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  1. Thanks for everyone who voted for my piece in the competition, if people want to see it again or say something about it you can do that here. Have a nice day 🙂
  2. The second movement of my piano concerto, I wrote it during the lockdown and I feel like it exemplifies my mood throughout. I'm particularly pleased with the brief piu mosso section. I wanted to upload it with note performer, although I currently don't have my finances in order. so I didn't, if I get it soon I'll re-upload it. Please let me know your thoughts, and I'm working on the final movement, as I'm not short on time.!
  3. This is one of my all time favorite pieces by Gubaidulina. I tend to think of this piece as a good example of how unique and eclectic the composer's voice is in our own time. Gubaidulina takes traditional ideas of the concerto and adapts them to the more modern ideals relevant in our own day. An amazing work. I hope everyone enjoys it as much as I have.
  4. Hey Im writig a piano Concerto and have hit writers (Composers) block. i'm not convinced with the section at the end which would be the transition to my second subject. any advice welcome. ( i Know i haven't actually put the piano in the score.)
  5. the expositions of my piano concerto in G minor as well as the beginning of the development. any feedback welcome.
  6. Hello, i'm new on this forum. I would like to share my lastest composition. It's the first movement of my 2nd piano concerto, composed in A minor. What do you think of it ?
  7. This piece was begun while I was still studying in Prague. The instrumentation is a straight-forward ode to the Baroque-style of concerto writing, having a more intimate, chamber feel. Moreover, I wanted each of the movements to say both something of the country, as well as recount one of my own memories from my time there. Each movement is therefore a dedication to a particular figure in Czechoslovak history and they move in chronological order (beginning with its independence from the Austro-Hungarian Empire under Masaryk, c. 1918). The first movement recalls a November hike in t
  8. Hi all! I'm new here, and I really wish I'd discovered this community much sooner! I love classical music but, as a violist, my largest complaint has been the lack of stirring, cinematic viola concerti. Well, what's a composer to do? So here's my stab at a full-length viola concerto. I've named it Yfirsést (pronounced ih-ver-syest), the Icelandic word for "overlooked," and an all-too common feeling among violists. This is the first movement, and it resounds with the struggle of overcoming mediocrity and being seen for what you are. (I couldn't tell you what composer it sounds like, b
  9. Hi Everyone! My friend recently asked me to write a double bass concerto for her! She told me that she wanted it in G major; I said I will write it for her but the problem is... I HAVE NEVER WRITTEN FOR SOLO DOUBLE BASS IN MY LIFE!!! Can someone please tell me how to write for double bass. Things like scordatura, chords, do's and don't's will greatly be appreciated! (By the way, this concerto is in a classical style so instrumentation is early classical as well.) If you want me to upload it, let me know! Thank You!
  10. This is a piano Concertino that was premiered in December by a Chamber Orchestra composed by young artists. I couldn't record the event but I have a midi rendition. Any feedback is welcomed!!!
  11. This is a piano concerto I am composing now. I will succesively post remaining movements. The second movement is a slow siciliano, in my feeling it's a bit too short but when I think what I could add, I don't have any ideas :/ what do you think?
  12. Hi sorry haven't posted for ages, been busy! Here's the 2nd Movement of my Piano Concerto. I composed it when I was younger, but decided to re-work it. Will be uploading 1st and 3rd movements onto youtube soon. Hope you enjoy. https://www.youtube.com/watch?v=YVs3_spSBD8 Mike
  13. This is a piece of which I am very proud. In part, it is dedicated to the city in which I am currently staying -- Prague. This is more than likely my most complex work (structurally), and I hope to use this piece as a learning experience. Here, the viola acts as the leader of the orchestra, which experiences a tremendous journey that spans more than 30 minutes in a contiguous manner. I have included an analysis and I hope that you enjoy!
  14. This is my first piece in italian style and generally my first concerto (I don't think it's succesful), I write mostly solo music. What do you think? What do I have to improve?
  15. A small concerto (concertino) in a movement. It has a classical style mixed with a "romantic orchestration" It was composed back in 2015 for a 2016 premiere with the High school Concert Band from Escuela Libre de Musica The composition has some novice errors hehe, also I'm conducing, so I apologize for the dancing. I included the audio .midi and the premiere back in 2016 with the Escuela Libre de Musica Concert Band and Angel Cuyar as soloist. As always, feedback is welcomed!
  16. The is the opening of my first organ concerto, which I have subtitled Il Festival, Italian for The Festival. What do you guys think?
  17. Hello, I wonder how the sound from 0:00 to 1:00 is produced on the piano. Schnittke uses the term con amplificatore which means with amplifier. It almost sounds like some gamelan instruments. Thanks!
  18. Hi everyone, After receiving positive comments of my Piano Concerto Mov.1 , I have decided to write the proceeding movements of the concerto, which serves as a challenge to myself. I have long for writing a slow, romantic movement for a concerto and so, in contrast to the 1st Movement, the piano solo has more melodic parts here. How is the work so far? Is the string prologue too long? Btw, I am still trying hard to add woodwinds and brass as I am more familiar with strings, so I may add it later. Thank you for your comments:) Regards, HoYin
  19. Hello. Posting some old works that was performed some years ago. Concerto nr. 36 in the late Italian baroque style, written to my better half! Sadly I lost the recording from the concert, so this recording is from a rehearsal. For me this second movement of this concerto is the most expressive slow movement I have written. I. Allegro II. Adagio III. Vivace (La danza dell'amore) Please tell me what you think! Performed by new baroque ensemble 2016.
  20. My first timpani concerto, written almost a year ago for a friend of mine who wanted something new. I apologize for the third movement. It's written that you use a superball and cymbal bowing on the timpani but of course my program cannot replicate. If you encounter one of these sections feel free to fast forward (there's a lot of silence) until there's actual written material. Enjoy.
  21. This is a tuba concerto with piano I have been working on for quite a while. Originally this was meant to span multiple movements but I decided to run the movements together and give it cyclic properties. The sustain pedal on the piano is just holding out on this midi rendering so it gets muddy and the 8va markings cause both staves to move up or down an octave for whatever reason even if I didn't write it like that. Anyways, I hope you enjoy and criticism is welcome.
  22. Hello I'm writing a piano concerto and I have got to the cadenza. I am stuck with what to do with it. Do they have certain distinguishing features and do they have to be in the tonic key?
  23. Hi Everyone:) This is my latest Piano Concerto No.1, written for Piano Solo and String Orchestra. Currently, the Concerto only have 1 movement, Presto - Vivace - Presto - Allegro. (Please tell me if you want me to write 1/ 2 more movements:D) This is my very first concerto of this kind, and I am tempted to experiment the balance between Strings and Piano. I also attempt to use some chromatics and implement my favourite tuplet-against-duplet rhythmic pattern throughout the piece. Not sure if both techniques are appropriately done? This is my first time writing excerpts for Solo
  24. Hello everybody! I just finished my Piano Concerto No.1 ''Octaves'' in f minor. The Concerto consists of only one movement: Allegro con brio. The music is, of course, written for piano and string orchestra. The goal for me to write this piano concerto was to learn more about how to write for piano and how to write in a more classical, early romantic style. Note that I added some more contemporary elements as well. The concerto is in free Sonata Form: Exposition - Exposition repetition with piano (classical) || Development (many more modern elements) || Recapitulation without the
  25. Hi Everyone, I have started writing this piano work including a Piano solo and the string orchestra. I think I have introduced some themes into it, but are the themes insufficiently developed? Most of the time I tend to end a theme too quickly (maybe?) and start another, causing poor connection between them. (For example, mm. 29-30, 69-71, 89-90, 95-96 are such transitions) I don't have much knowledge about "bridging" motives, so I sincerely ask for some suggestions for it. Is the harmony good too? Any other comments are appreciated:D Thank you! Regards, HoYin
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