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It was by the end of 2012 when I began experimenting with different writing styles. I guess this was the first among those (finished) pieces. This was written on June 24, 2013. And since this composition, my composing style was largely unchanged to date, so I'd be really happy to hear your thoughts 😊 P.S. About the C.11 in the title... it stands for compo11, where compo# is a codename for my series of compositions when I began to get serious in composing on December 2012 . In short, this was the 11th of my compo series. Hope you enjoy it! 😁

John Powell is great. The day that How To Train Your Dragon lost at the Oscars to "The Social Network" is the day any faith I had in the oscars died =P

Well, the modulation can sound smooth and you keep the melodic material going on which is good. You could experiment with other rhythm in the left hand and keeping the Waltz danceable feeling to it. Syncopation or maybe focusing in other beat from the measure (beat two for instance) Nice short work!

The piece in whole sounds ok, perhaps a bit repetitive because of the rhythm, I know you focus on modulation. There are many..... many ways to modulate, I know the following: - Diatonic pivot chords - Chromatic pivos chords - Direct modulation - Without harmony, by phrases - Chained dominants - Pivot sections (circle of fifths) - Sequences - Enharmonic modulation (augmented sixths, bIII+, dis7) - Mediants - Related chords - Lydian chords - Neapolitan sixth surely there are more ways

These are variations on the main melody. Some of them sound classical, other ones more romantic (with the arpeggios). Some parts in octaves are very quick and jumpy.

A fourth nocturne. This is the first time that I have tried to compose a dark piece. Not sure if it is decent or not. Feedback is of course appreciated thanks.