Henry Ng Tsz Kiu

Yeah also from what I heard from you in discord, learning how to read and write on five staff would be necessary for you to compose later on. Basic music theory, for example from this book will help: Elements of Music (3rd Edition): Joseph N. Straus: 9780205007097: Amazon.com: Books Henry

Thank you Pabio, I do not suffer much except emotionally, and much less than those who were engulfed in the fire and residents there. I don't think you are insensitive and disrepectful towards the victims at all, so you don't have to blame yourself for it. Thank you so much for your condolences and dedication. I wish you have a good day. Henry

Actually can you read clearly on my words? I said: Unless you are the someone, you shouldn’t feel like I’m accusing you. That’s why I say you shouldn’t get overreacted. Henry

Don't overact, I am just asking how much effort you put in your composition to consider it as your entry, because if someone just clicks a button and makes an entry, it will be unfair to other entrants who write their music 100%. So in your case it's 50% right? Henry

So what's the part in the "piece" that is composed by you but not generated by AI? If the part is small I doubt it should be counted as your entry. Henry

Hi @Alex Weidmann! About this I have a crazy suggestion. Maybe you can just cut out the whole first movement and leave the last 2 movements as a pair, because for me those 2 are better movements, while in baroque style they have modern touches. 1st movement also has its modern touches but is more traditional. Or just keep some passages of 1st movement as introduction, then enters the 2nd and 3rd movement in full. I do feel the emotional weight in 2nd movement and I like moments in b.58 when the soloist really sings. I also like the driving rhythm in both 1st and 3rd movements. Thx for sharing! Henry

Hi @therealAJGS! It does hurt my ears with its loud dynamics lol! Nice sound effects tho and cool music. Like the minor major seventh chord. Henry

Ooh looks like I’m too late here @Cafebabe……. Henry

Hi @Tunndy, The melody does has some Chopinistic influence and I think you should definitely extend the piece! Some of the C natural and F naturals should be B# and E# instead. I have imitated Chopin style long ago and post a piece here lol so you may check that one out: Thx for sharing! Henry

Hi @Wieland Handke! It’s nice to see all those D major passages run into my favourite C sharp minor haha. Nice counterpoint, just beware that some C natural should be B sharp instead. Henry

Hi Peter! With the strong slurs and the microtone it makes me imagine Celery chasing a ghostly love lol! It’s effective but sounds more like the love in the film Ghost even tho there’s “Oh My Love My Darling” there lol. Thx for sharing! Henry

Hello @Mason M! I just listen to the 1st movement. Do you aim at a more classical style or not? I like the light mood here, some interactions between instruments like in b.78 section. The use of the short short long long rhythmic motive is also apparent. Do you try to write in Sonata form or not? Also for me, passages like in b.66 to 68 sound less in style with the parallel 5ths. Thx for sharing! Henry

Hi @Vasilis Michael! Just on the fourth movement it’s funny and full of great modulations, and the mood is light just like many Classical sonatas. On the whole sonata, I think it’s more like an early Romantic sonata with all those more advanced modulations. But whatever style, I like this one. Maybe the next step would be to start finding newer voices! Thx for sharing! Henry

Then you can take some of your time to review my works! They all have scores haha. Henry