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  1. Good evening everyone, I am excited to present a new piece I have been working on: "Sinfonietta No. 2 for Large Orchestra". I have been working on this piece since last December (with a few interruptions due to the pandemic and life in general) and just added the finishing touches this last week. I chose what you might call an "extended" sonata form, with a longer introduction, exposition of two themes, development, recapitulation, and resolution/coda. I am interested in any and all constructive feedback. Since I just completed this piece, I'm very interested and open to ideas on how it c
    8 points
  2. Hello! Here is a new piano sonata allegro movement that I've written during the pandemic. I'd welcome any feedback you might have. 🙂 Dan
    7 points
  3. IN A DIFFERENT WORLD YC Composer Competition - Summer, 2020 Thank you to all of the entrants for submitting their works. Everyone should be proud for finishing their pieces at such a high general standard of quality. And thank you also to my fellow judges for their work in this process as well. The competitions are one of the most engaging features on this forum, and help 'keep the blood flowing', so to speak, so I'm very pleased that this competition turned out to be so popular. And now, without further ado, I present the final scores from our competition. MEMBER VOTING:
    7 points
  4. Thanks everybody, i love all of you ❤️
    6 points
  5. IN A DIFFERENT WORLD YC Composer Competition - Summer, 2020 We live in a bit of an unprecedented time and it seems that many of us are, understandably, feeling many emotions ranging from anger to fatigue to even hope. Whatever your reaction, welcome to this summer's competition, where you'll attempt to express it as creatively as possible. I. Topic: Compose a piece that in some way mirrors one's reaction to the 2020 global pandemic and how it may or may not sway or adapt over time into something else. II. Eligibility: 1. You must be a member of the Young Composers forum
    6 points
  6. Hello, I will be posting the submissions for the Summer 2020 Competition as replies to this thread. I will send out a notice to all the entrants once all of the submissions have been uploaded. Each entry will be randomly assigned a letter (A, B, C, D, etc.). Thank you in advance for your patience, and congratulations to all of the entrants for completing your submissions.
    6 points
  7. My first competition piece and first score. I stayed on a specific point and re used motives for the first time. Would love to hear what you think (also, I really appreciate the member voting, thank you so much!)
    5 points
  8. @Tónskáld @Monarcheon @Noah Brode Thank you all for making this possible. 🙂
    5 points
  9. Tried my hand at @Ivan1791's challenge just for fun and whipped up something quickly. I think it's pretty fun! The justification for the last variation is that each beat in the right hand uses (0148) which is the "dissonant" chord's pitch class set. Enjoy!
    5 points
  10. My Piano Sonata No.1 in F Minor composed in 2018. The sonata has 3 movements and is written in a romantic style. The first movement is in rondo form. The second consists of a prelude and a short fugue, and the final movement is more free in its form. The sonata is inspired by some of the works of Chopin and Beethoven. I'd be interested in any feedback. Sorry about the awful recording quality.
    5 points
  11. The suite's finally up! A lot of movements have been posted here already, but it is a different experience all the way through (if I do say so myself 🙂). Movements 3 and 5 have not been uploaded here before if you want to skip to those, though. Enjoy!
    5 points
  12. Here is a little impromptu I wrote a few weeks ago. What do you think ?
    5 points
  13. Yesterday I was hearing some Beethoven sonatas and I got inspired to write that short piece. It has a ABA' form. A in EbM, B in Ebm and quite contrasting in character. A' is a repetition of A but with triplet accompaniment instead of eighth notes. I have two questions: No idea about the name. Any ideas? Are there parallel 5ths on mesures 73-74? It looks like, but the passing note G creates a sense of different harmony, though it's in a weak beat. I could change the "tenor" line to avoid that, but I wanted to have the same notes before the deceptive cadence as on mesur
    4 points
  14. Here is my first symphony. I wrote it last month in the style of second half of XVIII centuries. I analize some Haydn and Mozart early symphonies to grab some ideas and make it coherent with that period, regarding form, time signatures, tempos and so on. It has four movements: Adagio-Allegro (4/4) Andante (2/4) Minuet (3/4) Presto (3/8) Duration: 20-21 minutes Adagio-Allegro Introduction in Dm->Am->Dm (Adagio). Allegro in sonata form theme A in DM theme B in AM. Development: first section based in theme A, second section
    4 points
  15. Awesome job everyone! My hope in these things are that the added weight of competition could bring out the best in all of us, especially with the isolation. I encourage all who participated to post your pieces as normal, I'd love to talk shop with some of you regarding your compositions. Well done Leonardo!
    4 points
  16. My thanks to @Noah Brode for taking the brunt of the workload off of my shoulders and successfully bringing another competition to its close. All entrants should be proud of their work and similarly pleased that your contribution is a part of all of our histories alike. An extra congratulations to those who consistently scored highly; having a panel of judges is certainly more consistent and enticing than one, and I hope we as judges along with @Tónskáld have done our part to ensure that your music was thoughtfully considered. Until next time, all.
    4 points
  17. 4 points
  18. Enjoy this mental experiment.
    4 points
  19. SUBMISSION F : Bassoon Concerto No. 2 So I wrote a bassoon concerto for this competition, meanly because I myself and my father are bassoonists so i know pretty well how to write for bassoon. I will probably write more movements to it, so see this as a 1st movement :). This piece is a special piece to me, it is a very challenging piece with a lot of long jumps and notes in a short period of time. It is about a lot of deep things that have happened and thoughts that i have had these couple of months. I had my first real depressive episode that lasted 2 months in which it was so d
    4 points
  20. Good afternoon everyone! I'm fairly new to the forum, so I thought I would share something I wrote to introduce myself. I wrote this piece last year and finished around November, but just now decided to make a score so I could share it with you all. I'm interested in any and all feedback, as long as it's constructive. It is a rather long piece, so I included an outline if you would like to listen in "chunks". I used what you might call an "abbreviated sonata form": There is an Introduction, an Exposition stating two themes, an abbreviated Recapitulation of both themes, and a Resolution. (
    4 points
  21. Here my new Choral work for voice, strings and organ. It has no lyrics yet, but it definitely has to be for some religious purpose. I think it is a very solemn, optimistic and bright piece. Any comments are wellcome (I also appreciate suggestions for the lyrics 🙂).
    4 points
  22. The kind of issues you've all expressed will easily work themselves out as long as we keep Leftist hands out of "the orchestra." It's human nature to forgive and even provide cover to "the aggrieved." But then we are easily fooled. And so we watch as they destroy our institutions one by one. Maybe it is the Boy Scouts, or the "school" or the freakin' New York Times. Maybe you don't have kids so killing the boy scouts is not a big deal. Likewise the New York Times, which is now a former newspaper. But eventually they get around to destroying something you really do care about. Once the Left get
    4 points
  23. This is a tone poem inspired by a work penned by Icelandic poet Jónas Hallgrímsson in 1843. His poem speaks to the frailty of life, the uncertainties that threaten us, and the watchful eye of God. The imagery evoked here is of a lone seagull flying out across the sea under moonlight, who meets his untimely demise in the jaws of a lurking shark. The phrase "Máninn er hátt yfir sæ"—the moon is high over the sea—anchors each stanza of the poem, providing a sense of steadfastness against an otherwise bleak tale. This I chose to be the title of the tone poem, and I hope the proceeding aural on
    4 points
  24. Hello! This was my shot at creating a few variations on the theme that @Ivan1791 posted in the 'Challenges' section of the site yesterday. One thing to note was that the flatted sixth scale degree in measure 5 (Ab in the original key of C Major) was important to the original composer. I did my best to keep it around in most variations, although the harmony differs from the original intent in some cases. In minor key variations, I changed this to a sharped sixth scale degree in order to maintain the 'borrowed tone' aspect. Let me know what you think overall! Thanks for listening. EDI
    4 points
  25. I am very happy you enjoyed it 🙂
    4 points
  26. I'd like to enter as an entrant entering the entrance of entrants
    4 points
  27. I don't know why more people don't want to do competitions, you're GUARANTEED peer review and a bigger platform to share your music. I'm open to any ideas, I'm thinking solo piano or something similar and simple. Let me know if you're interested and in about a week we'll see who wants to participate and what theme we should use etc. etc. If there are obvious skill differences then we could break it up into groups, but come on people let's get a good group together and see what we all come up with.
    4 points
  28. Hello! Here is my submission for the Secret Santa composing event organized by @Jean Szulc and @Left Unexplained. It's titled "Left Unspoken," it's scored for piano trio, and it was inspired by my Secret Santa topic: the word mamihlapinatapei, from @TheCluelessClariney. In their own words: My piece comes in fairly short at just under 4:00. It is structured as a simple A-B-A format, with one more contemporary-sounding section sandwiched between two more CPE-sounding sections. I hope the theme comes across in the interplay between the violin and cello, particularly at the end. Made with
    4 points
  29. Here is my piece for the Secret Santa event. I finished it. And very quickly too. EDIT: @Left Unexplained said that I had to include the topic that I got as well as my piece, so here is the topic I got:
    4 points
  30. Here was my topic for the Secret Santa event: "I'll keep this topic simple -and fairly abstract. One of the things, in my music, that I often write about is life and death. So, the topic that I choose will be within this abstract area: life, mortality, death, rebirth, lessons learned in life, philosophy of life." Wasn't sure whether or not to include the author, so I'll abstain for now, but I hope you enjoy the piece... though it is admittedly very theoretical.
    4 points
  31. Hello everyone, It has again been a while since I have posted anything, and I have a new piece to show you all: the Fantasy-Variations in G-sharp minor. This piece was written in 2020. The theme is based on an aria from the 1967 opera "Grigory Melekhov" by the composer Ivan Dzerzhinsky. Ivan Dzerzhinsky (1909-1978) was a Soviet composer and pianist, best known for his operas and popular songs. His most famous work is the 1935 opera "Quietly Flows the Don" (based on the novel of the same name by writer Mikhail Sholokhov), which was a success at its premiere, and which launched Dzerzhi
    4 points
  32. I'm a doctor for what's its worth. Please everyone, relax. Certainly, there is concern particularly for the high risk elderly and those with complex medical issues but for the vast majority of people, this is really similar to a bad flu which is also high risk in elderly and patients with complicated medical issues (yet people still don't vaccinate for this......). Take the usual precautions by good handwashing/hygeine, avoid large crowds when possible, and look after your loved ones who are higher risk. The hysteria can be worse than the disease itself.
    4 points
  33. I see. Then you obviously do not require our feedback here. Good luck
    4 points
  34. "Marcia Funebre" for Piano Here a little funeral march that proably I will generate a more developed pice from it: Marcia Funebre (3).mp3 Marcia Funebre.pdf Open for suggestion and feedback! ADVICE! The dynimic notation is still not finished.
    4 points
  35. This piece was written to cope with the passing of a dear friend struck with covid, a young person whose loss will linger with her family and friends forever. There was a hope she might survive but alas, didn't. It was played (in the form posted here) at her funeral. Under ordinary circumstances it might seem over sentimental - and probably is - not like my usual compositions at all. But it had to be as it is. I posted it here because it would probably need a conductor to manage the tempo changes. For an orchestra of muted strings (aside from a brief solo)
    3 points
  36. This is a reconstruction of the first movement of Mozart’s Symphony 42. The manuscript was discovered under the sound board of an old harpsicord sent in for restoration. As is well known, Mozart was always hiding his manuscripts as he knew Salieri was always sniffing around nicking his tunes but this manuscript was thought lost. The manuscript appears to be a rough draft. There are inconsistencies in the musical style. A diary note left by Mozart tells us why. Approximately translated from German it reads: “After a harrowing half hour with my teetotal publisher I had lunch with Donizetti
    3 points
  37. Hi everyone, For those who don't know me my name is Camille, I'm French and I'm 17 years old. I'm familiar with classical music and orchestral litterature and I often compose for piano and orchestra. These last 3 months I composed a piano concerto in C minor. This is my big project of the moment and also the one that took me most time to compose. I create this topic to share the first movement of this piano concerto. It lasts about 17 minutes and follow a strict sonata form. I took the habit to compose a piano concerto per year and this is what I consider my most accomplished piece so
    3 points
  38. Here my new piece for Flute, Harp and Strings. In the repetitions of the main theme I did some orchestration variations: Exposition Melody: Flute Countermelody: Violin II Quavers accompaniment: Harp Repetition Melody: Cellos (1 octave down) Contermelody: Flute Semiquaver triplet accompaniment: Violin II Reexposition after de contrasting section Melody: Violin I Countermelody: Violin II Semiquaver triplet accompaniment: Harp Also in the repetition of the closing theme I did some similar arrangement variati
    3 points
  39. For my Secret Santa entry, I had to describe a world in which all the adults had succumbed to a global pandemic (COVID-19, anyone?), leaving the children alive and alone to fend for themselves and shape the planet they had unwittingly inherited. Though this is a fanciful scenario, psychologically this fear of loss of protection and "parental" guidance is not so farfetched. What would happen if all of that were stripped away? (It invariably is many times throughout our lives.) So that's what this work aims to delve into. I did not intend to get so carried away with this project. I wanted i
    3 points
  40. Would y'all please stop talking about balls on my thread??? Lol. Seriously, though, writing dissonant works of music ought to be the result of your process and not the reason. The scales I use are non-heptatonic and symmetrical, so my harmonies tend to be dissonant (lots of stacked fourths). The chords required to produce cadences (both perfect and inauthentic) don't exist in these scales, and the music comes across as eerie and dissonant in most places, or non-CPP at least. I don't think I'm ballsy per se, but I do recommend learning how music fits together before you begin tinkerin
    3 points
  41. Thank you! I am going to put the PDF right now for you and everybody else, I very much appreciate the comment! have a nice day 🙂
    3 points
  42. The - usually well-meaning - advice not to write pastiche (which is to say, not to write in old styles) but rather to write music that is "true to oneself", that is "authentic", is built on several assumptions that are questionable at best. Chiefly, it assumes that authenticity is the chief virtue of art - which, in turn, depends on a very particular view of the role of the artist, as if the value of art is primarily in the expression of the artist, rather than its value being in the art itself. It's as if the only reason to listen to a Corelli piece were because it is by Corelli, or because
    3 points
  43. MOD NOTE: This thread was originally locked with posts removed insofar as they became or led to inciting remarks for further review from me and OP. I will admit that this was a hasty decision and I don’t wish to set a precedent of merely halting conversation upon the first sight of danger, though comments that are primarily inflammatory in nature quickly become irrelevant and are socially unwelcome. I want to be clear that my actions were not intended to silence opinions, but quell the heated argument; in this case, my attempts to make peace overstepped and failed. This thread is now reopened
    3 points
  44. I wrote this short piece to practice counterpoint, creating some rythmic variety between parts and using some rythmic imitation. I highly appreciate your comments, and let me know if I have some forbiten parallels or weakness in the voice leading, my goal is to learn and improve 🙂 I have also a question: my baseline usually enters after the hard beat with the rythmic main motif and the resolution of the leading tone is delayed and resolved one octave downwards. I'm also not sure if this I a legant solution, because the 4th suspension between the oboe and bassoon is missing because
    3 points
  45. Hi, here a classic bagatelle. I wrote the main theme some years ago and arranged it for piano in this quarantine days. I appreciate your feedback.
    3 points
  46. A prelude I have composed yesterday. I hope you like it!
    3 points
  47. Fanfare for My Brother Score.pdf In a passing conversation, Dr. Thurman had told me about how he was selecting repertoire for orchestra brass literature that included euphonium. This topic has always been a “thorn in the side” for euphoniumists worldwide especially for me as a compsoer. Although I knew they would probably never be played, I would write orchestra music with euphonium in college hoping one day the orchestra world would fall in love with instrument. Reflecting on that “pain”, I told Dr. Thurman I was going to rework a piece specifically just for him to conduct and
    3 points
  48. As the title implies, it truly is silent
    3 points
  49. Ray Bradbury once said, "Don’t think. Thinking is the enemy of creativity." And Albert Einstein said something similar: "The intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honors the servant and has forgotten the gift." The vast majority of your posts on this forum display your detailed—and oftentimes dizzying—thought processes. But all of this planning is honoring the "servant" and ignoring the "gift." For the most part, the works you produce sound rigid, analytical, and unfeeling—which I don't think truly reflects who you are—
    3 points
  50. Jesus, man, how much are you paying for this?
    3 points
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