May 19, 20196 yr Hi, here is my new Kyrie in G minor in classic style. Vocal: sopran, alto and SATB Choir Instruments: Oboe, strings and continuo As always, I'm looking forward to your comments. Regards! Edited May 19, 20196 yr by Guillem82
June 25, 20196 yr I think sounds convincing 😀. I like particularly the "kyrie" parts where you introduce a G major chord and then repeat the sequence F major.
September 4, 20196 yr It is a shame that no one has sung this(at least that I know of), it would be really good! good job!
September 10, 20196 yr Author Thanks a lot @isuckatcomposing! Comments like yours make me keep on working :) Of course it would be a dream to get it played by a real orchestra... Edited September 10, 20196 yr by Guillem82
September 11, 20196 yr Very nice though it sounds closer to baroque than classical. Similar to Luis' impression, to me it's almost like a concerto grosso for voice, oboe and strings. More of a personal preference but I would have likely to see more interplay/counterpoint among the voices since the vocal lines are predominantly homophonic and tutti. Splendid work otherwise.
September 18, 20196 yr nice to hear dear. We are also dealing into Classical Choral Music Classes in Rockville Maryland USA. After seeing your update I am very motivated Thanks Edited September 18, 20196 yr by ChorSymphonica
November 7, 20196 yr That's great! M.59 feels specially pleasing. I agree that it sounds a bit baroque which I don't think is a problem at all. You may even take that as a compliment. It feels consistent and amusing throughout. Good job!
January 6, 20215 yr Nice job! The end sounds like after the choir ends there could be a faster denouement for just the strings and oboe and continuo. I don't know if that's common for pieces like this to end that way - maybe I heard an ending like that somewhere in the Baroque era before? I enjoyed listening so thanks for sharing!
January 19, 20215 yr Author On 1/6/2021 at 1:18 AM, PaperComposer said: Nice job! The end sounds like after the choir ends there could be a faster denouement for just the strings and oboe and continuo. I don't know if that's common for pieces like this to end that way - maybe I heard an ending like that somewhere in the Baroque era before? I enjoyed listening so thanks for sharing! Thanks for you comments 🙂!
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