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Found 11 results

  1. The first draft of a March. I couldn't sleep last night so I composed this in bed on my phone. I borrowed Jorge's theme from his latest piece, the trio for two flutes and bassoon. Definitely check it out if you've not heard it yet.
  2. My first march. Its much harder to compose than a minuet, its going to take a bit of practice. Any tips would be welcome.
  3. This march is totally experimental for me. I have no idea if it sucks. Please be brutally honest otherwise I will never know any better. I would hate to be that guy on X Factor that's convinced he can sing when in reality the guy is simply deluded.
  4. Here is the piano march I composed Roberto Zini - Marcetta Sostenuta I hope you like it.
  5. There was a recent call for scores put out by the Edinburgh University Brass Band for a new concert march, and I'd been looking for an excuse to write something for brass band for a while. The march genre is one I've had quite a lot of experience in as a performer and so the style came fairly easily to me. I haven't submitted this yet, but I probably will fairly soon.
  6. New here :) Here's a piece I did on MuseScore, a march for piano. Curious to know what you guys think, how it might be improved. I am just starting to learn how to sight-read, after years of just messing around on the piano and improvising without reading.
  7. I believe I finally completed this piece, which, based on previous feedback, I think is in the general style of a European folk tune hybridized with a march. Earlier I posted an incomplete version, which you can check here for comparison: Thanks to the people who responded to the incomplete work, for their motivating reactions. Thanks to Rabbival507 for suggesting a "fast section" - a device I have noticed in folk music. I went with it, which kickstarted me again. It's 2 violins, viola, cello, 2 unison double basses (pizzicato only), concert flute, bass flute, nylon string gui
  8. Hello! It has been a long while since I posted here, and whatever little I did post went along with the refresh (???) of this forum. Anyway, here is an unnamed (because I'm bad with names) concert march which I have been working on and off over the past few months. It is written in the Japanese concert march style if you are familiar with it. The marches are typically written for the All-Japan Band Competition as set pieces. They tend to have a slightly different structure and (sometimes almost completely different) feel from the traditional English and American marches. There's no
  9. This march was written by me in 2014 for a student's band, but unfortunately, it has never been performed. The syntax tries to follow the structure of a classical march (with repeats, introduction, trio, etc.). I'm up to write a better ending for the piece. I think after D.C. al Fine, I should add a dominant 7th svorzando chord in eighth time, also staccato maybe, and end with a tonical chord with glissando (sol-la-ti-do) for the instruments carrying the lead melody. Recorded with EWQL's Symphonic Orchestra Gold Edition.
  10. So this uploaded this piece a couple of months ago (original in the archives). I have added an another movement, and I think I can say now that this work is pretty complete (barring some minor revisions). Impromptus are collection of short orchestral pieces that I have written (on a whim basically) in the past year and a half. They consist of short movements each with a unique mood and form. The 3rd movement (the Berceuse) was inspired by a theme by Christian Perrotta (I'll link his original theme below). The instrumentation is fairly the same throughout the whole piece. Let me know what you g
  11. It seems to me that brass in the orchestra is reluctantly used, held back for the big explosion, almost like percussion. Particularly in the romantic era/ nineteenth century (whatever you want to call it). I understand as time has progressed that brass has had its wondrous moments of melodic bliss but they are quite few and far between. Mahlers Funeral March in his 5th symphony is a good example. I'm hoping you guys can prove me wrong by presenting a work (or part of) from any era, could even be one of your own works, that displays a good use of the Brass ensemble. It would be grand if you co
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