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I developed a method of getting the panning and the loudness of every partial (sine wave sound component) in the song exactly where I want it in a matter of seconds. It's been yielding results that sound pretty good to my ears. My theories seem to be working. Incidentally, the principles behind this method of mixing were inspired by my faith in God.

Hi @PeterthePapercomPoser, I forgot to answer to you! I've done a couple guitar impro sessions or compositions where while playing I have intentionally detuned - by ear - to a result that made me feel right. Then afterwards I've finetuned it. It is more about a general colour (and the way guitar reacts to small, constant microtones like these) than anything else. It's completely based on ear :).

(The people with questionable computers)

So back to the question: What do we do with them?

Also, Windows 95 and 98. Yes. They are staring at you right now.

They do, you can play Microsoft Minesweeper on it!

I remember one of my friends' computers doesn't...

Do they even exist at this point?

Same. Agreed!

Yes, that would work for most of us, but what about the poor fellows that don't know music theory but still compose authentically?

But what about the people without that type of computers?

Best of all, just ban it, though.

Also composition practice. Eg. Let ai make a theme and you improvise upon it as practice, but not actual composition that should be submitted in events and stuff. I would say, make a special forum, really for composition practice and have them submit both their theme and also the improvisation they wrote themselves. This is my limit I would give to AI composition.

Ai should only be used for learning composition, not doing composition.

I will also add that I think video should be encouraged as the primary detection means. Almost every computer today has built-in screen capture software that will allow you to record daw/notation playback effortlessly.

Just saw this and voted. Those results so far

My feeling is that, regardless of your opinion on AI music, this is a composition forum. Prompting an LLM to generate music is not composition. Therefore, it has no place on this forum. It's as simple as that for me.

Quoting what I wrote in a thread earlier: Furthermore, unless a sub-forum for AI music can be quarantined, I strong believe that all AI music should be banned. Quarantining in this context means nothing posted in this sub-forum will be presented to users by default, unless they specifically looked for it (new posts/replies in this sub-forum will not show up on the sidebar on the main page etc). Without quarantining, just making an AI sub-forum is the equivalent of allowing AI to exist on this website in its current form.

I don't know if this is proper but more of my poetry can be found on Poetrycircle.com under the name Pyrde

Poem: w- wheigh- waken oh wheigh- oh waken glare... ...dithers ...flares ...n'fathom ...oblivio- Explanation in score :). Musescore.com Link I have a love for minimalist, kinda hard to understand poetry like this. I have been in a composer's block for a bit and decided that wth, I'll make a score in the same way I've taken to poetry: With limitations and a time restraint. You may disagree with my interpration of the scale, that is OK with me. It is more of a label than anything else, at least I struggle to find a clear tonic in pieces like these. Really the decision of the scale and therefore my naming of the piece in B-flat is just based on my initial limitation. Microtonal fingerings have been tested (and measured) by me on the clarinet. For a player more clarity would obviously be involved (charts). Explanation (5th page, not sent here because it includes personal information): Poem explained: w- wheigh- waken oh wheigh- oh awaken glare [at the sun] [the sun] dithers [the sun] flares [the sun does] n'fathom (=doesn't fathom) [to your existence the sun is completely and utterly] oblivio-[us] Liner note to composition: I was experimenting with some notes on the clarinet and ended in a fun pentatonic scale. In a throwback to an interest, or perhaps an obsession, in obscure scales I had back around the time of Covid, I decided to try to limit myself into an odd scale. In B flat the scale is basically a Lydian with a minor seventh and an augmented third. The intro and outro (solo parts) experiment with some very small microtones I found on the clarinet. For any additional information or questions, feel free to contact me Written on the night between jan 4th and 5th 2026 while watching the WJC ice hockey match between Finland and Sweden.

Fun ride!

Me and the computer "wrote" this using quaternions where a = duration , b = pitch , c = dynamic, d = articulation.

Thank so much for the positive feedback! Sorry, I didn't have time, and this is rare spare time I am using right now. I am extremely happy that my piece has mesmerised so many of us, and, I am surprised of your dedication to listen for so long! Lastly, I have to thank you and all of the others who have listened to my music in this thread. PS., is there anyway to have a mod or pack or so anything to improve musescore's sound?

You are welcome

ragazzi mandate tutte le partiture originali dei film che avete