All Activity

That is 笛子。Playing the flute is called 吹笛子。

So that is why your notation is... Ahem... Quite interesting....

Amateur tenors can't keep pounding out that high G; prepare it and don't overuse it. Basses as opposed to baritones might not like a whole lot of that E, so usually don't go higher than a D. Something I post like Part Songs or sacred music will take tenors (and sopranos) to A, basses as low as f below g, as high as the high e or even f occasionally, but that would be if I was thinking soloists, and I don't intend that stuff for amateurs.

Interesting; this is what some site gives for Barbershop Quartet, but these are soloists! From highest to lowest, the voice parts in barbershop are tenor, lead (melody), baritone, and bass. The following graphics indicate the common vocal ranges by gender of the four parts used in barbershop arrangements: Male: http://www.barbershop.org/wp-content/uploads/2018/06/malerange.jpg Note the subscript 8 under the treble clef to indicate that it sounds an octave lower than written. This is traditional TTBB notation. For four average male singers, I would just keep it, keeping in mind that with really good singers (pro or talented amateur) one can stretch the ranges a bit.

Please give me the safest ranges for each part

Hello again! After a few days of chaos in my life, I was sidetracked from getting these comments done. Attached on this reply is a pdf containing my annotations to your Score as well as two pages of comments at the end for simplicity. If you have any questions, I will do my best to answer! PDF: A. Karatzikis - Land of Gods (ANNOTATED).Pdf

Although I compose music, I actually do not play any instruments unless you count entering notes into a computer program and hearing them sound back. I'm sure learning to play something of a more organic nature would benefit me as a composer, but I've never been motivated to follow through on growing skilled at producing sound on a normal musical instrument.

Sandy Sands

me me me. I intend!

Hi all 🙂 Here's my new study. Have a good Easter 🙂 Marc Quatuor pour flûte et cordes.mp3 01 - Conducteur - Quatuor pour flûte et cordes.pdf

Hellloooo! This is my submission for the Landscapes competition. For my landscape i have chosen the Italian mountainous region of the Lombardy. The instrumentation is (supposed to be) 1 Cornetto and 3 Sackbuts, but there is also the possibility of other instruments like a consort of viols or a broken consort.LOB 64 Padovana et Gagliarda Detta la Lombarda.mp3 OBS: The original insturmentation is sadly not possible due to the fact that i dont have good enough virtual instruments that have a good sound, the only ones that i have are soundfonts that sound quite unrealistic and robotic...

drum and bass song drum and basss.mp3

haha that was who i got some inspiration for this from

Adding onto both of the people above me, I am just going make my point. Firstly, it is interesting that you start with the subdominant. You decided to keep it just like mysterious at the beginning. I really admire that. Great that you have put in effort to do dynamics. That is nice. Dynamics are important for understanding the music completely. Maybe try to also have some italian terms in your music next time. It could really help with bringing out the right emotion. I know it is annoying. Structure, and I agree. It is in fact annoying, but next time, maybe try to do it in a sonata form without repeats and stuff. Try it. Don't worry about the amount of themes. Just focus on structure. have an idea, develop it, and come back. This is good practice. Try all kinds of forms. Don't stop yourself from trying new things. (!Self-Promotion Alert!) Just recently, I have written my second Nocturne, which is almost the opposite of my previous, incredibly virtuostic self. Overall, you have composed a well thought piece of music. P.S.: Are you told you have to write chord names?

Something better. Trio. I am.

The Mewlips is at least orchestrated for strings, so there is a beginning!

I want to orchestrate the entire cycle for Mahler orchestra; not the Eighth Symphony, the Wunderhorn settings and orchestrations! Princess Mee Free Sheet Music by Robert C. Fox for Voice and Piano/Keyboard | Noteflight Ballad For English Horn And Piano: The Stone Troll Free Sheet Music by Robert C. Fox for English Horn and Piano/Keyboard | Noteflight Cat-Tolkien setting Free Sheet Music by Robert C. Fox for Voice and Piano/Keyboard | Noteflight Fastitocalon-Tolkien setting Free Sheet Music by Robert C. Fox for Voice and Piano/Keyboard | Noteflight The Mewlips-Tone Poem for String Orchestra Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Oliphant For Bassoon and Piano Free Sheet Music by Robert C. Fox for Bassoon and Piano/Keyboard | Noteflight Number Seven is not in Noteflight; the mice chewed it a bit. Shadow Bride.

rondo movement written in one hour Free Sheet Music by for Piano/Keyboard | Noteflight

I wish.🤣 I have written good piano pieces. So did Chopin! I REALLY like this, though, so I guess I'm the producer; shilling this guy's work. largo Free Sheet Music by for Piano/Keyboard | Noteflight

The creature is a made up beast that lives in the vast cold forests of central Siberia and throughout the Altai mountains. The composition is a narrative between the myth being told word of mouth through its environment and by first person encounter. Байыркы .mp3 Байыркы .pdf

Of course, nothing compares to hearing orchestras perform live. Dvořák’s style is the complete opposite of Schoenberg’s, including their orchestral works. Dvořák embodies expansive, monumental Romanticism—even more so than Mahler, for example. But atonality deliberately avoids that and aims for conciseness, which is why it doesn’t use large orchestras.

Yes - thank you for pointing that out!

Regarding the Criteria for the Contest I presume the rules include " ORIGINAL COMPOSITIONS ONLY" , Renditions & Covers Rejected ?

Unfortunately, I will be busy this time of year. I am hoping that everything becomes less busy for me during the summer. Good luck to everyone.