Eddy67716

I have added a cadence and adjusted audio levels.

This might be a major breakthrough with my Fugues. I took this old one and did some major work to it. Ed's Prelude and Fugue in A minor (StAnnesMoseley).mp3 Ed's_prelude_and_fugue_in_A_minor.pdf

I used Hautpwerk.

On the swell, you use the expression pedal to control sound.

This is my first shot at composing an organ Toccata. Ed's_Toccata_in_E_minor.pdf

I liked it all but the ending. The root E tonic triad in bar 60 show be just a fifth.

Reminds me of the way I improvise with the Harpsichord setting on an electronic keyboard. Some of the dissonant intervals are a bit off putting, (mainly the A to G seventh that resolves to the A to F sharp sixth in bar twenty but it sounded better the second time I listened) but then I don't know much about counterpoint.

I took inspiration from some Mario music like the final battles in the the last three Mario and Luigi games (not inclucing the remake). Come to think of it, I don't know why I didn't end it with a cadence.

This was a ragtime I composed almost a year ago. The_Aussie_rag.pdf The_Aussie_rag.mp3

Falling Stars.mp3This is my first dramatic composition I've been working on. What do you think?

I have been trying to improve my forest nocturne. The_forest_nocturne.pdf

I have decided to improve all my past composition but I have no idea what to do to this one now. This was the first composition I made on muse score.

Well, that probably means that I got the groove right.

I changed all the progressions to start with the root. I left the bar 14 C as a C because I thought it sounded better with the F chord and a C than with a D chord and a D. I also added some Dynamics. The_syncopated_rag.pdf The_syncopated_rag.mp3

I've made a new rag time to practice using a rhythm in different ways.