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Found 2 results

  1. Hi everyone! Welcome to the revamping of the Masterclass forum. Here's everything you need to know: Masterclasses on YoungComposers are like little mini-lessons focusing on a very specific aspect of musical composition. This can be anything from Ear Training to Score Study. Each lesson will be led by a proficient teacher in that field. Instructors will need to know basic composition skills, with an extended knowledge on the topic they will be teaching. As composition topics for these classes are announced, you can respond here in a separate thread if you'd like to be the proctor of the given class. Instructors are expected to make classes engaging, specific, and dynamic. Simply reading a page on orchestration techniques is not very conducive to learning. Participants for these classes are determined by the signup for each given class. When a new thread for that class is opened, the signups will be open. The instructor can decide how many composers he/she/they will be assisting in a given lesson. A good way to engage your students is to have them write a short 32 bar piece with some basic guidelines, then telling them what they missed and what they can improve upon after the fact. Instructors should mainly focus on the area of teaching relevant to the discussion. For now, I will be deciding what classes will be "official". There will be a thread of compositional topics composers on the forum would like to see covered in the future. The time schedule of these classes will be once every 2 - few weeks. Hit "Follow" on this forum to stay up to date on any new topics you might be able to help the community with!~~ I hope you find these helpful!
  2. Do you agree or disagree with the above statement? To agree would mean that no matter how much a person lacking the gift of composition studied, they would never get good at composition just because they lack the gift; and that a person who possesses the gift of composition would display that gift no matter the amount of instruction or study he/she has had in composition. To disagree, on the other hand would mean that a mediocre talent or even one who patently lacks the gift of composition could get good at it thanks to instruction and study; and that a great talent might be totally wasted because of a lack of the proper instruction and study.
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