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Found 9 results

  1. Another minuet. The main theme was hard to 'unmodulate' in the second section, i cant tell if it sounds awful or not.
  2. A bit more adventurous than my previous work. I tried using the fonte schema, im not sure if ive pulled it off though.
  3. So, I have finished my first minuet and trio for solo piano. Hope you like it :3. I added an harmonic analysis (very roughly). Any comments are apreciated :3. Almost all the minuet is based on this motive.
  4. Well, this is the recomposed version of a "minuet attempt" that I composed some time ago, I recomposed it just today. I recomposed it because the bass was very simple (just octaves in half notes), and it didnt have the form of a minuet. at least now it haves the form I include an harmonic analysis (very roughly) Almost all the minuet is based on the motive of the image The trio isn't finished, I will add it later Any comments are apreciated :3.
  5. After a two-year hiatus, for the month of December I decided to go back working on this set of 26 minuets which I have been working on off from 2016 to 2017, and stopped in 2018 when I have other things to work on. Here's the status of the minuets as of April 2018: Anyway, after that and up till December, I have gained new musical knowledge and experiences which can be reflected in this new version of the set. More dynamics are added, the pitch range has also been expanded as well and incorporating other forms (Rondo and Sonata) into a few of the minuets as well. Many of the musical ideas for the minuets are taken from several sight-reading books, string quartets by Mozart and Haydn and other composition and theory workbooks. It has been quite a lot of fun finishing the set, exploring new musical ideas and many major/minor keys, and through this I have grown as a composer. I plan to move beyond the piano and work on a set of preludes and fugues for string quartet after this. I also hope to live record these minuets one day, especially the whole tone (XXV). Any suggestions on how to improve, or if you need to understand some of my thinking behind the minuets, you can say so in the comments. (I'm still working on a commentary by the way, but need to tell you that the last uses two different octatonic scales for the minuet and trio respectively.) For those who are not able to listen to the whole set, I suggest looking into these: II (A minor), IV (E minor), VI (E minor), VII (A major), IX (E major), XII (G sharp minor), XIII (F sharp/ G flat major), XIV (E flat minor), XVI (B flat minor), XIX (E flat major), XX (C minor), XXIII (F major), XXIV (D minor), XXV (Homage to Debussy), XXVI (Homage to Prokofiev).
  6. I'd like some feedback on this minuet & trio I composed for piano. It's my first finished piece for piano (I don't play it), so I'm not sure if it's all playable and stuff. I tried to do this thing where the first theme is in A lydian and the second theme is in E mixolydian, so as to "swap key signatures", but I feel like I never really leave A. I appreciate any feedback 🙂
  7. I composed an entire minuet in just a few minutes. It is way better than my first minuet(I never even finished that one, it was so bad), but I still might need to make some changes, particularly to the B section. I used motives to both intensify the B section as it moves to F major and to de-intensify it as it moves back to Bb major. Overall, it is in rounded binary form, which is typical for minuets. What do you think of my minuet? Does it need any changes? If so, what changes? I tried to stay in the Baroque style, thus the melody and countermelody, but should I have an ending chord to both confirm that it is the ending and make the number of bars even? That would leave me with a bit of a coda to my minuet, which isn't typical.
  8. So after writing music for quite some time, I realized that I haven't formally tested out the Minuet and Trio form. Thus, I've decided to give it a go to see what would happen. Reviews would be nice! Hopefully it'll be part of a bigger work (such as a multiple movement string quartet). Format of composition: Theme - Trio I - Trio II - Coda
  9. So, @danishali903 called for solo viola pieces. Here are my 2 cents. I really hope the double-stops in the second piece are not uncomfortable to play :D In fact, all those legatures of the second piece can be ignored and substituted by whatever you think is more idiomatic and executable.
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