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@Henry Ng Tsz Kiu uh they actually don’t make sense. I actually at least said something, unlike you. You had nothing to say to my previous questions. 🫠 Anyways, I am done interacting with you. I have given you enough of my time. You must have nothing else better to do than bug me. I’ll read whatever you reply to this, after that I’m just going to ignore you.

Thank you so much guys for your appreciation and your support. Really appreciated it 🙏 I wish you all Happy new year

Hahahaha the photograph showing the DAW is epic It's my theory that Nickelback minus Chad Kroeger's voice is phenomenal, but their infamy remains. This music melts faces, and makes mine do this: Awesome job my friend!

Also, check this out, there have been some good ones I like from other people's suggestions:

Oh yeah! 🙂

Dude if you're going to give a shoutout give the name! That's @Vasilis Michael, yes their music is awesome 🙂

henry my brotha, I apologize for replying to you later, but I am very happy you enjoyed my work. I guess the work has a tinge of sadness to it. After ruminating a lot about life + the anxiety I've been through, the work has an inevitable bittersweetness. I hope to record the piece in its full version for my dedicatee. Thank you as always for commenting. Here is a fun pic:

Update: I figured out solution to this dilemia. Screen capture that windows has built in and using a free program window has for the audio. It is not best solution. I just Make music would include MP3 option for exporting audio with VST and exporting video. It is not hard. But after 27 they stop updating.

I happen to discover this lovely YouTube channel. It is mainly solo piano works, but (still) if is the performance of standard works and originals are excellent. Charming pIano works.

Morning @Luis Hernández and @Henry Ng Tsz Kiu, I have edited the original post with the correct PDF. I hope that helps.

Sounds good. Although there seems to be some clash (0:22) or conflict here and there. Perhaps it will be clearer with the score.

It's common when someone has no words to object they claim the opposing arguments have no sense at all 🫢😏

I am now 100% certain that you have comprehension issues, did you even read what you wrote? It makes no sense at all.

Hi @Kvothe! I check the score and it only has p.3 with just one staff of score. I will check this out once you update the score to the full version! Henry

Hi @pateceramics! I really like how you use different mood and word painting for different lyrics. The A minor section in b.13 really depicts the agitation to “protest” with short and accented tone, and then the next section you use long slurs to depict the “unspooling thread fine legs”. Next section is like a declamation. And then next section you really “beat” your beat with staccato and accents, and then “relaxes” with longer notes, and ends with longer note value too. Thx for sharing! Henry

Okay so another example - this is something I've been playing around with Page 1 (option 1) Option 2 (Eb to Abmaj9/Bb) Idea for the pickup for more umph Page 2

The last chord is impossible on Violin. You have a G, B, and G triple stop. The lowest string will be open on G then the next available string is the D string so I would advise using that since it's in the G major tonality. Then you could have a B above to complete the chord. That would be possible to play but currently it's impossible.

Yeah

Hi @mossy84! I personally find this a really successful attempt to try a sonata allegro and keep the opening motive present in almost every part of the movement. I agree with you that the movement fits more as the Scherzo movement (lots of Scherzo movements are in Sonata form tho). I really enjoy the harmonic progression in the piece which keeps surprising me. In the 2nd subject you start with C major and then modulate to C minor in b.34, which is common in Baroque sonatas, and I think you will do the normal practice by returning to C major again afterwards. But no you modulate a semitone upward and ends the exposition in C sharp minor! That's a real surprise to me. But with the exposition repeat isn't weird at all. You do the same for the recapitulation, first moves to G sharp minor and then returning to tonic A minor, very clever and surprising to do so. The modulation in development section is really colorful and you move as far as to F sharp major and soothingly returns to A minor. Thx for sharing! Henry

Is that the bad Musecore violin soundfont lol?

I very much dislike the violin soundfonts I have at my disposal lol. Thanks for the feedback 🙂

Hi @Fruit hunter! The whole piece has wonderful changes of orchestral timbre fitting for each dances. I like how you use B as the tonic for different modes, then E and then A and lastly D as the fundamental note, under the circle of 5th. The whole piece thus becomes a whole bazaar of different cultural dances with fully apt harmony, scale, rhythm, color etc for each dance, but the main theme of the repeated notes is easily recognizable. Thx for sharing! Henry

Happy New Year - Composed: January 2026 - Instrumentation: Oboe, Violin, Viola, Violoncello. - Style: early romantic 1800-1820 - Duration: 1:00 I have decided to follow in the footsteps of Chopin! I love how he used a single motive idea thorough entire piece where the harmony is changing under neath. It creates a new interpretation of the idea and flow of the idea. That is one of goal. Another goal was to use Aeolian, melodic, and harmonic minor modes and blend them in. Although the waltz lacks form, there is sense of climax that resolve at the end. As always, I appericate, I hope you enjoy this piece. Feed back is always appreciate. Kvothe

Hi @Willibald! I like the jovial mood for the 1st and 3rd mov minuets. Maybe you can end the Sonata with a Rondeau? Henry

Check out the conclusion to the event here: