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I think what you mean by the transition in the first theme is the D F# G# whole tone chord (one could call it an altered version of the dom.7 in A Minor with the F# being a ninth) on the last beat of m.4 , the suspended F natural in the violin, and the enharmonic modulation, the G# becoming Ab in Ab Major. A sneaky way to get from A Minor to Ab Major really fast!

For some reason, I can't seem to edit the title on the link to Noteflight from "ba" to Bagatelle. I could unpublish and republish it, but I guess "ba" will do.😃

i love the texture in this. its very subtle but it goes really well with your description! it is imaginative in a way that i could visualize the imagery. for example the gusts of winds starting on b.28 using the dynamics, or the rain on b.52. the beginning usages of harmonics to represent the clouds and the subsequent ones are also pretty cool the string writings are lovely in my opinion, in the way that you took advantage of the different individual string timbres of the quartet. those low C string cello notes are powerful and prominent, especially on b.48 where, i think, it indicates the start of the "wall of rain" section contrasting the high register notes of the preceding section and finally, im fond of the way you use the variety of dissonances and added notes, it feels very effective and not over bearing that you're drowning in a chromatic porridge Melodies Themes Motives 5 Harmony Chords Textures 9 Form Development Structure Time 10 Originality Creativity 10 Score Presentation 10 Instrumentation Orchestration Playability 7 Execution of Given Challenge 10 Taste 9 Average Score: 8,75 final note: its peak.

Hi Sam Yes message any Vocals over to personal messenger, and ill add them to the mix, youll be surprised ! But please Sam .......Nows the time to stop smoking. xxx

Hi Everyone. this is the latest track that i have composed. The song is in malayalam language, but i was looking to get some feedback on the arrangement. The vocals are dummy and are done in Ai. they will be replaced once final lyrics are ready and vocal recording is done. Need your honest opinion on what should be improved, what could be done to elevate the track. Ranam.mp3

Hello there! Here is the latest installment of preludes, no.16. This one deals with a lot of two voice counterpoint and a relentless ramble on one theme. As a personal side note, these have been a lot of fun to write, and it's been great simultaneously writing a bunch at once. I had a sporadic burst of ideas when I started this one, and it lead to a lot of spread out writing. I guess what I'm SAYIN' is... more to come! :D Thanks for listening and reading... any comments of any kind are welcome! P.S. some of those tempo markings are to mimic rubato, dunno I suck as an editor Prelude No 16.mp3 Prelude No 16 - Score.pdf

Merci beaucoup ! Je suis ravi que cela vous plaise :)

Wow! Just wow! This is such an honour - I am out of words! Those arrangements are absolutely incredible! Sorry for the late reply, I was actually hospitalised for the last week due to some stomach complications that left me incurred with a lot of internal blood loss. As for the vocals in my version, they were actually generated using a vocal synthesizer and not my own voice - so if you wanted some authentic vocals to mix, I’ll be sure to send them once I recover. Or if you wanted to use the vocals I generated for my version, I can send that to you as well. Anyways, it is a tremendous honour. Absolutely loved the orchestration that you put forward!

This is my "Seven Sententiae for Clarinet, Op. 395". It is one of my most ambitious set of sententiae both in overall length and individual sententiae. It is also one of my greatest compositions for a monodic instrument. I hope that you enjoy listening to it and would welcome your feedback. Seven Sententiae for Clarinet, Op. 395.mp3 Seven Sententiae for Clarinet, Op. 395.pdf

On The Good Ship Lollipop Imagine being born in 1934 https://www.youtube.com/watch?v=0Q7ybTGzaHQ&list=RD0Q7ybTGzaHQ LOLLIPOP 1934 VERSION- - Rendition - Cover.mp3

An emotional piece with a meticulously crafted score. The multi-divisional arrangement of the string section is particularly interesting.

I do these sorts of instant composition exercises, or did a lot in the past. Find one in a drawer or box...actually, the coda was added later in Noteflight, because I only found one page! The original ending can't have been much.

I really the the transition in the first theme! I really like the rhythm too. It is interesting. The start of the second theme is beautiful. Anyways, very interesting Potpourri.

To quote myself with regard to the program I've been working on, in a conversation with Google Gemini: "...while the processing is very slow even on a fast computer, the results do not any longer sound like an interesting special effect; they sound smooth, clear, rich, and unobtrusive, which is exactly what I was trying to achieve. The program does what I consider a superior job at automated remixing. If one doesn't want to spend hours, days even, remixing a sound file by hand, this is, I think, the way to go, particularly because you're never going to get the mathematical precision of this program if you do remixing the normal way. Given that the processing is now beginning to get very slow, the results have achieved a more than adequate degree of excellence, adding more features would risk breaking the program's workings, and I am low on realistic ideas on how to improve the program, I think at this point, we can consider the project more or less done for now." All the music links in this thread have been updated with the new sound, and here are a few more links to music:

Hello! This one of my pieces with lesser compositional quality... It was a very fun piece to work with so im posting it here too, just for the sake of it. Its for organ or harpsichord, in this midi recording its for organ wich i think fits nicely with the more contrapuntal style of this piece. This is a Fantasia (Back in the renaissance and early baroque era, the genre of the fantasia was just a broad therm for anything improvisational or without a structure) wich i used a renaissance popular tune called "La Bassa Fiamenga", You can find this melody extensively on various pieces of that time, and its one of the lesser known ones. Enjoy! Fantasia sopra la Bassa Fiamenga (2).mp3

Do we have to pay to know the ending this time? 🤑😜

It's Organum tho lol! The only term makes me laugh is "Contemporary Music" lol.

My String SEXtet must make you laugh lol Henry

The 4th in my Emotude series, this one explores a more minor and sombre landscape. Hope to soothe your Spring spirits. Thanks!

Yes! Its actually not at all unstylistic, on smaller renaissance bands like Consorts and Alta Capella, dynamics where used. The problem is that i don't know how to use finale very well, wich is the software i use to make it, so tweaking the dynamics the way i would want would take a lot of effort, so its best to keep it bland.

Thank you!

Sextuplets (16th note triplets) JOINTS (head joint / foot joint / etc) pp Tutti

G String (orchestra, guitar, and ukulele) Nut (guitar and ukulele) Ogranum (organ piece with one pedal note held a very long time) Scat (A form of jazz singing that uses improvised nonsense syllables to create a melody... NOT animal poop)

😯 Wow... This piece really transported me there. Therefore an amazing submission, outstanding work. You seem like you may be a string player with your preference on hand position, and your pfp, but I still must say, this is some very difficult music to play. If I were to find out that a chamber group was going to play this, my first question no matter the group, would be if they could pull it off. But if I trusted the group, I would NEED to hear this.