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Showing results for tags 'harpsichord'.
Found 12 results
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Faustus was my first attempt at symphonic poetry.
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Here goes my new piece (inspired on Barroque Music) Instruments: Oboe Solo, Violin Solo, String Orchestra and Harpsichord if you liked, you can also hear:
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This prelude in c minor is part of my endeavour to write a small collection of six preludes in various imitative styles. It follows a more associative development typical for imitative-figurative preludes of baroque music and is heavily indebted to this article by Vasili Byros, “Prelude on a Partimento” (http://www.mtosmt.org/issues/mto.15.21.3/mto.15.21.3.byros.html). However, this prelude is not based on a partimento but on a simple plan I devised myself. The score still needs some improvement, but should be readable. As this prelude has a really baroque feeling, I opted to use a
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These are my Three Fugatos for Harpsichord, Op. 222, composed in August 2014. This is one of my older pieces. I first posted it here in August 2014. But it, together with a lot of posted pieces (both mine and others') got erased once the new version of the website was introduced sometime in late April - early May 2016. I had posted 181 pieces before then that all got deleted. Fortunately I have copies of everything posted. But it is the work of having posted so many pieces only to end up being deleted that I lament. This is the first of those 181 that I am posting again. I might also pos -
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This is a three voice fugue written for harpsichord. Let me know any thoughts you have about it. Thanks!
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This a short and simple canon for harpsichord written in three part counterpoint. The outer two voices form a strict canon at the octave and the middle voice is in free counterpoint. Let me know what you think!
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A small thing I did while studying for my exams. This is my second composition written for orchestra (modified orchestral ensemble). The mixing is terrible, I know. It was really random and all crazy, so please forgive me... Thank you for listening and wish all of you a nice, peaceful, warm New Year filled with creativity, brilliant ideas, and wonderful music!
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Hi! I introduce myself with a harpsichord Toccata written in neo-baroque style. Divided in two parts, the first is a free Prelude wandering from key to key and inspired by the Italian Renaissance manner of writing. The Prelude leads directly to the virtuosic Toccata itself, in A major and vaguely modeled like a Scarlatti Sonata. Audio and score in the Youtube link below: https://www.youtube.com/watch?v=It5WkjkDqpo Greetings!
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Chords I used: Em - B - D - G - Am Some were inversions...I think if I used that term correctly lol. Currently practicing chords and progression so I don't think it's expertly executed but hopefully this proves I'm on the right track. Clashing is also one of my biggest issues I learned from Monarcheon so with this one I tried to fix that without eliminating huge and epic sections of the song. Like I tried to make some parts epic without the clashing so I'm not sure if I done that here or not.
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Opus 13 written for celtic harp, sopranino recorder, violoncello, viola da gamba, harpsichord, medieval lute and contrabass. For full album cover and more music click : https://www.reverbnation.com/mademoisellelilaclucrezia Opus 13.mp3
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Interesting new format for the forums.... I've posted this awhile back, but it remains one of my better works, I think. It's a harpsichord concerto in the Baroque style, though incorporating my own idiosyncrasies within it. I initially transcribed a movement of an older piece for violin duet (the last movement) as a harpsichord concerto movement and liked the result so I composed two new movements to go with it. I hope you enjoy it.
