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@Thatguy v2.0 Here's my review on your prelude: 1. Harmony: The harmonic language throughout this prelude is lush, and beautiful. There are moments of chromaticism that create a sense of romanticism and yonder. Ex: b 26. I love how that sonority sneaks in and breaks the diatonic harmony. 2. Melodic material: You have established clear melodic motive the flows nicely with the harmony. 3. Character and tone: I feel that this piece is a romantic style prelude. Either chopin or Rachominov would have wrote something like this. 4. the score is readible and playable. Overall i enjoy it. 🙂

This one is a little bit minor, little bit dorian, kept it on the simpler side. 😄 I hope you enjoy, and as always all comments and thoughts are welcome!

I live in Hong Kong but never actually hear of this 🤔

Hello, community members of Young Composers! Hope you all are doing well - I speak on behalf of Musical Memories, an international nonprofit dedicated to providing students with an exciting and engaging way to develop their skills in the world of music. We have chapters all across the US and in countries like Hong Kong, where members facilitate interactive activities and performances. However, we also have an online tutoring program for those who are interested in delving into the world of music but aren't quite sure how to! Musical Memories' tutoring initiative is personalized, individual-based, and emphasizes the importance of constructive feedback. Our tutors are equipped with instrumental skills, teaching practices, and competencies to help a wide range of musicians. These tutoring opportunities are open to those of all ages/experience levels, with special emphasis on students! To sign up as a student: https://forms.gle/sSsCQChejhajsHon9 To sign up as a tutor: https://forms.gle/kVBw7TD5gvHuWUBQ7 Please don't hesitate to sign up, as we provide a judgment-free, stress-free zone. If you have any questions, feel free to reach out! Cheers to the power of music 🎊 In general, if you have any questions related to starting out on an instrument, how to join an orchestral/band community, or how to read sheet music, also touch base! 🙂

Idk, I still think the flow is off. Maybe its just a stylistic preference, but the cadences into rests, then starting back up again threw me off. I kept thinking the music ended, but then it kept going. It's nice as it is though, its a really great picture type of piece, like a tone poem. I just think it could have been shorter if you like it the way it is, to me its begging for contrast. Not necessarily something crazy, like throwing green paint on a black and white drawing. But for instance, your harmonic texture is nearly the same throughout. You change chords at the same rate, which makes it monotonous after a while. That can be fine, but we never went somewhere else, so it staled a bit to me. It was very pretty, and as always your coloring is fantastic. The sax is always a nice touch, and Im a fan of your style! Thanks for sharing bruh

Judging by the music, I'd say no lol Aside from that, the music is really cool! The delay effect is haunting, and you've once again woven randomness into a great piece of music. Nice work there Peter

Hello @JorgeDavid To me this rather sounds like Rachmoninov vocalise. You share the similar the melodic fluency that his did. Yes, I can hear the Bartok and Stravinsky. But, I am not sure how. The vocal line is beautiful; and the piano part is nice. It is nice piece overall. This would be great piece for a warmup.

I want something that is not miss leading. I.e. it is free to download but then you have pay for other things. Ones that are good or free, but i do not have to pay to for other services.

@Tunndy I agree with @PeterthePapercomPoser that entire composition should be in 6/8. You can easily phrase composition that way. Or at least 6/16. The accented beats are too obscure to read, and it would be hard to perform. I recommend understanding how meter works with music.

Thank you! @Henry Ng Tsz Kiu I wrote a new set following your advice.

Good afternoon, I have done some 1st species counterpoint exercise today. I thought it will be good way to start fresh as composer. You know, before tackling more complex forms. My goal is to do simple counterpoint through 5th species then doing moving on invertible counterpoint. Feedback as usually would help me out.

Sounds like a clichetic soap opera or cheap romance 🤪

Was still thinking of it, and will get to it, but yeah; life is getting ahead of me!🤪

@Churchcantor Figured I’d nudge ya regarding your thoughts on this score and what could’ve been done to improve it 🙂 Life gets ahead of all of us, as I’m aware. I’m sure this post went to the back of your mind after some time. No rush! Just didn’t want ya to forget about me!

Yeah, and also more advanced pieces in your portfolio will definitely help!

@PeterthePapercomPoser Thank you! I am planning to create website. Hopefully professional one: one linked to soundcloud and youtube. But that takes time.

Omicronrg9 started the fashion of making a portfolio page in the "About Me" section of his profile: Now Henry, me, and many other composers on YC use this section to display a press kit/portfolio of compositions in their profile.

I am trying to figure where should I place my portfolio? What's the best option?

I want to go from Fm to C#m, though Still easy, though

I want to go from Fm to C#m, though

Yeah it's easy to modulate from C# minor back, just through D flat major and then F minor!

Dramatic chord change from the key of Fm and Dbm/C#m? The change will be happening under a sustained tone, and Ab is that sustained tone... Any thoughts?

So far this is one of my favorites that you have done. The trio work well together, and this is certainly one of the most unique castings you've composed. I can see this being converted to just a piano, if you ever wanted to create an Etude out of this. It would be fun to play and listen to, and potentially falls into that Etude category. And like always, your recordings are getting really, really good.

@elmarad40 You are welcome

Hahaha thank you.