its driving force. The harmony does not seem particularly far removed from tonal conventions, but it does include effective modulations. The turn it takes in bar 96 towards the end is very beautiful. The form is very clear and the sections are well defined, with a contrasting central section that works very well. The arrangement is fairly standard, but the chosen sounds capture the character of the landscape very well. Perhaps the piano, although evocative, sounds a little dark overall. The structure is very clear and the sections are well defined, with a contrasting central section that works very well. The combination is fairly standard, but the chosen sounds evoke the character of the landscape very effectively. Perhaps the piano, although evocative, sounds somewhat muted overall. The score is beautifully presented and I believe the challenge has been met; indeed, amongst the many pieces evoking landscapes, this is one of my favourites.

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 9 9.5 8 7.5 9.5 9 10 9 Average Score: 8.9 Review: Melodies/Themes/Motives - The work is rich in motifs and themes, some of which are readily apparent, whilst others are deeply woven into the fabric of the piece. Harmony/Chords/Textures - The texture is dense, but the individual parts are clearly defined. Form/Development/Structure/Time - I sense a progressive structure, but it’s by no means boring. Originality/Creativity - It is a standard, effective combination. Score Presentation - The score is correct and easy to read. Instrumentation/Orchestration/Playability Reading the comments clears up any doubts about double or multiple stops. Execution of Given Challenge - I think the author has succeeded in achieving his aim.

Thank you, sir I'm glad that you were able to enjoy that, despite it being a piece that, frankly, I had difficulty finding inspiration writing for... This was definitely difficult, to me, and I certainly feel like there could've been more done within it's current duration to elaborate on the overall consensus of the story the notation is trying to portray. Personally, I feel that it's a bit repetitive, with a couple of nuanced expressions of the original idea spread throughout... which is fine, technically, but makes for a less impactful story in the end. I just hope maybe others might think differently but I suppose that has yet to be seen and we'll know for sure as more members comment their thoughts here. Thanks for the feedback, and the kindness you've shown my work :) -Unc

or... or.. hear me out... "Death of a Spartan" 👀

Thanks, Henry! The delayed recap you mention is something I came across in JC Bach's piano quartet in G major during my early studies. Likewise, he commenced such a passage on a diminished 7th of the home key that marked the end of the development section. It is less of a trick in my view than a way to build momentum towards the initial theme (opposed to commencing immediately after the dim7th that may otherwise encourage reflection). Your note about the slides between non slur notes is informative. I really don't like it either but didn't understand why it does this. I wonder if by adding slurs it resolves the issue. All the best, Markus

weird...

Great work, I througholy enjoyed it. Quick notes: your main motif that first appears in the horn, you should use sharps instead of flats, as in A# instead of Bb because you're then leading into the B. Just the more easy to read version. A piccolo to flute switch cannot happen as quickly as you have written on page 4. I have a feeling you know this an ignored it for play back but still worth mentioning. m. 90 oh my god so stunning. Shook me to my core the same way when my favorite character in a movie dies. m.120 B natural not Cb. Really beautiful melodies and accompaniment. This is phenomenal work, regardless of if it is your first. However there are some general things to mention. The first is the doubling, or in your case, half-the-orchestra-ing. Every composer has done it, but it almost always in the beginning of their orchestra careers they do so. You’ve written a phenomenal melody here. Right now, it's heavily doubled across a massive chunk of the orchestra. It's a classic trap we all fall into because the melody sounds so good we want everyone to play it! However, when everyone plays the melody at once, we lose the unique fingerprints of the individual instruments. What if you experimented with passing the melody around like a torch? How does the emotional weight shift if a solo cello introduces it, and then a clarinet takes over? Try giving the melody to fewer instruments at once, and use the rest of the orchestra to create distinct, evolving textures underneath. Make us believe that this specific instrument is the only one that could say this part of the phrase. Also for the accompanying instruments, find new ways to accompany so even the double basses can have something interesting to do. I myself wrote (and still write) works similar to yours, but I would recommend fighting your desire for the super double, instead finding new ways to fill the space with sound. You'll find this in most composers, but my favorites for understanding this is Brahms, Tchaikovsky, and Rachmaninoff. Also resources: Principles of Orchestration by Nikolay Rimsky-Korsakov (Korsakov is a huge stickler for reduction in the orchestra to maximize color) The Study of Orchestration by Samuel Adler

Nice work! Very Pleasant.

New title “Death of a space knight”

Play this movement with Romantic Rubato; Rachmaninoff without the black notes! Really, the whole sonata could be looked at as Rachmaninoff with the accidentals gone AWOL, but reserve the free romantic rubato for the third movement. Measure 210 with its overlapping, duplicated D looked goofy to me at first too, but it has to be that way and should sound as if it were possible!

A quick scan of the score while watching a YouTube video tells me the part writing is at least basically correct, and that it seems to be Haydn Light in style.

Of course! Mouvement de l’Air.pdf

Entry: The voyage of the sunken ship. Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7 7 7 10 10 6 2 8 Average Score:7.12 Review: Execution: One of the requirements is write a piece with in 3-7 minutes. This was 9 minutes. The overall aura of this piece is mixed. At times, it gave off eerie mood then it didn't? Score Presentation: The score was readable and there were no engraving errors. Instrumentation: The imbalance between the strings and horns is problematic. You could not horn at all! Watch out for those stops in the string part. Make sure they are playable! Creativity: Yes, this a creative piece. The over structure and form of the piece is hard to determine. I am not sure if it is sonata, or scherzo, or something else... In general, I would want to see him grow as writer and see more of his works. He has the potential! I love what he did here.

Entry: Warmth Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 9 9.5 9.5 10 10 10 10 Average Score:9.75 Review: With its' simple texture and harmonic language, this entry created the correct spring aura for the competition. I thoroughly enjoy strings and the piano were playful with each other. They danced around each other and provided melodic and harmonic support. That was clever. The score was easy to read. This is definitely playable. I can see being played at schools. Perhaps middle grade. As composers, it is know who will perform will our music these days.. This was truly creative. Keep writing. Kvothe.

@Teacher Junior Asia This sounds very nice. May I see score. That will help me and you!

This isn't completed yet, but I would like to get some feedback. No, I haven't really studied music deeply, but yes, I play the violin. I tried to create a contrast in an introduction and polonaise style, a mystical, air-like dance. Mouvement de l’Air.mp3

my submissionnnnnnnn

helloooo "The Voyage of a Lone Ship" is a piece for mixed quintet (violin, cello, horn, timpani, and piano). it is based on a sketch from the website youraislopbores.me*. i've asked a random person to draw a landscape for me to base my composition on and what i got is this sketch of a lone ship sailing on the sea under a starry night. the piece contains many different aspects that i try to portray: the lone night voyage, the shimmering star, the creaking wooden ship, the wavy sea, the exciting morning conundrum, and the night fall once more. *of note, youraislopbores.me is a website where real people can roleplay as an ai and answer/draw prompts from humans. people can also be the role of the humans and give the "ai(s)" (people who's roleplaying as ai(s)) many kinds of prompts. therefore, this artwork is not made by ai. a real anonymous person sketched my prompt and created the artwork below. this website is an act against ai art in general. im going to be honest, composing this piece was a tough journey. i had to rewrote the early sections so many times and my motivation keeps dwindling down day by day to finish this, but ive pulled through!!! i'd say there are many things that i'm not entirely satisfied with the piece, but it's in a good enough condition for me to post. also mightve gone overboard with the duration, oh well lmao enjoy the piece guysss The Voyage of a Lone Ship.mp3 The Voyage of A Lone Ship.pdf