Thatguy v2.0

Oh hey I like the contrabassoon idea, it's so rich in the lower register. Perhaps the easiest and right solution. Would it be so weird to have the piano with the orchestration? You mentioned harp, percussion, bells, etc., maybe the piano (or synth?) could be used as an accent/effect instrument in the ensemble. It could play the low notes of the final bass dyad in question, but just a random thought. Orchestration is really cool, and it helps I love Debussy haha. Nice work!

one of my favorites to cover:

Hey there, Petr First of all, you're a wonderfully skilled composer. Your dissonant language has a lot of beauty in it to me, I'd be very curious to peek at the score! Could you post, or maybe for future youtube videos you have score videos? Regardless, I'm fascinated by the language you write with, as it's very different from mine (I'd love to learn 😄). Each of the five pieces in my opinion shows a skilled writer capable of writing for both instruments well. Perhaps you could have explored more technique, especially with the violin? With a more modern language, I expected more extended technique. Maybe I'm just used to that context? Even some pizzicato sections or slides would suffice to my ears. I enjoyed the music, I'm just thinking out loud after listening. Your samples sound good, but maybe the piano is a bit too wet sounding? Dunno, I'm not the best with all that. I guess maybe lower the reverb, or if using a DAW, make the reverb more dry. Again, that's probably subjective. As beautiful and intricate your writing is, you mentioned this: Yeah, perhaps, but I think you could have explored more. To me, this sounds like you wrote these fairly quickly one after another, and in turn they have a sameness of quality to them. For instance, aside from maybe the third piece (which is my favorite), you for the most part have the violin and piano constantly playing without rest. Also, to me, they don't always play harmoniously together. It's almost like a mismatch, where each one is playing something separate but they don't necessarily align with each other. They "fit", but without phrasing, it sounds like two people talking at the same time without each one listening to each other. With five pieces in the set, maybe one could of had the violin mostly pizz and light, or one could have the piano be mostly jaunty and choppy in the upper register. Know what I mean? For me, having different character implies different approaches to what the instruments are saying. Characteristic rhythms, or recognizable motifs, or more drastic differences in tempo, form, length, or range could be really beneficial. I'm not sure your overall purpose, as it sounds like you wanted something lighter on the noggin to write after a large piece, but if they're published as a set I would really plan more in advance as to how each of their characters differ. Keep in mind, we probably listen to vastly different types of music, and this is only from my point of view. I'm not sure about a lot of modern concert music pieces, I don't listen to them that much. Maybe what and how you're writing is in tandem with the trends of today, I wouldn't know. But from what I've learned, there are some techniques and theories of composition that transcend language. Wonderful phrasing and an array of textures go a long way in keeping your music engaging and interesting, and hopefully some of my thoughts help for the future. Love the music, thanks for sharing!

Hey these are great! It's a bit dissonant and difficult for children imo, but like mentioned, intermediate kids or adults could benefit. I've always thought that if I were ever a composition teacher, this would be something that I would have people write. It's cool to tone your style and writing down to it's more bare bones, and I think it's wonderful to explore. You should write more of these! Nice job at making them all different. The third was my favorite, but I enjoyed them all. Well done!

Hey there I really like this! It reminds me of Mario 3 for some reason 😄 I like the catchy ideas with rhythm and melody, but it sounds like this is the start to something rather than being a completed piece. You have cool ideas over the static 5/4, but I think the music was ready to move on harmonically. I would explore your rhythm on the V chord (A) or somewhere else and see where that leads your melody writing. You've also set yourself up with some motivic elements, as your theme could be expanded and tweaked. Great start, I'd love to see where this piece goes if you decide to elaborate your ideas. Well done!

Most people here are students, and it's the end of the semester. They're busy, but luckily, we have decades-old-posts to keep you entertained. Cheers, friend! 💋

Ah, sorry, didn't mean to hurt your feelings. If I thought you should be banned, I would have done it already. Also, I'm not sure you know what spam is 🙂

what?

laziness

I lol'd at the ending 😄 Congrats, this is now begrudgingly stuck in my head. How dare you craft such an invasive little earworm 😛

Hey there Your posts are becoming a bit spammy. Maybe try going into greater (or just some) detail of the purpose of your posts. What are you doing to other people's music that makes it post worthy? If it's production technique, I'd mention the steps involved. I mean, we have youtube to listen to these tracks already. #composesomethingoriginal

I couldn't agree more. I feel like your music has really blossomed since taking hold of this approach. This piece is so peaceful to listen to, and definitely crafts an image in my mind. I can't help but think of all the solo adventures you've been taking, especially the ones through nature. I feel like I know the beauty of HK without ever having been there by listening to this music. As others have said, the impressionism, quartal figures, pentatonics, and pedal tone are featured and explored really well. You're already so great at using thematic material wisely, and blended with your emerging uniqueness of voice couples so well. I sort of like the sudden key changes, as it's like bursts of color very reminiscent of the style. Well done Henry, I can't believe you're already almost done with this set of pieces!

Do not lose hope, ever. You're too young and talented, and there may be days where hope is the only thing you have to cling onto. Your music is inspirational, and thank you for sharing here where others can learn from your depth of knowledge and prowess as a composer. I truly hope the best for you, as all I can do for you is to hope too. Good luck my friend, I hope to hear more from you at some point. -Vince

After a short Hiatus : Presenting ... hahahahhahahaa alright dude this legit made me belly laugh out loud. I can't figure you out, I don't know your intentions, don't know if you're a troll, don't know if you're just trying to fit in, don't know if there's a cultural barrier, but that was funny. Well done sir Cool music, but maybe give us a little on what the motive or inspiration is, or some specifics with the compositional process. We'd love to hear, and many here are eager to learn from others.

Nah not at all. Just make sure to credit the composer if you use someone's music for your own purposes. I noticed that your alterations maxed out the volume no matter what the dynamic levels were supposed to be. Maybe try just making the loud parts louder, but have the wisdom to give subtlety where it's needed.