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https://musescore.com/user/96214813/scores/28339009. This is my work. It is a theme of variations piece of music. It has a length of exactly 5 minutes. It consists of an introducion, a theme, and thirteen variations (coda in last variation). It is written for two pianos and a violin, and it also has a cadenza for both types of instruments.

https://drive.google.com/drive/folders/1TZJ7a6jue0wpKBrUJ4AWOg8HYsBcfwSd?usp=sharing This is my submission for the 2025 Halloween Composition Competition, Woodwind Quintet No. 1. When I composed the fast section of the piece, it had a bossa nova feel. I liked this feel enough to want to develop it further. I decided to slow it down in sketch form, and the result was something that sounded like a happy-go-lucky, yet sinister, ice cream truck.

https://drive.google.com/file/d/1E95RnOKWCMVCMPWCWMqY-9PNRoRQzehM/view?usp=sharing https://drive.google.com/file/d/164YfVymnJtBmFQ4EevbzOoUsS0IATGuC/view?usp=sharing Hola comparto mi pieza para cuarteto de cuerdas "Clowns", inspirada en un conjunto de payasos asesinos que se divierten en noche de brujas. Aclaro que el audio es midi ya que la obra no fue grabada. Su duración debería rondar los 3.30 aproximadamente este un poco más rápido. ¡Saludos cordiales! Hello, sorry, I thought the platform translated, here it is in English: Hello, I'm sharing my piece for string quartet, "Clowns," inspired by a group of killer clowns having fun on Halloween. I'd like to clarify that the audio is MIDI, as the piece wasn't recorded. It should be around 3.30 minutes long, this one a little faster. Best regards!

Hello everyone, I’d like to share my piece Fumage for flute, oboe, and bassoon as my submission for the Fall 2025 Halloween Competition. 🎃 About the Piece Fumage is inspired by the surrealist art technique of the same name, where smoke from a candle or lamp leaves ghostly, shifting impressions on paper. This piece takes that imagery into sound, with wisps of timbre, sudden bursts, and eerie colorations from the woodwinds. It mirrors candlelight, smoke, and the blurred line between reality and apparition—an atmosphere that fits the surreal and haunting spirit of Halloween. Instrumentation: Flute, Oboe, Bassoon Duration: ~7 minutes Score (PDF) Audio (MIDI) Thanks for listening and I welcome any feedback! –– Justin Gruber

Hello everybody! I just finished my Piano Concerto No.1 ''Octaves'' in f minor. The Concerto consists of only one movement: Allegro con brio. The music is, of course, written for piano and string orchestra. The goal for me to write this piano concerto was to learn more about how to write for piano and how to write in a more classical, early romantic style. Note that I added some more contemporary elements as well. The concerto is in free Sonata Form: Exposition - Exposition repetition with piano (classical) || Development (many more modern elements) || Recapitulation without the second theme. I ommited the second theme in the recapitulation, because I felt like this theme was already 'mentioned' too frequently. Furtheremore, ending with the first theme sounds fine to me. What do you think about the music? Particularly the development? *The lay-out of the score still has to be done. Piano_Concerto_No.1_''Octaves''.mp3 Maarten

Hey Tristan Well, I think this piece is definitely a front runner for most unique ensemble, more so than mine at least haha. Cool choice to use two pianos and only one string player, I was curious to see how you'd pull it off. I like the variety of variations you have, it made it interesting all the way through. My favorite was probably 5, but I also really like the subtle build of the last variations leading into the coda. It's also smart to have ones like variation 10 to help break up the monotony. Cool music! I hope the competition gave some inspiration to music you would otherwise have never written. It did for me 🙂 Cheers buddy, good stuff. Keep writing and practicing!

Very nice! Becomes very impressive knowing you haven't studied any instruments Reminds me a bit of a Bach fugue I would highly suggest you study some basic theory, it's not as boring or hard as it seems And I think you could get some very good pieces if you do Good job :3

Prok 3, Prok 2, Tchaik 1, Tchaik 2, Rach Rhapsody on a Theme by Paganini

I share the black cat, a work inspired by the story by Edgar Allan Poe. In The Black Cat, Edgar Allan Poe constructs a deeply disturbing tale of moral degradation, crime, and the weight of guilt. The story is narrated in the first person by a man who, from the beginning, warns the reader that he is about to tell a disturbing and unbelievable story. This choice of narrator is key to understanding the story: everything we know is filtered through the protagonist's mind, creating a sense of uncertainty and unease from the outset. The reader is confronted not only by the narrated events but also by the internal struggle of a man who has lost control of himself. https://drive.google.com/file/d/1ePnpv39D7JGpKSfpBJl4u_exPrjCPx2D/view?usp=sharing

AUDIO: https://drive.google.com/file/d/1alcJUqBHl8WXmeudSlnnNaicmhbC7ikj/view?usp=sharing THIS AUDIO GETS INCREDIBLY LOUD!!! Hello! Today, I bring you a piece that took me about a week of diligent and meticulous work to create - Tyrant. I named it Tyrant because I wanted to create an evil atmosphere and I thought the name sounded cool. It could still use a little work in terms of engraving and notation, but I consider it mostly finished. The playback doesn't necessarily do what I want it to do around the fermata, but that's okay. I primarily use an augmented chord to guide my way around the piece. I use Finale with NotePerformer libraries to produce the audio and score. Hope you enjoy and any constructive criticism or opinions are welcome! PS It's my birthday tomorrow 🎂