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This is amazing, thank you!

just incase i need to review my own piece for that heavyweight badge Melodies Themes Motives 0 Harmony Chords Textures 0 Form Development Structure Time 0 Originality Creativity 0 Score Presentation 0 Instrumentation Orchestration Playability 0 Execution of Given Challenge 0 Taste 0 Average Score: 0 this sucks never compose again

i'd say this piece does a good job at portraying a somber afternoon. the simple viola melody guides the piece straightforwardly while the accompaniment of the orchestra stills. the score is a bit confusing to read, i feel: random ottava lines, inverted beams of the notes.i also question the playability of some of the violins passages but overall, its not bad!! some of the contrasts work well and they're effective! good jobb Melodies Themes Motives 8 Harmony Chords Textures 3 Form Development Structure Time 5 Originality Creativity 3 Score Presentation 5 Instrumentation Orchestration Playability 4 Execution of Given Challenge 5 Taste 3 Average Score: 4.5

even worse than my random pauses lol!

i do kinda hear the vision with the motifs, and it is recognizable. but thats kinda it ngl its a bit of (sry if its too mean lol) kinda fun to listen to though Melodies Themes Motives 3 Harmony Chords Textures 3 Form Development Structure Time 1 Originality Creativity 10 Score Presentation 1 Instrumentation Orchestration Playability 3 Execution of Given Challenge 1 Taste 3 Average Score: 3.12

Entry: Lamentare Ciobanului - “The Shepherd’s Lament” by @ComposaBoi Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 10 10 10 10 10 10 8.5 Average Score: 9.81 Review: Great job! I think your use of space in this piece really helps paint the picture of a lone shepherd in the mountains like you intended. The cello solo near the beginning of the piece followed by the English Horn solo with underlying soft pizzicato chords really sets a very tranquil and pastoral vibe. I feel like your musical voice has matured since the last time I’ve heard. There is a very beautiful use of unresolved non-harmonic tones or extended harmony in this piece. The melody very often emphasizes the 7th or 9th of the underlying harmony on a weak beat which I find very affecting. Well done! Thanks for your participation and I hope you win the “Pastorale” award that I created specifically for this piece!

Entry: The Voyage of a Lone Ship by @ferrum.wav Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 10 6 10 10 7 10 10 Average Score: 9.13 Review: Your piece, despite being of very high quality and being well developed and conceived overall, highlights both kinds of disqualifications that we’ve encountered in the competition this time around. The piece is too long (although by no means am I saying you should have somehow tried to shorten it just for the sake of the competition) and uses too many total instruments. The timpani player can be expected to play up to 6 (sometimes some pieces call for 6 individual timpani drums) timpani and given that Fruit Hunters “Sacrificed to the Wilderness” was disqualified for the same reason I think the same rule should apply in your case. It’s a shame, because I was hoping to give out two more badges - a “High Seas” award for your piece and a “Nature is Wild” award for Fruit Hunter’s piece. But alas, under the current rules, the theme-ing and creation of the badges was limited to pieces that strictly qualified under the contest rules. Perhaps in future contests we can opt to allow multiple percussion instruments per player as counting as just one “polyphonic instrument”, but we didn’t think of it this time around. But I love your piece from many sides. My favorite part is perhaps the solo timpani hammering out the preview/teaser of the main theme fragment at 4:20 and 5:05. The piece overall is very melodious and easily gets stuck in my head - it’s very lucid. I’m glad you took this composition so seriously that you decided to work the piece to its natural conclusion despite it being over the time limit. I can really imagine a galleon or clipper sailing through some rough seas with this music. And the use of the timpani and horn was very idiomatic for such a context. I think your instrument choices were driven by the conception of this as being a kind of miniaturized orchestra. Great job! As much as I would have liked to vote for your piece for 1st place I can’t in good conscience do so since I had to mark you down in the Time and Instrumentation categories. Thanks for your participation and good luck in the popular voting polls!

Entry: “Warmth” by @UncleRed99 Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 6 9 7.75 8.5 10 10 8 8.5 Average Score: 8.47 Review: A very affecting and heartfelt piece of music! Although the piece has a certain pop music vibe, very often repeating 4-bar, 4-chord structures over and over with variation and some modulations which bring a momentary sense of brightening, it does adequately portray the sense of “Home and Hearth” which is the badge/award that I created for this piece! I can imagine this kind of music used in one of those hidden object mobile games. The player is presented with a room from inside a cozy home with a fireplace burning and has to find objects strewn around and hidden in plain sight. Great job although my chief complaint is that the piece lacks melodic substance. But it’s a very good, easy listening, feel good, cozy piece perfect for the purpose you intended it for. Thanks for your participation and good luck in the popular voting polls!

Entry: Alishan (for Flute Quintet) by @HoYin Cheung Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 9 10 10 10 10 7 8 Average Score: 9.00 Review: For me this piece suffers from poor balance and doesn’t create a clear hierarchy of importance in sound. The piece sort of washed over me after hearing it multiple times without the score. The score is engraved well but hard to follow (for me) because it wasn’t clear what I was supposed to focus on. You could have used your dynamics to bring out the important parts more imo. I expected the flute to be the main soloist/attraction of the piece but it’s in the background most of the time. After listening a few times these things don’t bother me as much. Perhaps it was because the focus and most important aspects of the composition are constantly shifting that I found it hard to find the focus on my first couple of listenings. Another thing is that the moving voices very often overlap each other in register creating confusion for the listener. If the voices are of a different timbre then they retain their individuality more but if the strings are overlapping with each other rather than with the flute then they lose their distinctiveness imo. And the quickly moving voices are often buried underneath the other ones when imo they should be given the foreground since they are the motivic backbone of the piece. The piece is sort of hard to imagine as an accompaniment to your chosen landscape. It’s a good piece of absolute music - I just find it hard to imagine the programmatic context. Despite that I still think your piece deserves to win the “Forest Echoes” award that I created specifically for it, so I’m going to vote for it. Overall though, I still very much enjoyed the music - it’s very intricate and well structured! Thanks for your participation.

Entry: City Rail and Nightingale by @Wieland Handke Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 8 9 10 10 7 10 8 Average Score: 8.75 Review: Very clever to try and incorporate the natural and artificial sounds of your particular landscape into your piece through the use of sound mimesis of the Nightingale and the train. The Nightingale was perhaps the more successful of the two, giving me a more obvious musical association. I think if you wanted to depict the acceleration of the train, a more successful approach might have been to include an actual literal accelerando in your piece much like the Copenhagen Steam Railway Galop does (upon repeated listenings I did notice that you do in fact include a slight accelerando in your piece). I really enjoyed the sounds of the train as well! My favorite part was perhaps the passing of the railroad crossing in which you included an actual written out doppler effect! Very clever! I must say that my enjoyment of this piece grew the most from repeated listening in this competition. Thanks for your participation and I hope you win the “Nature and Civilization” award that I made specifically for this piece!

Entry: Sunset Suite in C minor by @Musicman_3254 Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 8 7.5 8 7 5 8 7.5 Average Score: 7.38 Review: This is indeed a very solemn theme! I think you used it very effectively to paint a sunset scene. There is much longing and bittersweetness. The two big weaknesses in your piece are how it repeats the main theme over and over and that the instrumentation includes a string orchestra instead of individual string instruments. The main theme starts in the basses and keeps rising through different keys. I think it would have been effective if you kept varying the register and key of your rising motif throughout the piece instead of repeating it mostly in C minor like you have currently. You do this in the beginning of the piece but then settle down into the C minor key to the detriment (imo) of the piece. Thanks for your participation and keep composing!

Entry: Chinese Fugue by @TristanTheTristan Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7 7 6 8 9 10 7 7.5 Average Score: 7.69 Review: Bound up in all the traditional Chinese cultural associations, your piece might be a contender for the “A Rustic Mood” award that I created for L.S Barros’ piece. However, your piece is very short - you could have remedied this problem by simply repeating the material you have again, effectively and easily doubling its duration. I think it’s very good at depicting the traditional Chinese brush painting that you posted. The two traditions of Chinese painting and music go together very well and you relied on that to give your piece a unique Landscape association. Thanks for your participation and good luck in the popular voting polls!

Entry: Spring Submission “Rainy Weather” by @therealAJGS Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 5 5 5 7 5 3 5 5 Average Score: 5.0 Review: I understand that you’re participating just for fun, but I (and the members at large) are still going to review and score your piece as a serious entry to the competition. The first thing that sticks out to me is that the beginning electric guitar part is impossibly high. The highest note on electric guitar (without using harmonics) is a written B above the staff in treble clef. Guitar parts are also usually sounding an octave lower than written which your score does not do. I am not sure how deliberately you intended to depict the “rainy weather” theme that’s in your score, because it doesn’t sound very “rainy” to me. But I do like all the little details you put into this such as the scoops and glissandi. Besides the guitar, the piece can actually be played as well. Thanks for your participation and I hope you continue!

Entry: Morning On Whidbey Island by @BipolarComposer Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 8 8.5 9 10 10 10 9 Average Score: 9.06 Review: Very nice tone painting here! I think the picture and the music match very well. The use of space is very effective here, conveying the peace and tranquility of the scene. The music is a sort of mosaic of the photo you took. It’s literally a still landscape. As a result it’s not really trying to develop or tell a story. There is definitely a recognizable theme but it’s not developed by roaming into foreign keys - it’s mood music that intends on sustaining the vibe that it creates while staying musically interesting (as a secondary priority). For this reason, some might say that the harmony might be a little static and the development stilted. But I don’t think every piece has to have a traditional western harmonic development. Thanks for your participation and I hope you win “The Peace of Nature” award which I created specifically for this piece!

this piece has that anger, yknow? thatof one losing a sheep and getting angry and sad, a cycle of grief. speaking of, it kinda represents the stages of grief, with the acceptance at the end. i imagine the contrast in this piece is like this shepherd, high in the mountain and he's mad to himself, alone, with nothing but his taragot. the different sections are distinguishable and the pacing is enjoyable. the contrasts between the sections are prominent and surprised me a bit sometimes lol. the theme and instrumentation certainly helps with this. its distinctive and full of characteristics. those low C string cello notes are powerfullll, same with the english horn and the high E string violin (again, effective contrast). absolutely using the instruments at their advantage me love chromaticsm porridge. the use of dissonance is very effective!!! the piece has a wide array of the dissonance range (soft to hard dissonances) and its usage is appropriate. i highkey like this piece Melodies Themes Motives 10 Harmony Chords Textures 10 Form Development Structure Time 10 Originality Creativity 8 Score Presentation 10 Instrumentation Orchestration Playability 10 Execution of Given Challenge 10 Taste 8 Average Score: 9.5

Entry: Sacrificed to the Wilderness by @Fruit hunter Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 7 8.5 10 10 10 6 8.5 Average Score: 8.5 Review: You really like to stretch the rules of the competition with your instrumentation! You did this last year as well in the Halloween competition. I ordinarily would not have thought of such an instrumentation given the description “... the members are free to compose for any kind of trio/quartet/quintet … You may use any combination of 3 - 5 monophonic or polyphonic instruments/voices.” Perhaps, in your mind, you appended to that description of the instrumentation the clause “... at a time” or for “... for 3 - 5 players.” I don’t think that’s really what was intended, which is why I’ll mark you down for the Execution of Given Challenge category. But perhaps the rules around the instrumentation can be relaxed in the future, allowing this kind of interpretation of the instrumentation - we’ll let the members vote about that in the satisfaction survey. The concept of the piece is also somewhat off-topic. You come to us with a story of a beat-up, old instrument that was sacrificed to nature. Although it does create a soundscape of sorts. And it’s definitely very original and creative (although you could have used your creativity within the bounds of the limits dictated by the competition more imo). With all the hand-made percussion instruments that you wrote for it’s definitely idiosyncratic. But you made it more about the instruments and their eventual sacrificial union with nature. I wish I could have created the badge I originally intended for this entry - the “Nature is Wild” award. But alas, in the interest of being fair to everyone I could not (for the same reason I couldn't create a badge for “Voyage of a Lone Ship”). Thanks for your participation and good luck in the popular voting polls!

Entry: Amidst the Clouds & Flowers by @InstrumentalistElle Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7 8 9 10 9 10 10 9 Average Score: 9.00 Review: Wonderful piece! One has to be a very active listener to catch all the programmatic allusions that you intended to have in the piece. I feel it would have helped if you had given the listener a breakdown using timestamps of what’s intended to happen and when. Also, something that didn’t help is that the score is very difficult to follow, and also isn’t labeled with any of the intended programmatic meanings of the music. In order to really try to hear the events you intended in the music I had to just let myself listen and get my head out of the score which wasn’t helping me. It’s a very ethereal piece, much like the mountains you sought to portray. I personally heard a hint of John Williams when the garden melody first comes in at the beginning in the cello I believe. Thanks for your participation and I hope you win the “Nature’s Garden” award which I created specifically for this piece!

Entry: Padovana et Gagliarda “Detta la Lombarda” by @L.S Barros Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7 7 8.5 7 9.5 10 10 8.5 Average Score: 8.44 Review: Beautiful writing that certainly does paint a scene/landscape! And it does this despite, or maybe because of the fact that it’s a pair of dances! I can totally imagine this playing in a medieval court or at a rustic Italian tavern of some sort. It would also go really well in an RPG game in that kind of medieval location. For me the soundfonts sound quite good as I am not a connoisseur of medieval instruments so I can’t tell the difference. I think this rendition of the piece is quite sufficient for the competition and for letting us appreciate the intent of the composer. I don’t know how different it would sound if it were played by a historically accurate ensemble. I think that having two parts to the composition - one relatively slow and the other fast - is quite a good choice to provide the listener some variety. The music with its varying tempi could be used to accompany quite a few different rustic scenes. Besides a tavern I can also imagine a rustic town of Lombardy (or whatever - I don’t know if that town actually exists). Or some kind of castle in the Italian mountains and all the bustling activity at said town/castle. It is quite exciting! Perhaps because of the style of this music, I found the melodies and harmonies quite pedestrian and unsurprising. But some of the other categories more than made up for that. Thanks for your participation and I hope you win the award I created specifically for this piece - the “Rustic Mood” award!

mmmh, warmth, the thing that one can feel, the snug and fuzzy and cozy feeling deep down inside, the senses you feel as you walk through fallen yellow leaves in autumn, maybe at start of a new chapter in one's life. i can definitely say for certain that this piece invokes exactly that. this style is simple and direct. it communicates effectively with the listeners about what it wants to express. unfortunately, as with @ComposaBoi , im not into this style very much. thats why im giving you low scores in originality and taste (sorryyyyy) the themes are presented clearly and the interplay between the instruments are balanced. the middle section kinda wanders a bit but the recognizable theme pulls it back. score is pretty clear, i do agree with @Henry Ng Tsz Kiu with the two repeated notes staccato instead of the tremolos. i guess you can do with the tremolos but instead of one staccato dot, its two. though i do prefer the first option. Melodies Themes Motives 10 Harmony Chords Textures 6 Form Development Structure Time 7 Originality Creativity 5 Score Presentation 9 Instrumentation Orchestration Playability 10 Execution of Given Challenge 10 Taste 4 Average Score: 7.75

Trombone trio, first real piece but it’s still a rough draft and part of a bigger project. Any tips? Thanks for listening! https://flat.io/score/6a24e52b10804a8298f36fb4-track-1-demo

From a brief scanning of the score, seems the right layout and basically correct part leading, and you might have looked into Haydn quartets. I will listen, don't worry!

Also another addendum: @Some Guy That writes Music you've reviewed 2 pieces and need 2 more reviews for a Featherweight Reviewer badge!

Also: @interlect you've reviewed 3 pieces and only need 1 more review to get the Featherweight Reviewer badge!

Hi, Alarik. Please see my evaluation of your submission below. Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste Overall 5 3 3 6 1 1 5 5 3.6 Melodies/Themes/Motives: There was something of a melody present in the piece, and I noticed themes that were repeated throughout. However, none of it really kept my interest as there was little deviation. Harmony/Chords/Textures: The piece was stagnant, never drifting from b minor, and the note intervals likewise rarely changed. Form/Development/Structure/Time: The structure of the piece was severely lacking, with themes popping up randomly here and there, and new ideas introduced that (from what I could tell) didn't build upon previous content. Originality/Creativity: I found this submission a little stale, but still somewhat original. Score Presenation: In a word, the score is abysmal; it doesn't have even the barest of minimums. I don't know what instrument is playing what. There are hanging ties. No key signature to speak of. The enharmonics are all wrong. Instrumentation/Orchestration/Playability: This is, unfortunately, totally unplayable. Moreover, the writing isn't idiomatic as evidenced by the fact that even without staff names, I can't tell which instrument is which based solely on the written music. Execution of Given Challenge: Despite the problems with musicality, I did find the piece vaguely reminiscent of a rainy day. Taste: I think you have potential to write good music - given a bit of dedication to music theory and notation. Yes, the music was repetitive and chaotic, but it was not unenjoyable. Thanks for submitting, and happy composing! Jordan

I can’t believe you quote this piece as this is probably my worst piece ever posted on YC!