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Found 2 results

  1. Hi everybody, The last weeks I am focussing on instrumentation and orchestration. I wanted to arrange a clear Haydn sonata for a small orchestra with 2 natural horns and 2 oboes. The full name of the sonata: Piano sonata in D major, Hob. XVI: 37. Beautiful recording by Eschenbach: https://www.youtube.com/watch?v=b6JMbUgxq-0 I wanted to keep the atmosphere of the sonata, which is very energetic, but not complicated. Because this is for practice, I only arranged the exposition of the first movement. Score, which I used: Haydn - Piano Sonata in D Hob. XVI;37.pdf M.Bauer - Small Orchestral Arrangement for Haydn Piano Sonata Hob. XVI;37.pdf I'd love to hear your feedback! Maarten
  2. Hey, So I am using Finale 2012 to write sheet music, and I recently came across a small presentational dilemma concerning accidentals. This is the choice I have to make: do I use a double flat, or do I use multiple flats and naturals? I know that when I read music, I hate trying to negotiate with double flats, but I think that the music would look very cluttered otherwise. I hope that makes sense.
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