All Activity

That's all I had for this piece, and that's maybe an "issue" with me, I make a lot of short pieces that I can't keep them going In any possible way and pieces that I can never finish, if you go to my Instagram account I have like 200 highlights with different pieces in approximately each one and that's the half of all the pieces that I have in my phone, I have some "big" pieces but not a lot.

I did not say I do not like. I said it is too short. Flush it out. Make it longer.

I do not think so. Just expressing a concern.

Is the user breaking any of the above rules/codes of conduct?

I appreciate your opinion and it is okay if you don't like something about my music, sometimes I don't like my music too, but don't let labels lead you in the world of creativity, these are names just to introduce them not the definition of them. Thank you again for your comment Kvothe

HI, I have notice volume of uploads of rather short pieces from member. Some are old; some are new-ish. The issue I see he or she does not seem to provide active feedback on other members compositions. I want this member to flourish and learn, but...

An opus, my friend, is major work. This is too short.. This is more sketch. and there are so many ideas with in 40 secs, too. 😞

@Demertzis This etude is rather short, indeed. I can rapid scaler passages between each hands. Usually, etudes are longer what you posted. Look at what those before you. Study them. Emulate them. 🙂

@Wieland Handke I truly love the baroque instruments you have chosen for this trio. The counterpoint between them creates rich harmonies and melodies! I can see how this would be played with in a church.

@EmotionallyChargedMusic I love the textures that you use in this track. I can imagine robots marching along and humans destroying them. Overall, it is rather cyber punk. Thank you for sharing. Kvothe.

Hello my fellow composers! I bring you good cheers with this waltz. I was influenced by Woo works by Beethoven. While he has known for his large opus works, the woo works were less known. To me, they are fit with in early his period. They can be used to teach us much about harmony, form, and counterpoint. The waltz I wrote demonstrates: 1. BInary form is easy form to write with 2. T-D scheme is great approach. 3. Melodic sequences! and many more. Style: classical time: possible around early 1800's? Side note: I have not posted anything to YT. I am planning to: and those will be shared on here, with links.

You are what you are, i wasn’t even talking to you. The person was wondering how suno works so I explained it to him. I play a little bit of guitar, I only write tab, Lyrics and I use suno. I didn’t ask you for an explanation. Nor would I want to ask you for anything 🫠

Thanks for listening! I do think there's some Baroque influence in it, though the Hummel concerto was probably the model most present in my head. As I was writing the second movement, I did worry the style was veering too far toward Romanticism, but I liked the movement and didn't want to change it.

Thanks for listening! Yeah, I was going for an antique English sound with those C naturals. By the way, I've been intending to listen to your C sharp minor sonata in full (I listened to the first movement when you first posted it on YouTube) but want to do so when I have plenty of time to enjoy it and give you comments.

My zeroth submission:

Hey all, I've lately become a little sick of writing solo piano music—I did set myself a goal of writing preludes in all the major keys and am nowhere near done—so I decided I wanted to try something new before the new year rolls around? This is my first time trying to write for this ensemble and also the first time I've ventured properly out of my usual idiom (normally Late Romantic/Impressionist with sprinkles of jazz and Asian folk influences). I don't exactly know what genre I tumbled into but I definitely like the general sound I'm getting from it. That being said I am certainly not finished but I figured I'd get some opinions first before I keep going... Cheers!

Fair point :3 ive actually fixed both of those issues in the finalized version I gotta stop relying on feedback tbh For example i almost never use the viola for melodic lines simply because musecore's playback for it is terrible

It sounds good, and it’s in keeping with the title. I think some aspects still need refinement or closer attention. For instance, there are moments where six French horns have been written (in chords). Or that part at the end, around measures 35-36... in fortissimo, the harp won't be heard at all.

It is a very enjoyable and coherent concerto. Discussing its style is complicated, even if we use it as a point of reference. For me, it evokes certain Baroque memories, but that is due to the solo instrument: the trumpet, given that there are hardly any concertos for it in the Classical period (aside from Haydn and Hummel) and even fewer in the Romantic era. I find the first movement to be more in line with a Classical approach, while the Adagio feels more Romantic. In any case, it is a great piece of work in terms of composition, orchestration, and editing.

Tintinnabuli is Árvo Párt.

Your replies make me believe more that you may be lobbyist or salesperson of Suno lol... Maybe you never write absolute music yourself... Tintinnabuli is a technique and compostional style, but I guess if I explain to you I will once again be stigmatized as "elitism" ,so, 😴. Henry

Suno is basically you write lyrics, add instruments you want and the music genre you want then generate a song and see if you like it. If not you can tweak it until you like it and since you already know music, it will be a lot easier for you to create masterpieces. So I guess tintinnabuli is like a set piece or something and adding something to it or voices or other instruments, would mess it up?

I like the microtonal version more than the normal D minor version this time, because it makes the theme even more haunting and grosteque. I really love the harmony here, and that piccolo is toxic to listen to. The timbre is very well created especially with the double bass to create the evil mood. The only thiing sounds slightly off to me is the recording's solo violin, which to me sound a bit too loud comparing to all other passages. Thx for sharing! Henry

Hi @mercurypickles! I like the more antique mood in the carol and how you end each phrase in a Picardy 3rd! And I always love how calm and transcendental F# major is (even though you mark the key signature as F# minor). Thx for sharing! Henry

Hi @Luis Hernández! I love how peaceful this piece is. That bare A I don't know why, reminds me of the Veris leta facies in Carmina Burana: Thx for sharing! Henry