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Wow that was incredible! The modulations in the second half of this invention seem incredibly smooth. 40 seconds in you really start to experiment with the harmony, and I think you do a really good job at making the transitions as seamless as possible here. I just wish this was longer, because I feel like you really start to take advantage of the microtones around 40 seconds in, but then you conclude way too fast after that, just when things were getting juicy!

The only thing I might suggest is to bring out the melody a little more by either lowering the right hand by an octave (in some parts at least). Sometimes its hard to hear the very high notes, especially when paired with the deeper notes of the left hand. But aside from that, the music itself is beautiful, especially in this context of an Ice Cave.

A very good effect overall. The high tessitura of the melody, as well as the arpeggios in that area, give a very ethereal effect and also suggest drops of water falling. Another thing that I think contributes is leaving the note suspended in the second part of the bar in the accompaniment. There are also some very beautiful harmonic changes, such as in bars 6 and 5... It sounds fantastic.

Far as I know, this Ravel prelude from 1913 has never been orchestrated before (unless any of you know different?) So here is my attempt. I've used fermata of various lengths to create rubato. I wonder if I should use more dynamics? (Though MuseScore tends to exaggerate them.)