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Found 34 results

  1. Hello everybody! I just finished my Piano Concerto No.1 ''Octaves'' in f minor. The Concerto consists of only one movement: Allegro con brio. The music is, of course, written for piano and string orchestra. The goal for me to write this piano concerto was to learn more about how to write for piano and how to write in a more classical, early romantic style. Note that I added some more contemporary elements as well. The concerto is in free Sonata Form: Exposition - Exposition repetition with piano (classical) || Development (many more modern elements) || Recapitulation without the second theme. I ommited the second theme in the recapitulation, because I felt like this theme was already 'mentioned' too frequently. Furtheremore, ending with the first theme sounds fine to me. What do you think about the music? Particularly the development? *The lay-out of the score still has to be done. Maarten
  2. HELP! Name of this piece?

    Hello everybody, Yesterday, my grandmother and I were talking about classical music. My grandmother told me that she want this piece to be played at her funeral, but she does not know the name of it, nor the composer. The only thing she has, is the video with pictures of gardens. The video is called ''Jardins pour rêver.'' She said the composer is French, but I am not sure. I cannot attach the file, because it is a PPS file and I do not know how to extract it without losing the audio. Therefore I have recorded it with my smartphone microphone. Please can you help me (and my grandmother) to find the name of the piece? She would be so thankful! Maarten
  3. Hello everybody, Here is a piece that I have just picked up again. This Piano Concerto is meant to study the classical and early romantic piano concerti. I arrived at the development section, but I feel like this movement is going on forever and it bores me. Does it bore you too? If so, do you have any advice how to improve the action? The development section is pretty abstract for me in piano concerti. Do you have some suggestions that I can make in the development section? What do you think about the piece so far? I look forward to your response! Maarten Piano Concerto No.1 ''Octaves''.mp3 Piano Concerto No.1 ''Octaves''.pdf
  4. [FINISHED] Saxophone Quartet No.3

    Hello everybody, You may have already seen the two other topics about this quartet. One is about the sketch, which I had to make for the selection rounds of the composition competition. The other one was about how to create a climax and how to continue and finish the piece. Finally, I have finished the piece and to be honest I hate it. I have heard it so many times and it was terribly hard to finish the piece and include a climax. @Luis Hernández I hope that there are more vertical lines and there is a clear climax. The piece is about Europides' Medea. More information in the PDF attached to this post. The notes on page still have to be changed. There are a few themes and motives exposed in the beginning and during the piece I develop them in many ways. I have, for example, included a Fugato structure, where the theme is a based on a motive in the beginning. I am very sorry that the instruments sound so fake. . . If anybody knows a decent soundfont for saxophone (quartet), please let me know! Thanks for listening! Feedback and comments would be very nice! Maarten
  5. Question: Piano pedals

    Hello everybody, I would like to know if it is possible to use TWO piano pedals at the same time, for example: Sustain pedal + una corda to have the mysterious mood of the una corda continued by the sustain pedal. Like: Kind regards, Maarten
  6. [CELLO] Double stops

    Hello, I am writing a composition including Cello and I would like to know if the double stops below are playable. Please help me! Regards, Maarten
  7. [EARLY PIECE) Saxophone Quartet No. 1

    Hello everybody, This was my first saxophone quartet that I composed one and a half year ago. . . (Opus 8). When I composed it, I was into composing for max. four months. I There are mistakes everywhere and when I wrote this I did not understand how to modulate (LOL), so there are quite subite transitions to other keys. I thought it would be fun for you to see how I am developed in one and a half year. The Mozart and Haydn influences are evident. I find this piece now uggly, but still I think at some places the music is pretty nice. The uggliest parts in my opinion are the endless repetitions, which makes the music too monotonous and boring. What do you think? Maarten
  8. Hello everybody, Would it not be fantastic if Young Composers had its own special Magazine composed by the creative members of the forum? Since a few weeks I have been thinking about this idea. I already made a few magazines with the free program called Jilster (https://www.jilster.com/). The advantage of this program is that I (as a chief editor) can give specific pages to other people so that many people can work on one single magazine. The program is very ergonomic: I learned the things I needed to know in one hour of experimenting. Because the idea is still quite vage, I decided to schelude the magazine. This link leads you to the magazine in which you can see the topics I would like to include. https://jil.st/YoungComposersMagazinePreview Before I begin to write for this magazine, I would like to know if you would appreciate it. Could it be an valuable addition to the forum?I would also like to know if some of you are interested to help me. If you want to write about a topic that is not mentioned in this megazine scheme, do not be disappointed. I can give you several pages on which you can write about what you want. Furthermore, if you are interested send me a private message. I am very enthousiast, but of course we all have to be! Please be honest. Maarten *I know that not everybody has all free time to spend on writing and laying out the articles (including me), so there will not be a deadline. It is something extra and it has no priority.
  9. [This topic is about how to join the Young Composers Magazine staff.] Hello everybody, Firstly, great that you want to help! Since there is much enthousiasm for the magazine (also to help), I have decided to continue the project. There are a few steps that you need to follow: Send me a personal message including that you would like to contribute articles to the magazine. In order to give you the ability to work on the magazine you have to create an account on https://www.jilster.com/. Afterwards, please send me your mail address via the same personal message, with which you have created your account so that I can add you in the lists of editors in Jilster. This addresses stay private and are not to be shared with other people without the permission of the owner of the address. Thus, these addresses will solely be used to invite you for the editor status. After this I will add you to the staff group of the YCM. Tell me which topic you want to write about and how many pages you expect to be necessary. When you receive a mail from maartenbauer@upcmail.nl read it and accept it so that you can join the staff. Write! I set the deadline on the 1st of October, but as I already said we will not have a deadline, because we are bussy people and do not have all the time in the world to spend on a magazine. Haha! However, I would be very glad if we have it almost finished then. Kind regards, Maarten
  10. Carillon writing

    Hello everybody, On FaceBook I have seen an invitation to write for the carillon of the Domtoren (church) in Utrecht. I never came on the idea to write for this instrument until now. The problem is that I don't know how to compose for the carillon. I cannot find much information about the possibilities and limitations of the carillon, so I would really appreciate it if you could tell me more about it! Thank you, Maarten
  11. Hello everybody, Today I finished my fourth symphony. To be honest, I hate to write orchestral music, because it feels like I am drowing in an ocean of possibilities and material. Yet I wanted to 'practice' my orchestration skills. The form of the piece is inspired by mosaic form, because for me recognition is one of the driving factors in the music. The lay-out and final corrections still have to be done. I am sorry for the very small staves, but this is needed, otherwise not all instruments could stand on the page. ''Randstad'' is the name of the area located in the West of Holland (Amsterdam, Den Haag, Rotterdam, Utrecht). It is one of Europe's bussiest 'metropoles' (7 million) and this is where most of the economical, social and political activities take place. I don't live in the Randstad, but in the middle of the Netherlands, where actually nothing exciting happens. What I wanted to express with this symphony is the chaotic, but also rich character of the Randstad. I am actually pretty satisfied with the result. What do you think? Any feedback or comments? Maarten (The mp3 file is called ''Nederland,'' which is wrong.)
  12. Selling music online

    Hello, I am looking for an easy way to sell my music (especially sheet music) online, because many people ask for it. Do you know a website or library where I can present and sell my music? If so, please share the link in this topic. There is an advertisement on this forum of the library Tune Bud, but I don't know if this is for music only (sound) or also for sheet music (written). This website works with Paypal and since I didn't have an account yet, I decided to register me at Paypal, but it doesn't recognise my hometown (in Holland). Do you know how I can fix this? I am looking forward to your response! Maarten
  13. Hello everybody, I have won a composition competition with my saxophone sketch, which I already posted on the forum, and I can now finish my piece. I really need your help / suggestions / feedback! I will share my worries about the music in points, so that you can answer and discuss these. Extra information: The piece must be around 5 minutes long. The other post with the sketch can be foudn here: http://www.youngcomposers.com/t34939/sketch-saxophone-quartet/ The music ''ends'' at m.88. From m.88 there are sketches: Mm.90 - 97: Possible climax? Do you think this could be a nice climax for the piece or not? What should be a good way to create a climax in such an already heavy piece? Mm.138 - 143: Very tonal fragment based on the main theme to bring some lightness, but also humour. Do you think this would be nice to have in the music or does it ruin the whole mood and atmosphere of the piece? Although I like how I develop the themes that I give in the ''exposition,'' I don't like the music. It sounds boring and too repetitive to me and I have doubts wether I have over-developed the themes or not. There is no clear climax either. The most important element of this piece is the sudden dynamic shifts. I have thought about adding a second movement, so that the music isn't boring anymore, but this can also break the flow of the music in the first movement. The sketch was very interesting and very finished, but I feel like the music that I composed after finishing the sketch is of lower quality than the quality of the sketch. What do you think about the composition? I am looking forward to your responses! Maarten
  14. Etude for Clarinet

    Hello everybody, A few months ago I discovered minimal music and I immediately fell in love with the simplicity and rest it gives me. At the moment minimal music is one of my favourite genres and I tried to compose a minimalistic piece for Clarinet in A or Bb. Melody for Clarinet.pdf The score is already transposed, so the part will sound different when played by a Clarinet in A than than when played by a Clarinet in Bb. The performer can choose how many times he or she wants to play the repetitions. Glass' masterwork Glassworks is a huge inspiration for this piece. Check it out! (the title of another minimalistic work by Reich) https://www.youtube.com/watch?v=6Stu7h7Qup8 Check it out! https://www.youtube.com/watch?v=GqXhvPIgDL8 Feedback or any comments would be nice! Maarten
  15. Sketch Saxophone Quartet

    Hi everybody, I am writing a piece for a composition competition in Holland. The piece is to be written for a Dutch professional saxophone quartet. They firstly want to have a sketch of the piece that takes no longer than one minute. I called the piece Medea. Medea is a Greek witch in the story called Medea by Euripides. In class we were studying the Latin translation of the tragedy and in my opinion it is very impressive. In the part we have read Medea was furious with everybody she knows. In the Messiaen masterclass I learned a new composing method, which I wanted to apply. I used the third mode and tried to create harmony with a lot of dissonances, but also with rest points. This is my third Saxophone Quartet. Feedback would be very helpful! Maarten Saxophone Quartet Gr.pdf
  16. Hello everybody, I have finally finished my Suite ''Seizoenen'' for Solo Piano (Op.36). Dutch: Seizoenen = Seasons. Maybe you have already heard some movements, but I wanted to post the composition in its complete version. This composition is set in four movements each presenting a season. I tried to make my associations with the seasons as clear as possible. I. Winter (Winter): Presto animato. II. Lente (Spring): Allegro vivace. III. Zomer (Summer): Andante sognante. IV. Herfst (Autumn): Lento melancolico. My favorite movement is the Zomer, because for me the music fits my idea of the hot Summer. Enjoy the listening! Feedback would be very appreciated and helpful! Maarten
  17. Hi all, After my secondary school I want to study either Classical Saxophone or Composition. When I am chatting with Composition professors, it seems to me that they prefer composing on paper and then they notate in a notation program. I have tried it several times to compose on paper, but I find it really hard. Not because I don't know what the music will really sound like, but because I make so many notation mistakes. Actually, when writing music on paper, my scores look like Beethoven's (see picture) and I cannot even read in myself. . . My question: ''Do you compose your music first on paper and then in a notation program? Or do you directly notate in a program, such as Sibelius or MuseScore? Why?'' I think the ''Why'' is the most important part of the question. Please let me know your opinions, experiences etc. Kind regards, Maarten
  18. Sonatina in Bb

    Hi everybody, This is my latest composition made for the Harmonic Extensions adv. assignment by @Monarcheon. Tonal music worked the best and when I read the assignment I immediately thought about sonata form. I noted in the score where I have applied the three new ways of harmonic extensions. Actually I don't really like the music itself, because it sometimes sounds so Beethoven or Mozart-like and sometimes it sounds like later 1850 music. Please tell me what you think. Feedback would be very appreciated! Maarten
  19. Hi everybody, The last weeks I am focussing on instrumentation and orchestration. I wanted to arrange a clear Haydn sonata for a small orchestra with 2 natural horns and 2 oboes. The full name of the sonata: Piano sonata in D major, Hob. XVI: 37. Beautiful recording by Eschenbach: https://www.youtube.com/watch?v=b6JMbUgxq-0 I wanted to keep the atmosphere of the sonata, which is very energetic, but not complicated. Because this is for practice, I only arranged the exposition of the first movement. Score, which I used: Haydn - Piano Sonata in D Hob. XVI;37.pdf M.Bauer - Small Orchestral Arrangement for Haydn Piano Sonata Hob. XVI;37.pdf I'd love to hear your feedback! Maarten
  20. Piano Suite: III. Summer

    Hi all, This is the third movement of the Seizoenen* Suite for solo Piano, which is called Zomer.** *Seasons. **Summer. The Summer is for me the period, when I can relax. In this period we namely have a long school break (6 / 7 weeks). I wanted to let this association with the Summer sound in the music. Feedback would be very nice! Maarten M.Bauer - Suite for Piano''Seizoenen'', Op.28 III. Zomer.pdf
  21. Good Night for Marimba

    Hi everybody, The last months I have some problems with falling asleep. I always listen to baroque music, because it gives me rest. I suddenly got the idea to compose a simple piece so that I can easily fall asleep. For me Marimba sound very dreamy. The repetitions can be repeated as much as the musicians want it. The piece is called ''Welterusten,'' which is Dutch for Good Night. Welterusten.pdf Tell me what you think! Maarten
  22. Hi all, I received some interesting feedback on my Melody for piano ''Winter''. One of the comments was by @Gustav Johnson. He encouraged me to compose a suite based on the seasons (Dutch: Seizoenen). The Suite is called Piano Suite ''Seizoenen.'' The Winter is the first movement and can be found here: http://www.youngcomposers.com/t34743/melody-for-piano-winter/#play.The Lente (Spring) is the second movement. I tried to imitate typical Spring elements, such as whistling birds and animals that wake up from hibernation. Feedback would be very nice! Kind regards, Maarten
  23. Hi all, Today, I finished this Melody for solo Piano. I am trying to develop my own ''voice'' and ''identity'' in music composition and I think I am on the right way... As the title is called, the inspiration of this composition is the Winter. Of course in the Dutch style: ice skating, Unox sausage, Boerenkool etc. Feedback and comment would make my Winter even better! Kind regards, Maarten
  24. Name Choral Speaking

    Hi all, In music class we had to compose a two minute Choral Speaking work for three voices and perform it. The following names of our classmates formed the text of the composition: Alex; Alisha; Cilia; Maarten; Simone. In the last measure ''Meneer Rouschop'' appears. This is our music teacher. . . The Dutch name for this composition is: Driestemmig Namenspreekkoor, which means that there are three voices (soprano, alto and bass) speaking names. Because there is no real pitch, when speaking, but there is a difference between low and high, we decided to write high pitches on the high F, normal pitches on the middle B and low pitches on the low E. Rythm and dynamics are the most important elements in this composition, since there is no real pitch. We tried to develop the three main themes that are introduced in the canon-like section. Feedback would be very nice! Maarten Bauer
  25. Hi all, A friend of mine asked me to write a piano concerto for her - I was already planning one, but now I really began to set the first notes on paper. The early romantic composers' concerti (Schumann, Mendelssohn, Beethoven etc.) have had a huge influence on the piece until now. Sadly enough, I feel I am not able to continue and finish this concerto. It sounds too repetitive and it really bores me listening to it, but also composing. I have reached the capitulation of the first movement. Any ideas how I can recover my motivation of finishing it? I have attached the score and music. Note that this is a rough sketch. Feedback would be nice too! Maarten