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Whoa that last note, what?
Anyway, more so than jazz, it had a bit of a ragtime feel. You're going to want to experiment with more chord extensions with not such a clear tonicized bass line at all times. Syncopation is key, with some element of it sounding like it was improvised, as that's definitely a major part of how the genre started. 
What's here is fine, there are some weird inversions/spacings of chords here and there, but I'm just not totally convinced it was what you were going for.
Cheers---

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The result is nice.

Yes, the last chord is a bit odd in this context. I'm not afraid at all of hearing a Fmaj7/D, but if all the piece is tonal and functional, it makes less sense a chord like this at the very end. Besides, the interval is quite big.

I think Monarcheon is right in the suggestions. In that sense, for example, the last part m 25-31 would be a chance to enrich your chords (not only octaves).

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7 hours ago, Luis Hernández said:

The result is nice.

Yes, the last chord is a bit odd in this context. I'm not afraid at all of hearing a Fmaj7/D, but if all the piece is tonal and functional, it makes less sense a chord like this at the very end. Besides, the interval is quite big.

I think Monarcheon is right in the suggestions. In that sense, for example, the last part m 25-31 would be a chance to enrich your chords (not only octaves).

 

Thanks a lot! The last chord will be corrected!

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10 hours ago, Monarcheon said:

Whoa that last note, what?
Anyway, more so than jazz, it had a bit of a ragtime feel. You're going to want to experiment with more chord extensions with not such a clear tonicized bass line at all times. Syncopation is key, with some element of it sounding like it was improvised, as that's definitely a major part of how the genre started. 
What's here is fine, there are some weird inversions/spacings of chords here and there, but I'm just not totally convinced it was what you were going for.
Cheers---

 

O,shame!..The last chord will be corrected. Thanks for all your comments again!

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