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Found 4 results

  1. Hello! For some workshops at the conservatorium, I needed to write a very simple piece based on world music. So I decided to write my third melodrama about the fairy tale Ali Baba and the forty thieves. I did not compose a piece about the whole fairy tale, because it needed to be a short piece. The composition ends with an open end. The number of instruments can change, so I decided to cluster the instruments as much as possible. Here is the Dutch text with translation: Ali Baba is mijn naam. Ik ben de rijkste man in heel Perzië. Hoe? Dat zal ik u eens vertellen. Op ee
  2. Hello! [Partly the description in the program booklet and youtube video] Maarten Bauer – Melodrama No.1 ''The End of His Story Started Here,'' Op. 45. 11th of August 2017 Dedicated to all the victims in concentration camps during World War II. The music begins at circa 2:00 On the 18th of November 2017 (one of the) most prestigious composition competition(s) in the Benelux took place: Prinses Christina Compositie Concours. I submitted my Melodrama No.1 ‘’The End of His Story Started Here’’ and to my surprise I won the first price of competition! I cannot express my grat
  3. Hello everybody! It tooks ages to get some inspiration and it feels very satisfying to finally post some new music... This composition is going to be submitted to a Dutch concours with the theme ''Lang zullen we ronddraaien.'' This can be translated like: The earth will rotate for still much time. I interpreted the music like we become crazy, which means ''We draaien door.'' The poem is written by me and its theme is the refugees crisis. The form is Mosaic Form. Please tell me your opinion about the music! Feedback is appreciated as well. Maarten We draaien do
  4. Hello everybody, I need your help / advice! A few years ago I wrote a poem and I now want to set it on music. However, I want that the soprano tells the story. Only in some cases she is singing along with the other instruments. When I want the soprano to speak, do I have to write down the exact rhythm on the staff or should I trust her interpretation of how the rhythm of the words has to be? How do I notate this? In class, we learned that sprechgesang is not singing, nor speaking. It is between the two, but I want the soprano to talk like actors do in a theater show. Thank
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