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Hello ladies and gentleman! I'd like to present to you a short piece in quasi-sonata form, and to ask your thoughts on it. Thanks in advance. By the way, there's just the Introduction and the Exposition (starts in the trumpet part).

It's very nice!... Your music is very rich when you write for a string quartet or any other camera set of instruments. Different from your soliloquies, that are also inspiring. I've said it some times, already.... I don't think the shortness of a piece implies it's incomplete. In fact, I prefer listening to the ideas and that's all. But I respect other opinions, of course.

This is my soliloquy for violin No. 30. Here is the link to my Soliloquy for Violin No. 29: https://www.youngcomposers.com/t34240/soliloquy-for-violin-no-29/

The title of the piece is well chosen. It really sounds chattering strings, stopped by an authoritative bass. Funny and inventive! But, as @Maximus said, it sounds just liked the nucleus of something longer, not like a finished, self-contained piece. And for my taste, there are many cadences for such a short piece. Just my two cents.

Nice tips, all of them saved for the special moment when this happens again. :) I friend just told me a tip that he read somewhere (not sure where) and I want to share it with you. The tip is: analyze sentences and their rhythm, for example: "Drag files here to attach, or choose files" (it could be any random sentence), which would be "drag-files-here / to / a-ttach / or-choose/files" (imagine musical figures of the pronunciation), then use that rhythm to create a melody with it. Not sure if it works, but I found it very interesting, at least it may obligate you to use a rhythm you didnt use before :) Thanks mates for all your tips :)

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