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Henry Ng Tsz Kiu

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Henry Ng Tsz Kiu last won the day on December 15

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About Henry Ng Tsz Kiu

  • Birthday July 25

Contact Methods

  • Website URL
    Youtube: https://www.youtube.com/channel/UCvJlL2flTJzwQYwK0QhE1SA

Profile Information

  • Biography
    A self entertaining and self proclaimed composer who is known for using random pauses.

    Feel free to click into the About Me section for the catalogue of my compositions: https://www.youngcomposers.com/p21047/henry-ng-tsz-kiu/?tab=field_core_pfield_24

    If you wanna take a look into my music, check out my String Sextet: https://www.youngcomposers.com/t47129/string-sextet-in-g-flat-major-my-best-work-in-my-life-up-to-date/. It's the best music I am available to write up to date.
  • Gender
    Male
  • Location
    Hong Kong
  • Interests
    Reading, Listening to music, Composing, Watching Films, Thinking
  • Favorite Composers
    Beethoven, esp. Late Beethoven, Bach, Brahms, Mahler, Mozart, Haydn, Vaughn Williams, Palestrina, myself Most Hated Composer: Boulez, Babbitt, Penderecki
  • My Compositional Styles
    Classical, Romantic,Tonal, Pentatonic
  • Notation Software/Sequencers
    Sibelius Ultimate
  • Instruments Played
    Piano

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  1. You can just reply to your topic with a new post posting the edited music, or if you don't want to retain the old version, just simply edit the original post with the edited version of the music. Henry
  2. Hey Chris I know your agitation, because it seems to you that we are doing nothing on the AI issue on the forum. But the truth is, we as staff are taking a lot of time to discuss the whole issue and the settling down of it, at one point even very fiercely. (I'm sure you don't want to know how we argue) It's a really big issue so we need to be 100% clear on how we should handle it, since it could have affected the whole future of YC forum. It is because we as composers all know how precious it is for us to use our time to compose, so we need to handle it very carefully so no one's works would be depreciated on the forum, and the positive culture can be maintained. So, can you give us a bit more time Chris? Henry
  3. Hey @therealAJGS, This one is surely festive and light hearted as we all can hear in the grocery shops and supermarkets this month lol. The ending is quite funny haha. Thx for sharing! Henry
  4. Well I guess you have to be clear with what you wanna achieve, like harmonic, timberal, thematic, rhythmic fullness or whatever fullness haha. I guess if you work this way, you have tp achieve harmonic fullness in the SATB first, which is to allow all the tones of a chord whenever possible. Then when you arrange it to band, the orchestration matters for the timberal fullness. Henry
  5. Hello @mahler2009, Welcome to the forum! I couldn't agree more with @Thatguy v2.0. What is the idioms you want to express with? Henry
  6. For me, Theory workbook only works after you have some of the Masterpieces in your mind already. I have to know the soul of the works first before trying to learn their craft. Otherwise it's just meaningless to learn the craft and it's better to not compose anything at all.
  7. Rachmoninov haha 🤪
  8. Having a compostional Urethritis is like you want to pee but unable to and the urine stuck in your penis. You wanna compose but the ideas stuck in your head.

    1. PeterthePapercomPoser

      PeterthePapercomPoser

      Are you trying to pass a compositional kidney stone or something?

    2. Henry Ng Tsz Kiu

      Henry Ng Tsz Kiu

      Well I just pass that calculus out lol

  9. A like to this for your inspiring you please!
  10. Well, he avoided it to enrich the harmonic fullness of his counterpoint, but I don't think have to avoid it here given the style and mood. Maybe the opening left hand figure can end on C instead of note F, that would provide a morr ambiguous reading.
  11. 前溪舞罷君回顧,並覺今朝粉態新。

    Today's world.

  12. I say lead because after the exposition of each of the carol melodies in section A, it's always the English melody beginning the passage before the Polish melody follows two beat later. This happens in the beginning of section B, C, D and E. Even though there is change of the voices which is assigned the melodiees, I still think there can be some variations on the order of the appearence of the melodies, i.e. have the Polish Melody appears first and followed by the English melody!
  13. Hi @Kvothe! In normal pieces I will find those parallel fifths and octaves between the melody and the ground bass unsettling, but here it well fits the mood! I do think the mood is well portrayed! I like the thicker texture and motivic writing in section B. But beware of passages like b.32-34, as no piainist would be able to play a 11th interval on a piano, maybe only on a harpsichord. Also more details can be for sure added like the dynamics. I don't get what you mean; the piece is in F minor and the tonic is always heard! Thx for sharing! Henry
  14. Maybe instead of having the English melody leading the Polish melody, make a new counterpoint with the Polish melody taking the lead? That will avoid the more boring repeititons!
  15. Hey @HoYin Cheung! Sorry for reviewing a piece related to Double Ninth Fest even though it's almost Christmas now lol! I for certain the change of style in your new piece! The use of pentatonism is lovely. I love the contrast between the passage of a more ironic strings interlude with a more dissonant language and the passages with the voice which is more consonant and pentatonic. My fav. passage is in b.67 when you use that Eb major and followed by Gb major with great effect and matching the poetic line for broadening effects: "Living short as people always were, Why should we weep at the mountain like Duke Jing of Qi?" Thx for sharing! Henry
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