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Great piece! are the mistakes at 10 - 12 on purpose? kinda playful and goofy in a good way, but also sincere. this literally reminds me of untitled goose game music😅 can't wait for more variations! (P. S. maybe sometime try making a 5 or 6 minute original song with no variations?)

hello been taking a break from working on the variations, thought I'd continue working on this piece. if you had already read my catalogue, then you'd have probably known the other planned movements already. movements planned: No. 1 : Whimsy No. 2 : Home (Omah) No. 3 : Scherzo No. 4 : Affection No. 5 : Festive i'll continue to work on the variations after this as always, enjoy the piece. lemme know what you all think!!!

I always love ragtime pieces, and yours is really charming! I especially like how some of the cadences are a bit ambiguous and unpredictable. I think it keeps the piece fresh with the repetition. I also like how you combine both theme from A and B in the Coda. Overall, I think the piece is pretty solid and I enjoy listening to it. Thanks for sharing!

No problem.

Turns out the BBCSO issue was down to Spitfire, not MuseScore. It seems they've updated their software recently, and done it in a particularly stupid way, forcing customers to re-download every single instrument pack one by one from scratch!

A little ragtime piece I wrote this week. Any comments or feedback would be appreciated!

Hey Mark, Elated that you like my work. I haven't listened to any Milhaud, but thank you for sharing. I know he has a lot of jazz/popular influenced works, like this samba: The work you sent seems to derive a similar style, especially the second movement.

Wonderful! I loved all of it

Thank you so much! I greatly appreciate your feedback and kind words! It was a fun project, song was made about a month ago. Video was shot and edited in about 24 hours. I do love the spooky themes in my music! As for the release, I'll be doing a wider release on my socials and whatnot in October, but the festival I'm submitting it to needed submissions by August 31st, and felt like giving this community a little early look, since I scored it as well. Again, thank you so much for all the kind words!

Hey everyone, Here are a few tracks from my new album aimed at TV and Film licensing. Once again focused on the action/adventure genre, but this one has a greater focus on modern cinematic music and fusions of genres from around the world. Everything from new age, to rock, to latin pop and inspired by films like National Treasure, Tomb Raider, 007, Pirates and more. Hope you all enjoy it. I'll update the thread as I upload a couple more tracks to the ol' YouTube, but in the meantime, if you want to check out the rest of it, you can listen on spotify https://open.spotify.com/album/5VacPSF2HmD200E2NKCZmx Thank you.

Finally managed to get some time to finish this piece. Uploaded below should anyone wish to listen. Hope everyone is well.

My piece is more serious in tone, but I do like PDQ Bach. "Found a peanut!" Least expected opening line of an opera ever. 🙂

Wow that was incredible! The modulations in the second half of this invention seem incredibly smooth. 40 seconds in you really start to experiment with the harmony, and I think you do a really good job at making the transitions as seamless as possible here. I just wish this was longer, because I feel like you really start to take advantage of the microtones around 40 seconds in, but then you conclude way too fast after that, just when things were getting juicy!

Hey thank you very much! I just realized that the subtitle track was wrong. It's fixed, we can activate English subtitles without problem. In any case, thank you for listening.

Yet another microtonal invention. This time using syntonic commas to better approximate just major and minor 3rds. Although I am a bit puzzled why I had to use a three-syntonic commas sharp sign to make playback closer to a just major 3rd in this. Maybe it's some kind of Musescore glitch? If any microtonal aficionado knows, I'd be grateful for your help! I'd appreciate any of your comments, critiques, suggestions or observations. Thanks for listening and I hope you enjoy!

I am playing a slightly simplified version of the blue Danube waltz on the violin, and the peace requires me to switch from pizz to Arco quite a lot actually, and I was just wondering, how on earth should I hold the bow if I have to keep pizz-in and then take a quick rest and then quickly go to Arco again? Should I do it with the index finger or the middle? Or is there an easy strategy anybody knows? Thanks!😊

The only thing I might suggest is to bring out the melody a little more by either lowering the right hand by an octave (in some parts at least). Sometimes its hard to hear the very high notes, especially when paired with the deeper notes of the left hand. But aside from that, the music itself is beautiful, especially in this context of an Ice Cave.

A very good effect overall. The high tessitura of the melody, as well as the arpeggios in that area, give a very ethereal effect and also suggest drops of water falling. Another thing that I think contributes is leaving the note suspended in the second part of the bar in the accompaniment. There are also some very beautiful harmonic changes, such as in bars 6 and 5... It sounds fantastic.

The waltz sounds very good and has some surprises at the end. The study, in the bars where there is more counterpoint, still sounds basic. For example, because the accompaniment sometimes takes notes only from the chord in some bars (9, 10). Also because there is obvious parallel movement (13, 14).

This reminded me of the things Brian Eno used to do.

my first post yayyy

Far as I know, this Ravel prelude from 1913 has never been orchestrated before (unless any of you know different?) So here is my attempt. I've used fermata of various lengths to create rubato. I wonder if I should use more dynamics? (Though MuseScore tends to exaggerate them.)

I consider this another palette cleanser. Just a simple piece without microtones meant to evoke a mood/vibe for the purpose of being background music for an Ice Cave location in a videogame. I'd appreciate any comment, critique, suggestion or observation! And thanks for listening!

I like the orchestration: it's very cinematic, with moments of contrast, tension and release. You don't often see a basset horn these days! I tend to associate those with Mozart, as I think he used them in his requiem.

Mysterioso in E Minor is a piece I made for a full orchestra. It is approximately 3:50 long and has 122 measures. I'm looking for feedback on the overall composition and how well I orchestrated it. (P.S. I might change the name to "Adventure in E Minor" due to its wide range of themes, emotions, and tones.)