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Found 6 results

  1. eternum1968

    A short study

    Here is a short study for piano, I wrote. Roberto Zini - Studio brillante I hope it is something interesting.
  2. WillRoberts

    Short piano study

    Please excuse the playing on this. If any pianists would like to record a better version I'd be happy to hear from you!
  3. dhslamas

    Estudo em forma de chôro

    I wrote this piece for the project of flutist Robin Meiksins, Where she play one piece a day for a year. I hope you enjoy it!!
  4. Erik der Rote

    Working As A Composer

    Hi everybody, I write from Italy and I am the composer of a gothic-neoclassical duo, the Elfenwald (http://www.myspace.com/elfenwald01). I like composing very much and I would be so happy to let musical composition become my work...I know it's very very difficult..it's also very difficult for a band or duo to reach the audience. I studied piano for 10 years with a private-teacher, but I didn't attend the conservatory..since 2010 I started composing for my duo, and I discovered my composing-abilities..I'm not a genius, but I think I have enough abilities as a self-taught person. My dream is to let my duo be well-known and to work as soundtrack-composer. For the first thing I know that it's difficult and that we have to make a lot of promotion...what shall I do for the second question? Yes, surely I have to demonstrate my abilities and improve a lot (and, probably search for short films needing soundtracks), but which would be the way to became a professional composer?Anybody has self-experience to tell? Thank you so much and sorry ifor my imperfect English!!!
  5. Is Formal Training In Composition Necessary At One Point Or Can One Find One's Way Just Through Practice Composing And Studying Pieces? What do you think? I have scarcely gotten any training and compose as an amateur. I am wondering how far I can go like this. Will I find my way to composing even symphonies, or would that necessitate some formal training? I know that Elgar became a composer through self-study. Would training generate symphonic ideas where none occurred before, or improve one's original ideas?
  6. Do you agree or disagree with the above statement? To agree would mean that no matter how much a person lacking the gift of composition studied, they would never get good at composition just because they lack the gift; and that a person who possesses the gift of composition would display that gift no matter the amount of instruction or study he/she has had in composition. To disagree, on the other hand would mean that a mediocre talent or even one who patently lacks the gift of composition could get good at it thanks to instruction and study; and that a great talent might be totally wasted because of a lack of the proper instruction and study.
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