Jump to content

Pieces everyone else likes but you


Nightscape

Recommended Posts

Pretty self-explanatory. Are there any pieces that it seems everyone you know is raving about, but you can't stand.

I don't generally dislike much music, but I can't stand Dave Matthews Band. My roommate played it and something about the music and performers annoyed me to no end.

Link to comment
Share on other sites

  • Replies 233
  • Created
  • Last Reply

Top Posters In This Topic

The White Stripes (if you've heard of them) ... and also most mainstream music.

The Barber Adagio...

Mozart Sonata "alla turca" or "Turkish March"

Mozart's piano concertos (for the most part... they put me to sleep out of sheer boredom)

Cage's music... most modern/postmodern stuff that people rave about. Some of Ravel's music.

Those are just a few that come to mind.

Link to comment
Share on other sites

Some of Ravel's music.

You scallop! :angry:

Bah.

Well, for me, there is plenty of music that everyone seems to rave about but I have no care for. Pretty much anything Mahler ever wrote, for example. It's not that it's bad but just doesn't do anything for me.

Let's see, what else...

Beethoven's 5th.

Pretty much anything Mozart wrote ever (with a few exceptions).

The majority of Beethoven's piano sonatas.

Debussy's Clair de Lune. Well, I don't hate it but it's prolly one of the worst pieces Debussy has ever written and I can't seem to see why everyone makes such a big deal about it.

Ravel's Bolero. Again, don't hate it but it gets tiring fast.

Bartok's Allegro Barbaro. Don't see what the big deal he is, he wrote much better music.

There are plenty more but I can't read think of any. I'll prolly end up coming back to this list soon.

Link to comment
Share on other sites

Mahler and Beethoven's piano sonatas are funny ones for me, as I disliked both before last year. I took an advanced theory course based entirely on Mahler's compositional approach, starting with his early music (which is mostly key-centered), and then his post-Wunderhorn symphonies, which show an increasing trend on linear polyphony, culminating in Das lied von der erde and the 9th and (unfinished) 10th symphony. I hated most of it at the time (which is strange, since I'm all about post-romantic and expressionist music), but now that I can see the broad forms and the nuances used, I appreciate it much more, but it took a great deal of time.

The same professor taught our Form and Analysis class, and we used Volume I of Beethoven's piano sonatas as our text and material. Since then, I've come to see the piano sonatas as the way that Beethoven experimented with the variations of form and compositional idioms that he later used (with great success) in his symphonic writing.

I've got a couple more to add to my list, though:

--------symphonic/chamber music-------------

Berlioz - "Symphonie Fantastique" - You should have heard how crazy my school got when someone announced the CSO was doing Symphonie Fantastique. I don't see what's so great about it. Wahoo, it's a program symphony. Yay, the musical represents characters and ideas. Do "don Quixote" instead.

Tchikowsky - Marche Slav - I understand the orchestration and voicing is meant to be very sarcastic, but so much of it is done in completely stark, 2 or 3 part writing with excessive doublings and triplings.

Pachabel's Canon - play some weddings, and you'll understand why.

Handel - The Messiah - Every year I can count on some group in my community doing the Messiah. Handel wrote GREAT oratorios; why can't someone use one of those for a change?

---------------------------

As a violist in a studio of nearly all violinists, I also have a special place in my hate-bag for a lot of the showpieces and trademarks of the repertoire.

Paganini's Caprices - Played well, I'm sure these can be wonderful. I, however, get to hear wave after wave of students play these like etudes or technical studies, just butchering them. Kills it for me.

Weinawski - Polonaise - As a rule, Weinawski is one of my favorite composers of incidental violin music. This piece, however, irks me to no end. It's schmaltzy and devoid of the feeling characteristic of the composer's work.

Bach - Prelude to Suite in G Major (cello) - I've been asked to play this at weddings, nearly every year at Christmas, and if I do the G major (as opposed to d minor) suite on my recital, I'll be doing it again. grrrr.

Faure - Elegy - I need to start being careful with what I'm listing here, or people are going to crucify me. I don't like Faure, and I'm sick of being asked to play this piece. There are plenty of great "mourning" pieces for the viola (or playable on viola), including the 2nd and 5th movements from Sitt's Albumblatter, Hindemith's Trauermusik, and others.

Link to comment
Share on other sites

I can deal with pachelbel's canon when I'm playing it with my friends just for a bit of fun etc...but when everyone uses it for their weddings, grr then I get annoyed....That and the fact that it's played everywhere...

other than that...Every pop song that seems to be written, 90% of my friends love them but I loath all but a few of them.

Link to comment
Share on other sites

well Ive listened to all three of his early ballets, and the rite of spring is the only one i liked, and I've definently heard a lot of his neoclassical stuff. I have to admit though that I haven't heard a lot of his late stuff, although from what I have listened to, it still kind of has that vulgarity and comicality that I don't really like.

Link to comment
Share on other sites

Adding to my list already (as predicted), I have to say Gershwin's Rhapsody in Blue. I just have to ask whenever I listen to it "What's so great about it?" Questionable orchestration and wildly incoherent. His piano concerto is much better in my opinion.

Oh, and yes, Pachelbel deserves to be brought back to life, cloned mutliple times, then have the clones chopped into small, bite-size pieces and force fed to the original Pachelbel for his final meal right before being executed again for his damn cannon.

Link to comment
Share on other sites

Lol. Apart from Pachelbel's Canon, which deserves to be hated, all you people are idiots. :P

Mozart's piano concertos? The Barber adagio? Wieniawski's polonaises? ANYTHING by Mahler? Symphonie Fantastique? Rhapsody in Blue? Wozzeck? How the gently caress can you people call yourselves musicians? Bah.

Link to comment
Share on other sites

Lol. Apart from Pachelbel's Canon, which deserves to be hated, all you people are idiots. :P

Mozart's piano concertos? The Barber adagio? Wieniawski's polonaises? ANYTHING by Mahler? Symphonie Fantastique? Rhapsody in Blue? Wozzeck? How the gently caress can you people call yourselves musicians? Bah.

No, we're just not sheeple. Have fun conforming with the masses, bahhhhh. :P

Link to comment
Share on other sites

I really can't stand the faure fantasie for flute/piano. It's like, 'Oh my god, you're playing the Faure?? I love that piece! Here, let's play it together! The opening is beautiful! The second movement is so much fun!' when you even mention it, like you're supposed to know it from memory, and the second movement is the ditziest piece of shlock I've ever heard. grrrrrrr.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


×
×
  • Create New...