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TL;DR underneath. When I first learned things about harmony and voice leading, I learned to avoid parallel and direct fifths and octaves, to avoid dissonances, and things like that, because they're against the rules. I reasoned that the rules weren't arbitrary, so they had to be there for a reason; people want their music to be likeable, things that sound bad aren't likeable, therefore, invent rules to keep music from straying into the boundary of bad. But, as everyone knows, one of the first responses to that is, 'But that doesn't sound bad!', and the reply, 'It diminishes the independence
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Hi everyone! Welcome to the revamping of the Masterclass forum. Here's everything you need to know: Masterclasses on YoungComposers are like little mini-lessons focusing on a very specific aspect of musical composition. This can be anything from Ear Training to Score Study. Each lesson will be led by a proficient teacher in that field. Instructors will need to know basic composition skills, with an extended knowledge on the topic they will be teaching. As composition topics for these classes are announced, you can respond here in a separate thread if you'd like to be the proctor
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Young Composers Music Forum Rules and Code of Conduct The five main rules applying to all forums are as follows: Do not post illegal content. This is defined as any content not belonging to you, or content that is prohibited by U.S. internet law. The use of hate speech is prohibited. Hate speech is defined as: content containing material that degrades, intimidates, or incites violence or prejudicial action against a group of people based on their race, ethnicity, national origin, religion, sex, sexual orientation, or disability (e.g., homophobia or racism). YC has a forum-wide, zero tole