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Found 10 results

  1. I have been arranging mostly Beethoven and Mozart lately. I figured it was time to change that and arrange a piece by a different composer. It has also been a long time since I arranged a piece for piano, either duet or solo. So I was wondering what would fit into a Piano Duet arrangement well. I immediately narrowed things down to orchestral works. I figured that for the best chances of fitting into a Piano Duet, I would want to stick to those composed in the Classical Era. I know from experience that Beethoven is hard to fit into a Piano Duet, not to mention the resulting arrangement being h
  2. I'm not finished writing this sonata yet, but I have finished the exposition of the first movement. As you can probably tell by its nickname, the inspiration to write this sonata was Franz Joseph Haydn. This is my first sonata for a duet that actually has a finished exposition. I finished the exposition of the sonata in an hour. I know Haydn is humorous, so I tried to be humorous with my sonata. There are a quite a few surprises in the exposition that I wrote. Here they are: Bar 5: Sudden entry of the flute and absence of the piano Bar 6: Sudden reentry of the piano Bar 10: Short dimi
  3. So I am working on a scherzo and I got the first 3 phrases done but then I reached a composer's block. I am trying to get a more Haydnesque feel to this scherzo while still having some originality. Here are the ways that I have tried to get a Haydnesque feel across: Hemiola in the first phrase, so like instead of quarter note tied to eighth note which would get across 3 beats, I write it as 2 dotted quarters which gets across the feeling of 2 beats in 3/4. In my case, it almost sounds like there is a triplet rest between the dotted quarters, even though I didn't write any rests there.
  4. My third Opus 2 quartet, it's particularly influenced by Haydn in the first and third movements. I wrote this back in September of 2017. I always appreciated feedback, so don't hesitate! Sorry about the trills in the third movement, Musescore's trills are not so good.
  5. Hello! Sometimes I just need to write and write and write... without thinking about whether people will like it or not. I decided to compose a piece based on motifs. This time, I decided to compose another neoclassical composition: String Quartet No.2 ''Cuckoo'' in G, Op. 65. The music is meant as a sort of scherzo. The main motif is the sound of a cuckoo. This string quartet consists of only one movement, which is in sonata form. Feel free to comment! Maarten
  6. A string quartet that I completed on the 16th of June. It is in the classical style, inspired by the quartets of Mozart, Haydn, and Kozeluch (A very underrated composer who was more popular than Mozart during his life).
  7. Hi everybody, The last weeks I am focussing on instrumentation and orchestration. I wanted to arrange a clear Haydn sonata for a small orchestra with 2 natural horns and 2 oboes. The full name of the sonata: Piano sonata in D major, Hob. XVI: 37. Beautiful recording by Eschenbach: https://www.youtube.com/watch?v=b6JMbUgxq-0 I wanted to keep the atmosphere of the sonata, which is very energetic, but not complicated. Because this is for practice, I only arranged the exposition of the first movement. Score, which I used: Haydn - Piano Sonata in D Hob. XVI;37.pdf M.Bau
  8. I am in the middle of composing my first keyboard sonata. It is in a classical era style, as I imagine all my other pieces will be. Here in the past, I was given note of Classical Form by William Caplin, which focuses on the form and functions exclusively of Haydn, Mozart, and Beethoven. However, I don't want to be limited to only those three composers when I study classical era styles. It would be just like people wanting to compose in a baroque style being limited to compositions of Bach, Handel, and Vivaldi; or those wanting to compose in a romantic style being limited to compositions o
  9. Hello chums. My name is Marcus. I am largely a self-taught amateur composer. I have observed techniques used by composers of the Classical period such as C.P.E. Bach, Haydn, and Mozart, and I have incorporated such into a composition of my own. The piece I intend to complete is a keyboard sonata in C minor, and I have the last several measures of the piece attached to this topic in PDF and MIDI format as a fragment. Feel free to observe and listen to this fragmentary composition. Do any of you people know of any methods that could help one master a style period like the Classical? I wa
  10. Right, welcome to the orchestration lessons thread! First lesson on Haydn is attached. Orchestration lessons 1.pdf
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