Eddy67716
-
Posts
26 -
Joined
-
Last visited
-
Days Won
2
Everything posted by Eddy67716
-
My Dramatic ensemble compositions
Eddy67716 replied to Eddy67716's topic in Orchestral and Large Ensemble
I have added a cadence and adjusted audio levels. -
This might be a major breakthrough with my Fugues. I took this old one and did some major work to it. Ed's Prelude and Fugue in A minor (StAnnesMoseley).mp3 Ed's_prelude_and_fugue_in_A_minor.pdf
-
I used Hautpwerk.
-
On the swell, you use the expression pedal to control sound.
-
This is my first shot at composing an organ Toccata. Ed's_Toccata_in_E_minor.pdf
-
I liked it all but the ending. The root E tonic triad in bar 60 show be just a fifth.
-
Reminds me of the way I improvise with the Harpsichord setting on an electronic keyboard. Some of the dissonant intervals are a bit off putting, (mainly the A to G seventh that resolves to the A to F sharp sixth in bar twenty but it sounded better the second time I listened) but then I don't know much about counterpoint.
- 5 replies
-
- 1
-
-
- harpsichord
- baroque
- (and 1 more)
-
My Dramatic ensemble compositions
Eddy67716 replied to Eddy67716's topic in Orchestral and Large Ensemble
I took inspiration from some Mario music like the final battles in the the last three Mario and Luigi games (not inclucing the remake). Come to think of it, I don't know why I didn't end it with a cadence. -
This was a ragtime I composed almost a year ago. The_Aussie_rag.pdf The_Aussie_rag.mp3
-
Falling Stars.mp3This is my first dramatic composition I've been working on. What do you think?
-
I have been trying to improve my forest nocturne. The_forest_nocturne.pdf
-
I have decided to improve all my past composition but I have no idea what to do to this one now. This was the first composition I made on muse score.
-
Well, that probably means that I got the groove right.
-
I changed all the progressions to start with the root. I left the bar 14 C as a C because I thought it sounded better with the F chord and a C than with a D chord and a D. I also added some Dynamics. The_syncopated_rag.pdf The_syncopated_rag.mp3
-
I've made a new rag time to practice using a rhythm in different ways.
-
I've been trying to learn contrapuntal music now and this prelude and beginning of a fugue is the result so far.
-
You know, This is still nothing compared to the contradiction I get from this forum for my compositions, http://www.organforum.com/forums/showthread.php?48884-A-Prelude-and-fuge-I-composed&p=466676#post466676
-
I managed to use Hauptwerk to make more realistic version of Ed's fugue in G major.
-
Some months back I tried composing a Fugal style song I call a runner. It's a bit like a fugue but the voices are not independent and they tend to do more things like chords and harmonic intervals. Was this a good or bad idea?
-
Do you mean this with the prelude, postlude and echo passages or with most or all of the piece? (I'm talking about the one in A major.)
-
I also have tried composing a nocturne in F sharp minor. The_forest_nocturne.pdf The_forest_nocturne.mp3
-
I love composing music on musescore and I made this Waltz in B major (Because I never have seen a song in B major for the piano yet.) I can also play this on the piano. The_waltz_of_the_hills..pdf The_waltz_of_the_hills..mp3
-
My first fugue I composed didn't have very organised voices. This is it. (I used the information above to add a cornet V to the sound. https://musescore.com/user/10553021/scores/4754476?showoptions=true Ed's_organ_fugue_in_E_minor.pdf
-
Do you know how he got the 8 and 2 2/3 sounds together on one stave?
-
I'm not actually an organist, but I am a pianist. I learned half of the keyboard and a tiny bit of the pedal technique of Toccata and Fugue in D minor in on my spinet organ. I studied a few tutorial videos on how to play the pedals. You use the heels and the toes of both feet. I'm quite sure you can do trills with the pedals because there is a pedal trill in bars 27-30 of Bach's little fugue in G minor.
