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Thanks. Yes, unfortunately, I don't know how to make the ritardando effective after the section repeat only. And you're right, the repeats are unnecessary.

This is really nice! Listening to both versions makes me curious about what this would sound like if it's sped up a little bit, played mostly in pianissimo, and completely enveloped in pedals—a bit Ravel-esque. I am tempted to try it out myself now...

Thanks for the feedback! This in particular is helpful to me because I am not really a piano/drum player (I can improvise and mess around on them, but when it comes to sheet music, espeically in the jazz scene, I am useless). I will attempt to play around with the piano more and maybe have a specific section feautring the piano. As for the drums, there is a "solo" section right before the d.s. that I intended for the drums to go nuts through, I just don't have the notation expertise for that. Thank you for your valuable input!

As other have mentioned, it's a clearly well written. Interplay with the boucy reeds makes a fun piece. bravo.

I love it!, as you say its baroque, but not quite. Either way, i really love it! Great work! 🙂

Hello again @Markus Boyd! I really enjoyed the music! The only thing that bothers me is the default repeats of each of the sections of the piece. I think this is especially unnecessary at the very end of the piece where the listener is fooled into believing the piece is over only to be rewound back to the development section. For me, the piece should only end once. Overall though, a very enjoyable piece! Thanks for sharing.