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I completely agree! The possibilities of the more advanced techniques like overtones, altissimo, multiphonics etc. vary per player. It great to have a reading session where you meet the players of you music.

Wow, I like it so much. Part B is a great contrast to A. Much more independent lines and counterpoint than in the sketch (nice Part D). In all, I think it's coherent, I mean it has unity as a piece, and that's important. The feeling is beautiful and contemporary. Dynamic contrasts are very good and makes it interesting. I have a doubt perhaps more experienced people can tell us.... When there are 4 players...., rubato can be a trouble? I will sound great in live performance!

I really enjoyed that - well done! You can fix the C to B# thing by Going to advanced filter (ctrl+alt+shift+f) In the left column make sure the 'Find: Notes and Chords' box is ticked In the notes and chords menu (i believe that's the one open by default) go to where in says 'Pitch:' From there, choose what pitches you what the filter to select. Press select at the bottom right-hand side of the menu. After this, the filter menu should be gone and all the C naturals on the score will be selected Press enter (this will respell the notes to B#s!)

To me it sounds like film music, from an old movie. It is nice, relaxing music. Try to search it here: http://www.musipedia.org/