ClarkN

I agree with Ananth. Practice. (also, write A LOT of music for bassoon beforehand.)

as my dad always says: "B+"

OOOOOO Ravel Philip Glass (not technically challenging, but very gorgeous) John Adams (listen to what he's written, it's awesome) Bach and of course Debussy.

D: I miss him already.

I consider myself a concerto afficionado. 1. Ravel Concerto in G 2. Ravel Concerto for Left Hand 3. Rach 2 4. Lou Harrison's Piano Concerto 5. Bach Keyboard Concerto in D Minor God I love piano concertos.

Is this better? also, I guess this would be a better Fughette. Fugue in C Minor.mid

Two fugues I did. This thread is so fun!!!!!! Fugue in Eb Major.mid Fugue in G Major.mid

Can someone here explain coltrane changes? I cannot understand them (they sound cool though!!!) What is the progression, how does it work? Etc.

Technically speaking, Concerto in G is in my repertoire because I am working on it. Also, Mad Rush I can completely play :v

Nah, I forgot about Rach 2 (I know, so sad :( ). And by repertoire, I am assuming you mean the entire repertoire of the instrument you can play, whether or not I can currently play it is irrelevant :v

Cello = Easily the cello suites, easily. Piano = Ravel's Concerto in G, Gershwin's Rhapsody in Blue, John Adams' Hallelujah Junction, Philip Glass' Mad Rush, I think that covers it.

If I can I'll study with him for my master's degree. Either him or David Rakowski (MAYBE John Co, if he isn't, god forbid, passed)

Ravel - all of his works other than bolero seem under appreciated. Lou Harrison John Corigliano Peter Warlock (capriol suite is godlike) John Mackey JONATHAN NEWMAN (OH MY GOD THIS MAN IS A GOD) http://www.jonathannewman.com/music.php?id=002 Frederrico Toroba Sahba Aminikia

I hope John Co is among those names. Mannheim Rocket is awesome.

I just found Tallis as well. FML I WILL NEVER BE THAT GOOD :'(