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About L.S Barros

- Birthday March 31
Profile Information
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Biography
Hey! I am Luckas dos Santos Barros, i am a composer from Brazil specialized in european music of the early 17th century and also late 16th century.
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Gender
Male
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Location
Brazil
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Interests
I like Architecture, Musicology and Organ building, besides never have building an organ before.
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Favorite Composers
Emilio de Cavalieri, Girolamo Frescobaldi, Orlando di Lasso, Michael Praetorius, Schutz, Johann Rosenmuller, Giulio Caccini, Monteverdi, Giovanni Gabrieli
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My Compositional Styles
Early Baroque and late Renaissance
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Notation Software/Sequencers
Musescore
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Instruments Played
Keyboard in general
Recent Profile Visitors
1,389 profile views
L.S Barros's Achievements
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L.S Barros changed their profile photo
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Ellooo! This is a very very simple and short passamezzo i made a while ago. The technique i used is pretty straightfoward, i used the passamezzo bass notes as pillars and in between free counterpoint. That way it doesnt sound so monotonous. And it allows for spicy imitations! Enjoy.
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- recorder
- renaissance
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Allegro movement of a baroque kalimba concerto
L.S Barros replied to L.S Barros's topic in Orchestral and Large Ensemble
Thanks for the comment! I used an Alto kalimba for this, thats the reason i composed in F minor actually because i saw the image of the range of the chromatic alto kalimba and its from F to F. I would post the score surely but its full of parallel octaves and fifths so i decided not to 😬 and also most of the violin parts are probrably unplayable with jumps larger than a 10th!- 2 replies
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- baroque style
- baroque
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Ello! This is was more of a joke than anything. So please don't take it seriously. And its one of the few times i compose baroque music because i absolutely SUCK at writing baroque music. I hope you guys like it!
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- baroque style
- baroque
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Hello! This piece is dedicated to a friend of mine, he gave me the text and i quickly got working on it, i finished it in 1 day and im pretty proud of it. I tried to mimic the style of Orlando di Lasso a bit but it didn't quite work out the way i wanted, so i just decided to stick with my own style. Enjoi! Text: Corpus omne perseverare in statu suo quiescendi vel movendi uniformiter in directum, nisi quatenus illud a viribus impressis cogitur statum suum mutare.
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- renaissance
- vocal
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Small renaissance motet wich i sadly wrote the text wrong :(
L.S Barros replied to L.S Barros's topic in Choral, Vocal
Thank you! I will check on the score.- 2 replies
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- renaissance
- vocal
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This sounds lovely! Great job
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I made this very small renaissance motet for 4 voices, Cantus, Altus, Tenor and Bassus. However my stupid brain wrote the text wrong and instead of "Sicut LILIUM" it became "Sicut ILIUM", I only noticed it after finishing the motet! But besides that part everything is in accordance to what it should be. Enjoy! Text: Sicut [l]ilium inter spinas Sic amica mea inter filias
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- renaissance
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For people that already know my work,i have started a new catalogue, so you will now often see LOB instead of SanWV.LOB stands for Liber Operum Barrosianus, just a fancy way of putting a catalogue name. I hope you like the piece! ❤️
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- harpsichord
- early music
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Hahaha thank you.
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The Schola Cantorum Discordiensis is a discord server focusing on early music! (More specifically in the server, from medieval times to the 19th century). We have a bunch of cool things, gaming, compositions, monthly challenges, competitions, memes... And many more! Currently the server is very small, about 150 members, my goal is to get to atleast 500. Join us!
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Thanks!
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Thanks! The thing is that the piece plays 2 times, one wich just the crumhorns and then the tutti. It was very common to do that in early suites like Banchetto Musicale from Schein. Or any other dance ment to be played in concertato manner (many instruments).
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L.S Barros started following Microtonal Violin Sonatina in B
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Microtonal Violin Sonatina in B
L.S Barros replied to PeterthePapercomPoser's topic in Chamber Music
Very nice, in some parts it kinda sound like an old recording. Very good!
