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Found 8 results

  1. Hello, I am the composer for my artist project "Vivintinn". I create Orchestral/World/Electronic music with the aim of making storytelling compositions. I have most of my published works on Spotify for ease of access. I would love to connect with other composers and hear what other people think of the music, the production, the song structure, the storytelling component, or any other tips you might have. I will note that the music I create is primary for listening enjoyment and breaks some rules rather than following traditional music theory. I've attached a mp3 of my most recent single, but I would love if you also checked out my other compostions via the Spotify link. I hope to hear back from you all soon! Spotify:
  2. Here's the link I would really appreciate it if you could have a listen and let me know your thoughts. Thank you 🙂
  3. Composer - Veljko Nenadić Composition is mix classic, jazz and serbian traditional music. Performer: Neda Nikolic -- Serbian flute, Duduk Veljko Nenadic - Piano July 29th 2018, Festival "STAZA" Monastery - Bogostica, Serbia.
  4. Guest

    Flute And Piano Play

    Composition is mix jazz and Serbian traditional music Composer - Veljko Nenadic Serbian flute - Neda Nikolic Piano - Veljko Nenadic
  5. The_Path_Of_The_Secret_Forest.mp3 Hi! it is just a small try after a weekend on an amazing forest i went last Summer! Feel free to enjoy! Orchestral strings, flute & a sunny day! 🙂
  6. Hello, Let me introduce my new track, its title is "The Snake Charmer". It includes ethnic instruments and classical orchestral instruments also. I'm interested in your opinion. https://soundcloud.com/mardumusix/the-snake-charmer
  7. Hello fellow composers, I would like to publish and show you my newest composition - Peach Scented Whisper, inspired by classical/folk/traditional Chinese and Japanese music. The short, easy to listen piece is based entirely on minor pentatonic starting on D flat and in a smaller number of bars - the same type of scale starting on B. The given score is written for piano, since my music teacher advised me to write as much as possible using that instrument (I'm a high school student with no much background in music studies). I intended to use Chinese ruan moon guitar and guzheng patches, but since the midi file had a very wide pitch range (which is characteristic for piano), it didn't gave a satysfying sound. In result, the final product uses traditional, European orchestral ensemble harp. Enjoy and thank you for any helpful hints or suggestions!
  8. Opus 10, Japanese fantasy written for koto. For full album cover and more music click here : https://www.reverbnation.com/mademoisellelilaclucrezia Opus 10.mp3
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