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Showing results for tags 'instrumentation'.
Found 5 results
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Hello composers! This will be the place where I will share one classical composition including saxophones per week. The videos are not mine! As a saxophonist, I notice that still many composers do not use the saxophone in classical music. The most important reason for this is because they do not know how to apply the instrument. I often get the question if I could give some study advices for saxophone writing. My answer is always that one has to listen and study the works of our predecessors. This topic is meant to inspire and stimulate composers to write more music for
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Hello everybody, A few days ago, I got the idea about an app to help composers to get feedback about instrumentation (and orchestration) from musicians. The idea can be found here: We decided to try it out first on this forum by a thread. (!) To have this idea work, we need the whole community to help and play the music! A composer can post his music here, but when the music isn't performed, there is nothing useful about this topic. HOW IT WORKS What to do as a composer? If you are not sure about a short passage or a few passages in one of your compositions, you c
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Hello everybody, On FaceBook I have seen an invitation to write for the carillon of the Domtoren (church) in Utrecht. I never came on the idea to write for this instrument until now. The problem is that I don't know how to compose for the carillon. I cannot find much information about the possibilities and limitations of the carillon, so I would really appreciate it if you could tell me more about it! Thank you, Maarten
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Hey everybody! Just wondering if any of you know of any pieces featuring harp and celeste together? I know of several orchestral scores with this instrumentation but I'm really interested in finding some smaller chamber works if you know of any (I'll gladly take new-to-me orchestral scores as well though, so feel free to add them if you know of any). I'm trying to get a feel for the sound of those instruments together.
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Hello I am writing a piece for 4 flutes. Each flute moves up in glissando patterns to create microcanons. I was speaking to my tutor about this the other day and he said that simply going from a low not to a high note via glissando on flute is limited because of the fingerings. My original plan was going from a low F to a high D sharp. with all the tonal and microtonal qualities in between. What is problematic about this? If I am starting from an F what is the highest note I can reach via glissando? Thanks
