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Found 58 results

  1. This is the fourth movement of Íslensk svíta (Icelandic suite) for piano solo. This movement is really a variations on a theme, the source being an Icelandic folksong, "Vísur vatnsenda-rósu." The piece has more of a cinematic feel to it than the other movements, and definitely requires more virtuosic abilities. There's also a certain edginess to this movement that, I think, contrasts nicely with the ebb-and-flow of the others. It was quite enjoyable to put together, so I do hope you all enjoy this, as well. Please let me know what feedback you have! Word to the listener: there are a lot of quartal harmonies, whole tones scales, and juxtaposed fifths, so be prepared for a lot of dissonance. This piece is exciting to play (and hear), but don't say you weren't warned if it gives you an earache.
  2. Good morning (at least where I live 😅) 🙂 I wanted to try to write something for cello solo, with the (I'd say rather poor) knowledge I have of the instrument. Here's the result : Have a good day 🙂
  3. I was wondering if anyone can recommend some songs with violin/viola solos along with an orchestra?
  4. A set of two nocturnes! I am going to write a few nocturnes in minor keys as well, so don't worry if these are too happy for you. My dark and brooding side is yet to come in the form of a symphony! Enjoy this for now! (You can see how I was originally going to start the B-flat major prelude in D minor!) Please give all the criticism you can.
  5. These are a set of five preludes for the piano that I wrote, so they are relatively short. Keep in mind, this is the musescore render of it, so it's missing a lot of expression and musicality. Looking for feedback on them. Thank you!
  6. This is a piano Concertino that was premiered in December by a Chamber Orchestra composed by young artists. I couldn't record the event but I have a midi rendition. Any feedback is welcomed!!!
  7. Hey Everyone, This is my latest album, it's an 8-track piano solo album. Please let me know what you think of the pieces, scores available soon, for now please comment on what you like about the sound of the pieces. Album releases on 18th March Album on Soundcloud
  8. Hi! I'm new to this site, and I'm not here for myself. I joined this site for my friend who is an amazing pianist and insane at improvisation. He is very good, and what I upload here, with his permission, is pure improvisation. I think that if you give the music a nice amount of feedback, he will have more motivation to compose and improvise more, and I will upload more here. Please listen closely to these audio files from my friend and please give me/him some feedback on his playing. The feedback can be either good or bad. I just want him to be heard, and given feedback to. Piano improv. 2.mp3Piano improv. 3.mp3 Piano improv. 1.mp3 Thanks!!
  9. This is my first attempt to write a piece for unaccompanied violin. I'll try to make a recording in nearest future
  10. This is a piece I wrote a few months ago, I’ve been having fun playing it and thought I’d share it, enjoy!
  11. This is a short piece from several years ago
  12. This is a composition from a few years ago, enjoy!
  13. Hello Everyone, I wrote a short piano piece lately. It is depicting the journey of a child when he was trapped in the maze in his dream. Again, this is a tiny piece to further experiment with the modern style and try to create different ambiances. Any comments are appreciated:D Best, HoYin
  14. This piece is from a beautiful Georgian folk love poem. During my time in Afghanistan, we did a lot of work with the Georgian military, and I was always very impressed by their culture and music, so I decided to do some research into it. Georgian music is some of the oldest polyphonic music in the world, and that ancient sound is reflected in the "chant" parts of this piece. Modern chordal movements are also included to contrast the old with the new while still maintaining continuity throughout. There is both positivity and pain in this piece which is approprtiate for both the narrator of the poem and for the country of Georgia itself. I recorded this myself (countertenor I recorded down a minor third and then transposed, low basses same thing but up a major second), so excuse the mediocre singing. Net'avi ratme maktsia bulbulad gadamaktsia bulbulis ena masts'avla baghebshi shemomachvia davk'ono okros k'onebi davpero vertskhlis ts'q'alshia saghamo khanze giakhlo chamogiq'aro banshia dilit ro gamosuliq've shig gagekhvios k'avshia ნეტავი რათმე მაკცია ბულბულად გადამაკცია ბულბულის ენა მაწავლა ბაღებში შემომაჩვია დავკონო ოქროს კონები დავპერო ვერცხლის წყალიშია საღამო ხანზე გიახლო ჩამოგიყარო ბანშია დილით რო გამოსულიყვე შიგ გაგეხვიოს კავშია I wish I could turn into something: Turn into a nightingale, And learn the nightingales' language; I'd come to dwell in the garden. I'd gather up golden bouquets, Dip them in liquid silver, I'd come to you in the evening, And lay them on your roof. When you come out in the morning, May they be entwined in your curls!
  15. Hey guys, here's a short piano piece I wrote about a month ago as an exploration of pitch class set theory. That being said, I feel that the set that I chose (0247) is a little bit too "tonal" for you to really be able to tell that it was written using pitch class sets in the first place. So I'll probably end up wanting to give it another go. But I would love to hear your thoughts on what I do have, as well as any thoughts you might have on composing with pitch class sets, and what you might have done differently in order to create something that actually "sounds" like it was written using set theory. Oh and sorry for the mediocre sound/performance quality.
  16. First post here, this is an orchestra work I did a while back as an ode to Virginia (My home state) it takes you through various regions of the state such as the Tidewater, the Appalachians, the Blue Ridge, and the Shenandoah valley. I was inspired to write this when hearing the intro for Appalachian Spring by Copland. I remember our teacher saying it was meant to capture a morning in the Appalachian Mountains (where my family is from), and thinking to myself that Copland nailed it, but I wanted a piece that would do the same for the whole of Virignia (Or at least parts of it). I sought to emulate this in the beginning of the piece. The piece concludes with my take on Oh, Shenandoah. A river that rolls through Virginia which I spent many summers on. Let me know what you think, and yes I know the score is horribly engraved.
  17. This is a tuba concerto with piano I have been working on for quite a while. Originally this was meant to span multiple movements but I decided to run the movements together and give it cyclic properties. The sustain pedal on the piano is just holding out on this midi rendering so it gets muddy and the 8va markings cause both staves to move up or down an octave for whatever reason even if I didn't write it like that. Anyways, I hope you enjoy and criticism is welcome.
  18. I was just practicing music theory, and then, I decided to write something classic, and I tried to follow every rule I learned. Also, I could solve the problem "feeling incomplete" by using Cadence. I hope you enjoy!
  19. My first ever completed composition from March 2017.
  20. This is my soliloquy for violin No. 30. Here is the link to my Soliloquy for Violin No. 29: https://www.youngcomposers.com/t34240/soliloquy-for-violin-no-29/
  21. I was contacted a couple weeks ago about a project in Belgium which intended to get 25 composers to each write a 2 minute piece in any style for a certain percussion setup (choice of three), and a 50 minute piece would then be strung together. This is what I came up with! It's for marimba, bongos, and temple blocks (all one player). I had a lot of fun writing for my native instrument for the first time in a few years. Unfortunately I don't have access to a marimba to test out the part on, but I air-marimba'd a lot of it to make sure it was theoretically doable. Doing the notation in Sibelius was a pain but I felt that it was worth making sure the marimba part looked intuitive.
  22. A short piece for solo piano, basically a variation of the same theme in 2 parts, separated by the change of dynamics.
  23. Please excuse the playing on this. If any pianists would like to record a better version I'd be happy to hear from you!
  24. A sonata for flute a wrote about a year and a half ago. I still consider it pretty good which is rare for me and my "hating pieces I've written" track record. Hopefully y'all agree!
  25. These are some pieces based on natural things that I see or imagine.
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